Period

1272 results for: 1881

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Portrait of Friedrich Neukomm, c. 1881, oil on canvas, 36.7 x 25.1 cm, signed lower left: F. Hodler
LZT20A49_302

Portrait of Friedrich Neukomm, c. 1881, oil on can...

High mountain forest with herd of goats, around 1847, oil on paper on panel, 51.6 x 69.4 cm, signed
LZT20A49_383

High mountain forest with herd of goats, around 18...

after a model by Jules-Constant-Jean-Baptiste Peyre, French, active 1845 - 1871, Henri-Lucien
LZT20A57_255

after a model by Jules-Constant-Jean-Baptiste Peyr...

Involuntary Confession, 1881, oil on canvas, 82.5 x 104.5 cm, signed and dated lower left: B
LZT20A50_443

Involuntary Confession, 1881, oil on canvas, 82.5 ...

Goats and sheep, 1845, oil on panel, 21.5 x 27.5 cm, signed and dated lower left: Eugène
LZT20A49_455

Goats and sheep, 1845, oil on panel, 21.5 x 27.5 c...

Hanging turkey, around 1881 (1885?), Oil on canvas, 114 x 82 cm, monogrammed twice lower right: GS
LZT20A49_236

Hanging turkey, around 1881 (1885?), Oil on canvas...

The King's Oak, 1846, oil on canvas, 107 x 88 cm, signed and dated lower center (on the stone):
LZT20A48_148

The King's Oak, 1846, oil on canvas, 107 x 88 cm, ...

The Morning of Life, 1860/1861, Samuel Palmer, English, 1805-1881, England, Etching in black on
LZT20A20_500

The Morning of Life, 1860/1861, Samuel Palmer, Eng...

Two Sisters (On the Terrace), 1881, Pierre-Auguste Renoir, French, 1841-1919, France, Oil on
LZT20A22_109

Two Sisters (On the Terrace), 1881, Pierre-Auguste...

Opening the Fold, n.d., Samuel Palmer, English, 1805-1881, England, Etching in black on paper, 119
LZT20A22_472

Opening the Fold, n.d., Samuel Palmer, English, 18...

Tomb of Napoleon, Paris, France, 1888, Underwood & Underwood, American, active 1881–1920, United
LZT20A39_154

Tomb of Napoleon, Paris, France, 1888, Underwood &...

A Lancashire River, 1881, Francis Seymour Haden, English, 1818-1910, England, Etching on cream wove
LZT20A10_131

A Lancashire River, 1881, Francis Seymour Haden, E...

The Lonely Tower, c. 1879, Samuel Palmer, English, 1805-1881, England, Etching on paper, 168 × 234
LZT20A23_072

The Lonely Tower, c. 1879, Samuel Palmer, English,...

Plumpy Bacchus, n.d., Samuel Palmer, English, 1805-1881, England, Etching in black on paper, 52 ×
LZT20A24_205

Plumpy Bacchus, n.d., Samuel Palmer, English, 1805...

Sideboard and Wine Cabinet, 1859, Designed by William Burges, English, 1827–1881, Painted by
LZT20A39_185

Sideboard and Wine Cabinet, 1859, Designed by Will...

The Picnic Excursion, published August 14, 1869, Winslow Homer (American, 1836-1910), published by
LZT20A39_491

The Picnic Excursion, published August 14, 1869, W...

A Quiet Day in the Woods, published June 25, 1870, Winslow Homer (American, 1836-1910), published
LZT20A39_494

A Quiet Day in the Woods, published June 25, 1870,...

Mill Stream, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A20_272

Mill Stream, 1831, David Lucas (English, 1802-1881...

The Promenade des Anglais in Nice, 1879/1881, Henri de Toulouse-Lautrec, French, 1864-1901, France,
LZT20A27_023

The Promenade des Anglais in Nice, 1879/1881, Henr...

Inner Harbour of Sebastopol, Bridge Connecting the City with the Suburb Fort Nickolas at the
LZT20A30_228

Inner Harbour of Sebastopol, Bridge Connecting the...

Various Subjects of Landscape Characteristic of English Landscape Scenery, 1830/32, David Lucas
LZT20A37_223

Various Subjects of Landscape Characteristic of En...

Study for Arrangement in Black: Lady Meux, 1881, James McNeill Whistler, American, 1834-1903,
LZT20A22_092

Study for Arrangement in Black: Lady Meux, 1881, J...

The Early Ploughman, c. 1861, Samuel Palmer, English, 1805-1881, England, Etching on paper, 131 ×
LZT20A22_257

The Early Ploughman, c. 1861, Samuel Palmer, Engli...

The Lonely Tower, 1880, Samuel Palmer, English, 1805-1881, England, Etching on paper, 167 × 235 mm
LZT20A22_473

The Lonely Tower, 1880, Samuel Palmer, English, 18...

Queen Mary’s Bower, Hampton Court, London, England, 1892, Underwood & Underwood, American, active
LZT20A39_153

Queen Mary’s Bower, Hampton Court, London, England...

A Talk with the Keeper, May 25, 1881, Henry Peach Robinson, English, 1830–1901, England, Albumen
LZT20A35_240

A Talk with the Keeper, May 25, 1881, Henry Peach ...

Card for the Gurlitt Exhibition: Imagination and the Child Artist, 1881, Max Klinger, German,
LZT20A39_238

Card for the Gurlitt Exhibition: Imagination and t...

Frontispiece to La messe de Gnide, 1881, Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure,
LZT20A18_160

Frontispiece to La messe de Gnide, 1881, Félicien ...

A Lock on the Stour, Suffolk, 1831, David Lucas (English, 1802-1881), after John Constable
LZT20A20_273

A Lock on the Stour, Suffolk, 1831, David Lucas (E...

Batteries and Approaches of the English Right Attack upon the Redan, 1855, James Robertson,
LZT20A30_227

Batteries and Approaches of the English Right Atta...

Various Subjects of Landscape Characteristic of English Landscape Scenery, 1830/32, David Lucas
LZT20A37_222

Various Subjects of Landscape Characteristic of En...

Study for An Aragonese Smuggler, 1881, William Turner Dannat, American, 1853–1929, United States,
LZT20A00_004

Study for An Aragonese Smuggler, 1881, William Tur...

Frontispiece, to Mr. Constable’s English Landscape, East Bergholt, Suffolk, 1830, David Lucas
LZT20A20_265

Frontispiece, to Mr. Constable’s English Landscape...

Old Sarum, 1832, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A20_274

Old Sarum, 1832, David Lucas (English, 1802-1881),...

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (recto),
LZT20A29_055

The Descent from the Summit: Jean Martin Steadies ...

View of Sebastopol taken from the Malakoff, 1855, James Robertson, Scottish, c. 1813–d. after 1881,
LZT20A30_237

View of Sebastopol taken from the Malakoff, 1855, ...

Various Subjects of Landscape Characteristic of English Landscape Scenery, 1830/32, David Lucas
LZT20A37_221

Various Subjects of Landscape Characteristic of En...

Study for Title Page from Punch, Volume 81, 1881, Charles Keene, English, 1823-1891, England, Pen
LZT20A18_399

Study for Title Page from Punch, Volume 81, 1881, ...

Drawing Room Cabinet, 1871/72, Designed by Bruce James Talbert, Scottish, active in England,
LZT20A37_168

Drawing Room Cabinet, 1871/72, Designed by Bruce J...

Untitled (Man in Chair, Profile), 1855/1869, Antoine Samuel Adam-Salomon, French, 1811–1881,
LZT20A35_471

Untitled (Man in Chair, Profile), 1855/1869, Antoi...

On the Road to Lake George, published July 24, 1869, Winslow Homer (American, 1836-1910), published
LZT20A39_489

On the Road to Lake George, published July 24, 186...

Young Peasant Having Her Coffee, 1881, Camille Pissarro, French, 1830-1903, France, Oil on canvas,
LZT20A08_041

Young Peasant Having Her Coffee, 1881, Camille Pis...

Stoke by Neyland, Suffolk, 1831, David Lucas (English, 1802-1881), after John Constable (English,
LZT20A20_275

Stoke by Neyland, Suffolk, 1831, David Lucas (Engl...

Harbour of Balaklava, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen
LZT20A30_238

Harbour of Balaklava, 1855, James Robertson, Scott...

Rosenfeld Building: Spandrel Panel, 1881/82, Adler & Sullivan, American, 1883-1895, United States,
LZT20A30_258

Rosenfeld Building: Spandrel Panel, 1881/82, Adler...

Vignette to Mr. Constable’s English Landscape. Hampstead Heath Middlesex. Ut Umbra sic Vita, 1831,
LZT20A37_220

Vignette to Mr. Constable’s English Landscape. Ham...

Lady in Black, in a Loge, Facing Right, c. 1881, Mary Cassatt, American, 1844-1926, United States,
LZT20A28_489

Lady in Black, in a Loge, Facing Right, c. 1881, M...

Roses in a Vase, 1881/83, Georges Seurat, French, 1859-1891, France, Black Conté crayon on ivory
LZT20A39_161

Roses in a Vase, 1881/83, Georges Seurat, French, ...

Sheepfold at Sunset, 1881, Félix Hilaire Buhot, French, 1847-1898, France, Etching, drypoint and
LZT20A16_174

Sheepfold at Sunset, 1881, Félix Hilaire Buhot, Fr...

River Stour, Suffolk, 1830, published 1831, David Lucas (English, 1802-1881), after John Constable
LZT20A20_268

River Stour, Suffolk, 1830, published 1831, David ...

Letter to Kate Greenaway, 1881, Randolph Caldecott, English, 1846-1886, England, Pen and ink
LZT20A35_206

Letter to Kate Greenaway, 1881, Randolph Caldecott...

The Glebe, 1832, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A37_219

The Glebe, 1832, David Lucas (English, 1802-1881),...

A Cloudy Day in Venice, 1881, Samuel Colman, American, 1832-1920, United States, Etching on ivory
LZT20A44_022

A Cloudy Day in Venice, 1881, Samuel Colman, Ameri...

The Village Ford, 1881, Francis Seymour Haden, English, 1818-1910, England, Etching with drypoint
LZT20A24_145

The Village Ford, 1881, Francis Seymour Haden, Eng...

Tynemouth Priory, England, 1881, Winslow Homer, American, 1836-1910, United States, Transparent
LZT20A22_044

Tynemouth Priory, England, 1881, Winslow Homer, Am...

A Lancashire River, 1881, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint
LZT20A22_469

A Lancashire River, 1881, Francis Seymour Haden, E...

The Artist in the Country, published June 19, 1869, Winslow Homer (American, 1836-1910), published
LZT20A39_487

The Artist in the Country, published June 19, 1869...

Fitzroy Square, 1878/1881, James McNeill Whistler, American, 1834-1903, United States, Cancelled
LZT20A22_128

Fitzroy Square, 1878/1881, James McNeill Whistler,...

Untitled (church exterior), 1830/88, W. N. Hobbs, American, 1830–1881, United States, Albumen print
LZT20A29_097

Untitled (church exterior), 1830/88, W. N. Hobbs, ...

Still Life with Flowers, 1881, Henri Fantin-Latour, French, 1836-1904, France, Oil on canvas, 19 ×
LZT20A35_490

Still Life with Flowers, 1881, Henri Fantin-Latour...

Place, plate one from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Ivory chine collé on
LZT20A37_090

Place, plate one from A Glove, 1881, Max Klinger, ...

Abduction, plate nine from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and
LZT20A37_099

Abduction, plate nine from A Glove, 1881, Max Klin...

Summer Morning, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A20_269

Summer Morning, 1831, David Lucas (English, 1802-1...

Moon of Enlightenment (Godo no tsuki), from the series One Hundred Aspects of the Moon (Tsuki
LZT20A34_427

Moon of Enlightenment (Godo no tsuki), from the se...

Jean René Gauguin, 1881, Paul Gauguin, French, 1848-1903, France, Black fabricated chalk, red
LZT20A36_351

Jean René Gauguin, 1881, Paul Gauguin, French, 184...

Summer Afternoon, After a Shower, 1831, David Lucas (English, 1802-1881), after John Constable
LZT20A37_218

Summer Afternoon, After a Shower, 1831, David Luca...

Early Morning, published 1880, Samuel Palmer, English, 1805-1881, England, Etching in black on
LZT20A17_400

Early Morning, published 1880, Samuel Palmer, Engl...

Rook Shooting, May 21, 1881, Henry Peach Robinson, English, 1830–1901, England, Albumen print, 27.6
LZT20A32_458

Rook Shooting, May 21, 1881, Henry Peach Robinson,...

Teucer, Brother of Ajax, modeled 1881 (cast 1882), executed replica c. 1891, William Hamo
LZT20A00_097

Teucer, Brother of Ajax, modeled 1881 (cast 1882),...

Evening, 1881, John Henry Twachtman, American, 1853-1902, United States, Etching on China paper,
LZT20A01_085

Evening, 1881, John Henry Twachtman, American, 185...

A Dell, Helmingham Park, Suffolk, 1830, David Lucas (English, 1802-1881), after John Constable
LZT20A20_270

A Dell, Helmingham Park, Suffolk, 1830, David Luca...

The Cornfield, 1832–34, David Lucas (English, 1802-1881), after John Constable (English,
LZT20A20_298

The Cornfield, 1832–34, David Lucas (English, 1802...

The Large Thatched Cottages, 1881, Félix Hilaire Buhot, French, 1847-1898, France, Etching and
LZT20A24_067

The Large Thatched Cottages, 1881, Félix Hilaire B...

Oak, 1881 (produced 1881/1940), Designed by William Morris (English, 1834–1896), Sold by Morris &
LZT20A35_233

Oak, 1881 (produced 1881/1940), Designed by Willia...

Houses on the Fox River, Illinois, 1881/90, American, 19th/20th century, United States, Oil on
LZT20A35_276

Houses on the Fox River, Illinois, 1881/90, Americ...

Old Sarum, 1832, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A37_215

Old Sarum, 1832, David Lucas (English, 1802-1881),...

Weymouth Bay, Dorsetshire, 1830, David Lucas (English, 1802-1881), after John Constable (English,
LZT20A37_217

Weymouth Bay, Dorsetshire, 1830, David Lucas (Engl...

A Dell, Helmingham Park, Suffolk, 1830, David Lucas (English, 1802-1881), after John Constable
LZT20A37_226

A Dell, Helmingham Park, Suffolk, 1830, David Luca...

Oyster Plate, c. 1881, Union Porcelain Works, American, 1863–c. 1922, New York, New York City,
LZT20A43_465

Oyster Plate, c. 1881, Union Porcelain Works, Amer...

Sunset, c. 1850, Samuel Palmer, English, 1805-1881, England, Etching on paper, 97 × 77 mm (image),
LZT20A17_399

Sunset, c. 1850, Samuel Palmer, English, 1805-1881...

He don’t like his Pants, 1891, Underwood & Underwood, American, active 1881–1920, United States,
LZT20A39_155

He don’t like his Pants, 1891, Underwood & Underwo...

To the Navy, published December 4, 1892, engraved by S.G.A.P. (French, active 1892-1900), after
LZT20A18_208

To the Navy, published December 4, 1892, engraved ...

A Heath, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A20_271

A Heath, 1831, David Lucas (English, 1802-1881), a...

Salisbury Cathedral from the Meadows: the Rainbow, 1834, David Lucas (English, 1802-1881), after
LZT20A20_278

Salisbury Cathedral from the Meadows: the Rainbow,...

The Lock, 1832–34, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A20_297

The Lock, 1832–34, David Lucas (English, 1802-1881...

A Lock on the Stour, Suffolk, 1831, David Lucas (English, 1802-1881), after John Constable
LZT20A37_214

A Lock on the Stour, Suffolk, 1831, David Lucas (E...

A Summerland, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A37_216

A Summerland, 1831, David Lucas (English, 1802-188...

Standing Female Nude, 1881, Marie Mathieu, French, 19th century, France, Pen and brown ink on cream
LZT20A38_115

Standing Female Nude, 1881, Marie Mathieu, French,...

Anser cinereus, Print, 1881-1889
University of Amsterdam
LZT20A45_067

Anser cinereus, Print, 1881-1889 University of Am...

Adam, Modeled 1881, cast about 1924, Auguste Rodin, French, 1840—1917, France, Bronze with dark
LZT20A10_398

Adam, Modeled 1881, cast about 1924, Auguste Rodin...

Fountain Panel, 1871, Designed by Thomas Jeckyll, English 1827–1881, Made by Barnard, Bishop and
LZT20A42_455

Fountain Panel, 1871, Designed by Thomas Jeckyll, ...

The Willow, n.d., Samuel Palmer, English, 1805-1881, England, Etching in black on paper, 90 × 67 mm
LZT20A24_204

The Willow, n.d., Samuel Palmer, English, 1805-188...

Supernatural Beings at Shirazunoyabu in Yawata, 1881, Tsukioka Yoshitoshi, Japanese, 1839-1892,
LZT20A36_298

Supernatural Beings at Shirazunoyabu in Yawata, 18...

Homage, plate six from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory
LZT20A37_096

Homage, plate six from A Glove, 1881, Max Klinger,...

The Malakoff Tower, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen
LZT20A30_231

The Malakoff Tower, 1855, James Robertson, Scottis...

Group Portrait, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23
LZT20A30_242

Group Portrait, 1855, James Robertson, Scottish, c...

Coffee Pot, 1881/89, Design attributed to Charles Osborne, American, 1847–1920, Tiffany and
LZT20A31_454

Coffee Pot, 1881/89, Design attributed to Charles ...

Mill Stream, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837),
LZT20A37_213

Mill Stream, 1831, David Lucas (English, 1802-1881...

Evening in Italy—the Deserted Villa, 1845, Samuel Palmer, English, 1805-1881, United Kingdom,
LZT20A40_204

Evening in Italy—the Deserted Villa, 1845, Samuel ...

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews his Bill, 1881, Pierre
LZT20A31_255

On the Terrace of a Hotel in Bordighera: The Paint...

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