459 results for: 1697

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Portrait of Caroline, Margravine of Baden-Durlach, nee Princess of Hesse-Darmstadt, 1767, oil on

LZT20A50_110

Portrait of Caroline, Margravine of Baden-Durlach,...

Capriccio with arch of ruins and mooring, oil on canvas, 34.6 x 42.3 cm, unmarked, Giovanni Antonio

LZT20A47_372

Capriccio with arch of ruins and mooring, oil on c...

Map, Novissima Regni Scotiae Septentrionalis et Meridionalis tabula, divisae in ducatus, comitatus,

LZT20A46_087

Map, Novissima Regni Scotiae Septentrionalis et Me...

Karl Gustav von Amling, German, 1651-1702, after Pietro Candido, Netherlandish, 1548-1628,

LZT20A54_225

Karl Gustav von Amling, German, 1651-1702, after P...

Vanitas Still Life, 1697, oil on canvas, 104.5 x 81 cm, Signed and dated on the lid of the cash box

LZT20A47_411

Vanitas Still Life, 1697, oil on canvas, 104.5 x 8...

Portrait of a lady with a lap dog, 1697, oil on canvas, 62.5 x 54 cm, signed and dated lower right:

LZT20A48_011

Portrait of a lady with a lap dog, 1697, oil on ca...

Italian Landscape, oil on canvas, 105.5 x 132.4 cm, Signed lower right on the stone: ABegeyn fe.,

LZT20A47_446

Italian Landscape, oil on canvas, 105.5 x 132.4 cm...

Richard Collin, Flemish, 1627-1697, after Jacob von Sandrart, German, 1630-1708, Hans Holbein the

LZT20A55_035

Richard Collin, Flemish, 1627-1697, after Jacob vo...

Pierre Imbert Drevet, French, 1697-1739, after Antoine Coypel, French, 1661-1722, Rebecca recevant

LZT20A55_103

Pierre Imbert Drevet, French, 1697-1739, after Ant...

Map, Theatre de la guerre en Espagne et en Portugal, Johannes Covens (1697-1774), Copperplate print

LZT20A46_404

Map, Theatre de la guerre en Espagne et en Portuga...

William Hogarth, English, 1697-1764, The Stage Coach, 1747, Engraving printed in black on wove

LZT20A55_335

William Hogarth, English, 1697-1764, The Stage Coa...

Mountain lake with rock castle, oil on oak wood, 36.1 x 32.3 cm, signed lower right: ABegeijn [AB

LZT20A49_479

Mountain lake with rock castle, oil on oak wood, 3...

William Hogarth, English, 1697-1764, The Industrious Prentice Grown Rich and Sheriff of London,

LZT20A55_336

William Hogarth, English, 1697-1764, The Industrio...

Canaletto, Italian, 1697-1768, View of a Town on a River Bank, between 1735 and 1746, etching

LZT20A54_382

Canaletto, Italian, 1697-1768, View of a Town on a...

William Hogarth, English, 1697-1764, Hudibras Encounters the Skimmington, between 1725 and 1726,

LZT20A55_337

William Hogarth, English, 1697-1764, Hudibras Enco...

Canaletto, Italian, 1697-1768, The Tower of Malghera, between 1735 and 1746, etching printed in

LZT20A54_383

Canaletto, Italian, 1697-1768, The Tower of Malghe...

Thomas Cook, English, 1744-1818, after William Hogarth, English, 1697-1764, England, c. 1799,

LZT20A55_037

Thomas Cook, English, 1744-1818, after William Hog...

Richard Collin, Flemish, 1627-1697, after Jacob von Sandrart, German, 1630-1708, F. de Quenoi,

LZT20A55_036

Richard Collin, Flemish, 1627-1697, after Jacob vo...

Map, Hyberniæ regni in provincias Ultoniam, Connacham, Lageniam, Momoniamq. divisi tabula

LZT20A46_082

Map, Hyberniæ regni in provincias Ultoniam, Connac...

Map, Essai d’une nouvelle carte de la Mer Caspienne par le Sr. d’Anville par Guill. De-la-Haye,

LZT20A45_474

Map, Essai d’une nouvelle carte de la Mer Caspienn...

William Hogarth, English, 1697-1764, The Bruiser, 1763, engraving printed in black ink on chine

LZT20A55_338

William Hogarth, English, 1697-1764, The Bruiser, ...

Imaginary View of Padua, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in

LZT20A06_395

Imaginary View of Padua, from Vedute, 1735/44, Can...

Hudibras Triumphant, plate four from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_469

Hudibras Triumphant, plate four from Hudibras, Feb...

Plate four, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving

LZT20A44_256

Plate four, from A Harlot’s Progress, 1732, Willia...

Plate Five, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_240

Plate Five, from A Rake’s Progress, June 1735, Wil...

Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, 1723, Pierre-Imbert Drevet (French,

LZT20A16_325

Portrait of Jacques Bénigne Bossuet, Bishop of Mea...

Portrait of Adrienne Le Couvreur, 1730, Pierre-Imbert Drevet (French, 1697-1739), after

LZT20A32_032

Portrait of Adrienne Le Couvreur, 1730, Pierre-Imb...

View of a Town with a Bishop’s Tomb, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy,

LZT20A06_394

View of a Town with a Bishop’s Tomb, from Vedute, ...

Charles I, King of England, 1697, Benoît Audran I (French, 1661-1721), after Adriaen van der Werff

LZT20A16_070

Charles I, King of England, 1697, Benoît Audran I ...

Hudibras’ First Adventure, plate three from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_468

Hudibras’ First Adventure, plate three from Hudibr...

Plate three, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England,

LZT20A44_255

Plate three, from A Harlot’s Progress, 1732, Willi...

Plate Six, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching

LZT20A06_241

Plate Six, from A Rake’s Progress, June 1735, Will...

Ale Porto del Dolo, 1735/43, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid

LZT20A06_375

Ale Porto del Dolo, 1735/43, Canaletto, Italian, 1...

la Piera del Band V, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black

LZT20A06_384

la Piera del Band V, from Vedute, 1735/44, Canalet...

Hudibras Sallying Forth, plate two from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_467

Hudibras Sallying Forth, plate two from Hudibras, ...

Cattle and Sheep with Shepherds and Shepherdess, n.d., Abraham Jansz Begeyn (Dutch c. 1637-1697),

LZT20A16_150

Cattle and Sheep with Shepherds and Shepherdess, n...

Conrad Hertz, Stiffter, n.d., Georg Fennitzer, German, active 1697-1700, Germany, Mezzotint on

LZT20A20_439

Conrad Hertz, Stiffter, n.d., Georg Fennitzer, Ger...

Returning Sails at Yabase (Yabase no kihan), No. 3 from the series Eight Views of Omi, c. 1716/36,

LZT20A20_106

Returning Sails at Yabase (Yabase no kihan), No. 3...

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich

LZT20A26_204

Designs for Jewelry, before 1697, Joannes Andreas ...

Plate one, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving

LZT20A44_254

Plate one, from A Harlot’s Progress, 1732, William...

Plate Three, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_238

Plate Three, from A Rake’s Progress, June 1735, Wi...

Plates four, five, and six from A Harlot’s Progress, 1732/61, William Hogarth, English, 1697-1764,

LZT20A26_500

Plates four, five, and six from A Harlot’s Progres...

Landscape with Tower and Two Ruined Pillars, from Vedute, 1735/44, Canaletto, Italian, 1697-1768,

LZT20A06_374

Landscape with Tower and Two Ruined Pillars, from ...

The Terrace, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory

LZT20A06_385

The Terrace, from Vedute, 1735/44, Canaletto, Ital...

Hudibras and the Lawyer, plate twelve from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_466

Hudibras and the Lawyer, plate twelve from Hudibra...

Portrait of René François de Beauveau du Rivau, 1727, Pierre Drevet (French, 1663-1738) and

LZT20A00_010

Portrait of René François de Beauveau du Rivau, 17...

Evening Snow on Mt. Hira (Hira no bosetsu), No. 6 from the series Eight Views of Omi, c. 1716/36,

LZT20A20_107

Evening Snow on Mt. Hira (Hira no bosetsu), No. 6 ...

Plate Four, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_239

Plate Four, from A Rake’s Progress, June 1735, Wil...

In the Style of a Young Man (Wakashu fu), Left Sheet of Triptych (Sanpukutsui hidari), c. 1730,

LZT20A25_222

In the Style of a Young Man (Wakashu fu), Left She...

Burning the Rumps at Temple Bar, plate eleven from Hudibras, February 1725/26, William Hogarth,

LZT20A40_465

Burning the Rumps at Temple Bar, plate eleven from...

Christ at Gethsemane, n.d., Pierre-Imbert Drevet (French, 1697-1739), after Jean Restout the

LZT20A04_341

Christ at Gethsemane, n.d., Pierre-Imbert Drevet (...

Seated Female Nude, 1769, Antonio Pichler, Italian, 1697-1779, Italy, Red chalk, with stumping, on

LZT20A07_402

Seated Female Nude, 1769, Antonio Pichler, Italian...

Cruelty in Perfection, 1750, John Bell (English, 1721–1780), after William Hogarth (English,

LZT20A44_240

Cruelty in Perfection, 1750, John Bell (English, 1...

A Portrait of a Woman, 1650, Jan de Bray, Dutch, c. 1627-1697, Netherlands, Black and red chalk on

LZT20A44_249

A Portrait of a Woman, 1650, Jan de Bray, Dutch, c...

Tailpiece, or the Bathos, April 1764, William Hogarth, English, 1697-1764, England, Etching and

LZT20A00_002

Tailpiece, or the Bathos, April 1764, William Hoga...

Komachi at Sekidera (Sekidera Komachi), No. 5 from the series Seven Komachi (Nana Komachi), c.

LZT20A29_003

Komachi at Sekidera (Sekidera Komachi), No. 5 from...

Hudibras Catechized, plate nine from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_474

Hudibras Catechized, plate nine from Hudibras, Feb...

A Midnight Modern Conversation, March 1732/33, William Hogarth, English, 1697-1764, United Kingdom,

LZT20A41_248

A Midnight Modern Conversation, March 1732/33, Wil...

Plate Two, from Marriage à la Mode, 1745, Bernard Baron (French, 1696-1762), after William Hogarth

LZT20A41_334

Plate Two, from Marriage à la Mode, 1745, Bernard ...

Southwark Fair, 1733/34, William Hogarth, English, 1697-1764, England, Engraving in black on ivory

LZT20A06_235

Southwark Fair, 1733/34, William Hogarth, English,...

Strolling Actresses Dressing in a Barn, May 1738, William Hogarth, English, 1697-1764, England,

LZT20A06_244

Strolling Actresses Dressing in a Barn, May 1738, ...

The Committee, plate ten from Hudibras, February 1725/26, William Hogarth, English, 1697-1764,

LZT20A40_464

The Committee, plate ten from Hudibras, February 1...

Rebecca Receiving Gifts from Eliezar, n.d., Pierre-Imbert Drevet (French, 1697-1739), after Antoine

LZT20A04_340

Rebecca Receiving Gifts from Eliezar, n.d., Pierre...

The Actor Sanogawa Ichimatsu I as Hisamatsu, c. 1743, Nishimura Shigenaga, Japanese, 1697 (?)-1756,

LZT20A11_093

The Actor Sanogawa Ichimatsu I as Hisamatsu, c. 17...

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich

LZT20A26_205

Designs for Jewelry, before 1697, Joannes Andreas ...

Evening Snow on Mt. Hira (Hira no bosetsu), No. 6 from the series Eight Views of Omi, c. 1716/36,

LZT20A29_004

Evening Snow on Mt. Hira (Hira no bosetsu), No. 6 ...

Bust Length Couple, n.d., Unknown Artist, or possibly William Hogarth (English, 1697-1764),

LZT20A37_338

Bust Length Couple, n.d., Unknown Artist, or possi...

Plate Three, from Marriage à la Mode, 1746, Bernard Baron (French, 1696-1762), after William

LZT20A41_335

Plate Three, from Marriage à la Mode, 1746, Bernar...

Morning, plate one from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764,

LZT20A06_245

Morning, plate one from The Four Times of the Day,...

Frontispiece, plate one from Hudibras, February 1725/26, William Hogarth, English, 1697-1764,

LZT20A40_463

Frontispiece, plate one from Hudibras, February 17...

Hudibras and the Skimmington, plate seven from Hudibras, February 1725/26, William Hogarth,

LZT20A40_472

Hudibras and the Skimmington, plate seven from Hud...

Man in Thatched Hut Viewing the Moon, c. 1740s, Nishimura Shigenaga, Japanese, 1697 (?)-1756,

LZT20A28_054

Man in Thatched Hut Viewing the Moon, c. 1740s, Ni...

Plate six, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving

LZT20A44_258

Plate six, from A Harlot’s Progress, 1732, William...

Plate Seven, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_242

Plate Seven, from A Rake’s Progress, June 1735, Wi...

Hudibras and Sidrophel, plate eight from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_473

Hudibras and Sidrophel, plate eight from Hudibras,...

Portrait of Louis de la Vergne de Tressan, Count of Lyon, Archbishop of Rouen, c. 1728,

LZT20A04_342

Portrait of Louis de la Vergne de Tressan, Count o...

A Portrait of a Man, 1650, Jan de Bray, Dutch, c. 1627-1697, Netherlands, Black and red chalk on

LZT20A44_248

A Portrait of a Man, 1650, Jan de Bray, Dutch, c. ...

Portrait of Father Arnoul de Loo, n.d., Pierre-Imbert Drevet (French, 1697-1739), after

LZT20A00_007

Portrait of Father Arnoul de Loo, n.d., Pierre-Imb...

Plate One, from Marriage à la Mode, 1745, Gérard Scotin II (French, 1698-1755), after WIlliam

LZT20A41_333

Plate One, from Marriage à la Mode, 1745, Gérard S...

Plate five, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving

LZT20A44_257

Plate five, from A Harlot’s Progress, 1732, Willia...

Plate Eight, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_243

Plate Eight, from A Rake’s Progress, June 1735, Wi...

Le Porte Del Dolo, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on

LZT20A06_378

Le Porte Del Dolo, from Vedute, 1735/44, Canaletto...

Imaginary View of S. Giacomo di Rialto, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy,

LZT20A06_387

Imaginary View of S. Giacomo di Rialto, from Vedut...

Moses Brought to Pharaoh’s Daughter, 1751, William Hogarth, English, 1697–1764, England, Various

LZT20A44_101

Moses Brought to Pharaoh’s Daughter, 1751, William...

In the Style of a Page (Kosho fu), Center Sheet of Triptych (Sanpukutsui chu), c. 1730, Nishimura

LZT20A11_159

In the Style of a Page (Kosho fu), Center Sheet of...

Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, 1723, Pierre-Imbert Drevet (French,

LZT20A10_454

Portrait of Jacques Bénigne Bossuet, Bishop of Mea...

Al Dolo, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid

LZT20A06_379

Al Dolo, from Vedute, 1735/44, Canaletto, Italian,...

The Market at Dolo, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on

LZT20A06_386

The Market at Dolo, from Vedute, 1735/44, Canalett...

Evening Glow at Nojima (Nojima no sekisho), No. 7 from the series Eight Views of Kanazawa (Kanazawa

LZT20A20_110

Evening Glow at Nojima (Nojima no sekisho), No. 7 ...

Woman Holding Kimono with Mt. Fuji above, c. 1740s, Nishimura Shigenaga, Japanese, 1697 (?)-1756,

LZT20A24_306

Woman Holding Kimono with Mt. Fuji above, c. 1740s...

The Roast Beef of Old England, 1748/49, William Hogarth, English, 1697-1764, England, Engraving in

LZT20A40_154

The Roast Beef of Old England, 1748/49, William Ho...

Saigyo Hoshi gazing at Mt. Fuji, c. 1730s, Nishimura Shigenaga, Japanese, 1697 (?)-1756, Japan,

LZT20A26_244

Saigyo Hoshi gazing at Mt. Fuji, c. 1730s, Nishimu...

The Tower of Malghera, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black

LZT20A06_376

The Tower of Malghera, from Vedute, 1735/44, Canal...

The Portico with the Lantern, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching

LZT20A06_389

The Portico with the Lantern, from Vedute, 1735/44...

Company of Painters, c. 1719, Attributed to James Thornhill (English, 1675-1734), or William

LZT20A06_346

Company of Painters, c. 1719, Attributed to James ...

Autumn Moon at Ishiyama (Ishiyama no aki no tsuki), No. 8 from the series Eight Views of Omi, c.

LZT20A20_109

Autumn Moon at Ishiyama (Ishiyama no aki no tsuki)...

Clasp, 1720/50, Attributed to Henricus Boelen, American, 1697–1755, New York, United States, Gold,

LZT20A34_435

Clasp, 1720/50, Attributed to Henricus Boelen, Ame...

Plate Four, from Marriage à la Mode, 1745, Simon Francis Ravenet (French, 1706 or 1721-1774), after

LZT20A41_336

Plate Four, from Marriage à la Mode, 1745, Simon F...

Plate Two, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching

LZT20A06_237

Plate Two, from A Rake’s Progress, June 1735, Will...

Noon, plate two from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764,

LZT20A06_246

Noon, plate two from The Four Times of the Day, Ma...

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