Period

11 results for: 1721–1780

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The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof, 1766, Bernardo Bellotto, Italian,
LZT20A44_182

The Ruins of the Pirnaischer Suburb with the Palai...

Exterior View of the Italian Gate of the Ramparts of the Town of Dresden, 1750, Bernardo Bellotto,
LZT20A41_192

Exterior View of the Italian Gate of the Ramparts ...

Early Morning, Richmond Park, 1859, Francis Seymour Haden, English, 1818-1910, England, Etching and
LZT20A22_471

Early Morning, Richmond Park, 1859, Francis Seymou...

Cruelty in Perfection, 1750, John Bell (English, 1721–1780), after William Hogarth (English,
LZT20A44_240

Cruelty in Perfection, 1750, John Bell (English, 1...

Portrait of Adrien-Maurice, Duke of Noailles, 1721, printed posthumously after 1780, Pierre Drevet
LZT20A02_068

Portrait of Adrien-Maurice, Duke of Noailles, 1721...

The Little Godfathers, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle,
LZT20A15_080

The Little Godfathers, from Monument du Costume Ph...

The Reward of Cruelty, 1750, John Bell (English, 1721–1780), after William Hogarth (English,
LZT20A44_241

The Reward of Cruelty, 1750, John Bell (English, 1...

It’s a Boy!, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1776,
LZT20A15_081

It’s a Boy!, from Monument du Costume Physique et ...

View of Dresden, 1748. Bernardo Bellotto (Italian, 1721-1780). Etching
LZT19A61_226

View of Dresden, 1748. Bernardo Bellotto (Italian,...

Piazza San Marco, Venice, c. 1740. Attributed to Bernardo Bellotto (Italian, 1721-1780). Oil on
LZT19A61_279

Piazza San Marco, Venice, c. 1740. Attributed to B...

Charles Joseph Flipart (French, 1721-1797) after Pietro Longhi (Italian, ca. 1701-1785), engraved
LZT16A20_433

Charles Joseph Flipart (French, 1721-1797) after P...