1384 results for: aquatint

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Christian Rugendas, German, 1708-1781, after Georg Philipp Rugendas, German, 1666-1742, Battle

LZT20A53_471

Christian Rugendas, German, 1708-1781, after Georg...

Unknown (Dutch), after Lucas van Leyden, Netherlandish, 1494-1533, Esther Before Ahasuerus, 19th

LZT20A55_456

Unknown (Dutch), after Lucas van Leyden, Netherlan...

Richard Earlom, English, 1743 - 1822, after Giovanni Battista Cipriani, Italian, 1727-1785, Two

LZT20A55_209

Richard Earlom, English, 1743 - 1822, after Giovan...

Eugène Delacroix, French, 1798-1863, Un forgeron, 1833, aquatint printed in black ink on (possibly

LZT20A55_074

Eugène Delacroix, French, 1798-1863, Un forgeron, ...

Richard Earlom, English, 1743 - 1822, after Giovanni Battista Cipriani, Italian, 1727-1785,

LZT20A55_208

Richard Earlom, English, 1743 - 1822, after Giovan...

Johann Heinrich Jung gen. Stilling, 1801, aquatint, colored, picture: 9.5 cm diameter |, Leaf: 15.2

LZT20A51_400

Johann Heinrich Jung gen. Stilling, 1801, aquatint...

William Baillie, English, 1723-1810, after Jan van Goyen, Dutch, 1596-1656, Landscape with Church,

LZT20A55_156

William Baillie, English, 1723-1810, after Jan van...

Angelica Kauffmann, Swiss, 1741-1807, Hebe with the Eagle, 1780, etching and aquatint printed in

LZT20A55_395

Angelica Kauffmann, Swiss, 1741-1807, Hebe with th...

Fleur exotique (La Femme à la mantille), 1868, Etching and aquatint, 3rd condition (from 3), sheet:

LZT20A51_429

Fleur exotique (La Femme à la mantille), 1868, Etc...

Marché entre deux Païsans Suisses, 1785, aquatint, leaf: 21.6 x 32 cm (largest mass) |, Plate: 14.7

LZT20A51_401

Marché entre deux Païsans Suisses, 1785, aquatint,...

Johann Gottlieb Prestel, German, 1739-1808, after Agostino Carracci, Italian, 1557-1602, Dead

LZT20A56_120

Johann Gottlieb Prestel, German, 1739-1808, after ...

Danseuses dans la coulisse, 1879/80, etching, aquatint and drypoint, taken from plate crossed out

LZT20A52_183

Danseuses dans la coulisse, 1879/80, etching, aqua...

Danseuses dans la coulisse, 1879/80, Etching, aquatint and drypoint, 7th condition (from 8),

LZT20A52_182

Danseuses dans la coulisse, 1879/80, Etching, aqua...

William Baillie, English, 1723-1810, after Pieter Molyn the Elder, Dutch, 1595-1661, Landscape with

LZT20A55_383

William Baillie, English, 1723-1810, after Pieter ...

The Swinging Festival on Balisalp, after 1823, aquatint on thick vellum, folio: 54 x 74.5 cm |,

LZT20A52_365

The Swinging Festival on Balisalp, after 1823, aqu...

Mary Cassatt au Louvre: les peintures, 1879/80, etching, vernis mou, aquatint and drypoint, print

LZT20A52_187

Mary Cassatt au Louvre: les peintures, 1879/80, et...

Angelica Kauffmann, Swiss, 1741-1807, Sitting Half Naked Maiden, 1780, etching and aquatint printed

LZT20A55_397

Angelica Kauffmann, Swiss, 1741-1807, Sitting Half...

Angelica Kauffmann, Swiss, 1741-1807, Rinaldo and Armida, 1780, etching and aquatint printed in

LZT20A55_396

Angelica Kauffmann, Swiss, 1741-1807, Rinaldo and ...

The Satyr, 1850, Charles François Daubigny, French, 1817-1878, France, Etching, roulette and

LZT20A16_235

The Satyr, 1850, Charles François Daubigny, French...

The Laundresses, 1879–80, Edgar Degas, French, 1834-1917, France, Etching and aquatint on cream

LZT20A31_264

The Laundresses, 1879–80, Edgar Degas, French, 183...

Night, from On Death Part I, 1888–89, Max Klinger, German, 1857-1920, Germany, Etching, aquatint

LZT20A41_299

Night, from On Death Part I, 1888–89, Max Klinger,...

Calm, plate 44 from Liber Studiorum, Published April 23, 1812, Joseph Mallord William Turner,

LZT20A02_237

Calm, plate 44 from Liber Studiorum, Published Apr...

The Claws of a Cat and the Dress of a Devotee, similar to Vice is often clothed in Virtue’s habit,

LZT20A17_008

The Claws of a Cat and the Dress of a Devotee, sim...

Poor Folly, plate eleven from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish,

LZT20A17_021

Poor Folly, plate eleven from Los Proverbios, 1815...

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one

LZT20A17_030

The Way in Which the Ancient Spaniards Hunted Bull...

West Front of St. Patrick’s Cathedral, published November 1793, James Malton, English, 1761-1803,

LZT20A21_240

West Front of St. Patrick’s Cathedral, published N...

Male Indigo Bird, 1829, Robert Havell (English, 1793-1878), after John James Laforest Audobon

LZT20A11_044

Male Indigo Bird, 1829, Robert Havell (English, 17...

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body,

LZT20A17_035

The Very Skilful Student of Falces, Wrapped in his...

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24

LZT20A17_044

The Same Ceballos, Mounted on Another Bull, Breaks...

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published

LZT20A17_057

A Moor Caught by the Bull in the Ring, plate 8 fro...

The Reading Telegraph Coach, n.d., Robert Havell, English, 1793-1878, England, Etching and

LZT20A20_039

The Reading Telegraph Coach, n.d., Robert Havell, ...

Blue-Coat Hospital, Dublin, published March 1798, James Malton, English, 1761-1803, England,

LZT20A21_249

Blue-Coat Hospital, Dublin, published March 1798, ...

Temple of Remus and Romulus, plate sixteen from the Ruins of Rome, published August 4, 1796, M.

LZT20A21_258

Temple of Remus and Romulus, plate sixteen from th...

Shame, plate nine from A Love, 1887, Max Klinger, German, 1857-1920, Germany, Etching, engraving,

LZT20A39_237

Shame, plate nine from A Love, 1887, Max Klinger, ...

Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American,

LZT20A40_419

Harlequin Duck, 1826/39, Robert Havell (English, 1...

The Washerwomen, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on

LZT20A43_381

The Washerwomen, 1771, Jean Baptiste Le Prince, Fr...

Young Boy Seated, from the first issue of Specimens of Polyautography, 1803, Thomas Barker

LZT20A44_263

Young Boy Seated, from the first issue of Specimen...

Thanks to the Millet, plate 51 from The Disasters of War, 1812/15, published 1863, Francisco José

LZT20A03_403

Thanks to the Millet, plate 51 from The Disasters ...

Suicide, plate eleven from Woman, c. 1886, Albert Besnard, French, 1849-1934, France, Etching and

LZT20A14_185

Suicide, plate eleven from Woman, c. 1886, Albert ...

Exotic Flower (Woman in a Mantilla), 1868, Édouard Manet (French, 1832-1883), published by Philippe

LZT20A17_315

Exotic Flower (Woman in a Mantilla), 1868, Édouard...

Exhibition of a Democratic Transparency, with its Effect Upon Patriotic Feelings, published April

LZT20A19_375

Exhibition of a Democratic Transparency, with its ...

Title Page, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales, 1775,

LZT20A36_378

Title Page, from Twelve Views in Aquatinta from Dr...

Preface I, plate one from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing

LZT20A39_272

Preface I, plate one from A Life, 1884, Max Klinge...

Downfall, from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th

LZT20A39_281

Downfall, from A Life, 1884, Max Klinger (German, ...

Tomb with Sphinxes and an Owl, 1779–84, Louis Jean Desprez, French, 1743-1804, France, Etching and

LZT20A42_249

Tomb with Sphinxes and an Owl, 1779–84, Louis Jean...

First Little Night Piece, 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,

LZT20A18_182

First Little Night Piece, 1898, Théophile-Alexandr...

Pine Trees in the Mountains, 1789, John Robert Cozens, English, 1752-1799, England, Aquatint and

LZT20A43_485

Pine Trees in the Mountains, 1789, John Robert Coz...

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Francisco José de

LZT20A16_498

Francisco de Goya y Lucientes, Painter, plate one ...

The Bridge and Goats, plate 43 from Liber Studiorum, published April 23, 1812, Joseph Mallord

LZT20A02_236

The Bridge and Goats, plate 43 from Liber Studioru...

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios, 1815/24,

LZT20A17_009

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes...

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios, 1815/24,

LZT20A17_020

A Woman and a Horse, Let Someone Else Master Them,...

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting,

LZT20A17_031

Charles V spearing a bull in the ring at Valladoli...

Road at the Edge of a Wood, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching,

LZT20A17_159

Road at the Edge of a Wood, 1846, Charles Émile Ja...

Stage Coach Passengers, n.d., James Pollard, English, 1797-1867, England, Aquatint in black, with

LZT20A20_038

Stage Coach Passengers, n.d., James Pollard, Engli...

Saint Patrick’s Cathedral, Dublin, published March 1793, James Malton, English, 1761-1803, England,

LZT20A21_241

Saint Patrick’s Cathedral, Dublin, published March...

Under the Lamp, c. 1882, Mary Cassatt, American, 1844-1926, United States, Soft ground etching and

LZT20A24_287

Under the Lamp, c. 1882, Mary Cassatt, American, 1...

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13

LZT20A17_034

A Spanish mounted knight in the ring breaking shor...

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting, 1814/16, published 1816,

LZT20A17_045

They Loose Dogs on the Bull, plate 25 from The Art...

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published

LZT20A17_056

Origin of the harpoons or banderillas, plate seven...

A Tub for the Whale!, published March 14, 1806, James Gillray (English, 1756-1815), published by

LZT20A20_048

A Tub for the Whale!, published March 14, 1806, Ja...

A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the

LZT20A20_447

A Treatise on Landscape Painting and Effect in Wat...

Correct Survey of Dublin, As It Stood in the Year 1610, published July 1792, James Malton, English,

LZT20A21_248

Correct Survey of Dublin, As It Stood in the Year ...

Church of St. Andrew, plate eighteen from the Ruins of Rome, published October 11, 1796, M.

LZT20A21_259

Church of St. Andrew, plate eighteen from the Ruin...

The Exhausted Ragpicker, 1880, Jean François Raffaëlli, French, 1850-1924, France, Etching,

LZT20A35_051

The Exhausted Ragpicker, 1880, Jean François Raffa...

Swallows, plate 8 from Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros

LZT20A35_096

Swallows, plate 8 from Le Fleuve, 1874, Édouard Ma...

Card for the Gurlitt Exhibition: Imagination and the Child Artist, 1881, Max Klinger, German,

LZT20A39_238

Card for the Gurlitt Exhibition: Imagination and t...

Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American,

LZT20A40_418

Black Backed Gull, 1826/39, Robert Havell (English...

The Fishers, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on

LZT20A43_382

The Fishers, 1771, Jean Baptiste Le Prince, French...

Jesus in the Temple, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching

LZT20A43_385

Jesus in the Temple, n.d., Jean Baptiste Le Prince...

A Woman Sitting by the Window (Evening Thou Bringest All), from the first issue of Specimens of

LZT20A44_264

A Woman Sitting by the Window (Evening Thou Bringe...

The Place Pigalle in 1878, 1878, Félix Hilaire Buhot, French, 1847-1898, France, Etching, aquatint

LZT20A01_075

The Place Pigalle in 1878, 1878, Félix Hilaire Buh...

Unhappy Mother!, plate 50 from The Disasters of War, 1812/15, published 1863, Francisco José de

LZT20A03_402

Unhappy Mother!, plate 50 from The Disasters of Wa...

Woman Emptying a Wheelbarrow, 1880, Camille Pissarro, French, 1830-1903, France, Aquatint and

LZT20A06_205

Woman Emptying a Wheelbarrow, 1880, Camille Pissar...

Promenade Publique, 1792, Philibert Louis Debucourt, French, 1755-1832, France, Wash manner color

LZT20A10_282

Promenade Publique, 1792, Philibert Louis Debucour...

A Group of Auriculas, from The Temple of Flora, 1803, Frederick Christian Lewis, the elder

LZT20A23_259

A Group of Auriculas, from The Temple of Flora, 18...

Episcopal Palace at St. Davids, from Twelve Views in Aquatinta from Drawings taken on the Spot in

LZT20A36_377

Episcopal Palace at St. Davids, from Twelve Views ...

View of the Campagna of Rome, 1778, Richard Cooper II, English, born Scotland, 1740-1822, Scotland,

LZT20A37_182

View of the Campagna of Rome, 1778, Richard Cooper...

Christ and the Samaritan Woman, from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto

LZT20A39_282

Christ and the Samaritan Woman, from A Life, 1884,...

The Climb, 1787, Philibert Louis Debucourt, French, 1755-1832, France, Aquatint on paper, 310 × 254

LZT20A12_360

The Climb, 1787, Philibert Louis Debucourt, French...

Stags at the Water’s Edge, 1850, Charles François Daubigny, French, 1817-1878, France, Etching,

LZT20A16_240

Stags at the Water’s Edge, 1850, Charles François ...

Hush, plate 28 from Los Caprichos, 1797/99, Francisco José de Goya y Lucientes, Spanish, 1746-1828,

LZT20A17_001

Hush, plate 28 from Los Caprichos, 1797/99, Franci...

May God Repay You, 1800/04, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching,

LZT20A24_172

May God Repay You, 1800/04, Francisco José de Goya...

What is the Use of a Cup?, plate 59 from The Disasters of War, 1812/15, published 1863, Francisco

LZT20A03_410

What is the Use of a Cup?, plate 59 from The Disas...

Without commending himself either to God or the devil, plate 15 from Los Proverbios, 1815/24,

LZT20A17_010

Without commending himself either to God or the de...

There is Something Beneath the Sackcloth, i.e. you can’t judge a man by his clothes, plate eight

LZT20A17_019

There is Something Beneath the Sackcloth, i.e. you...

God creates them and they join up together, plate 18 from Los Proverbios, 1815/24, Francisco José

LZT20A17_028

God creates them and they join up together, plate ...

Madame du Barry, 1771, Jean-Baptiste-André Gautier D’Agoty, French, 1740-1786, France, Color

LZT20A20_028

Madame du Barry, 1771, Jean-Baptiste-André Gautier...

Dublin, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in

LZT20A21_238

Dublin, published July 1792, James Malton, English...

The Corner of the Sofa (No. 1), c. 1879, Mary Cassatt, American, 1844-1926, United States, Soft

LZT20A39_428

The Corner of the Sofa (No. 1), c. 1879, Mary Cass...

Between Crogen & Llandrillo on the R. Dee, published 1793, Francis Jukes, English, 1745-1812,

LZT20A11_042

Between Crogen & Llandrillo on the R. Dee, publish...

The Mill, 1848, Charles François Daubigny (French, 1817-1878), after Jan Symonsz Pynas (Dutch,

LZT20A16_226

The Mill, 1848, Charles François Daubigny (French,...

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting, 1814/16,

LZT20A17_037

The Same Man Throws a Bull in the Ring at Madrid, ...

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from

LZT20A17_046

The Celebrated Picador, Fernando del Toro, Draws t...

The Moors make a different play in the ring calling the bull with their burnous, plate six from The

LZT20A17_055

The Moors make a different play in the ring callin...

Powerscourt House, Dublin, published July 1795, James Malton, English, 1761-1803, England,

LZT20A21_251

Powerscourt House, Dublin, published July 1795, Ja...

Temple of Vesta, plate nineteen from the Ruins of Rome, published October 1, 1796, M. Dubourg,

LZT20A21_260

Temple of Vesta, plate nineteen from the Ruins of ...

Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros (French, 1842-1888),

LZT20A35_088

Le Fleuve, 1874, Édouard Manet (French, 1832-1883)...

Overton Bridge/Over the River Dee, on the Confines of Denbigh and Flintshire, 1776, Paul Sandby,

LZT20A37_449

Overton Bridge/Over the River Dee, on the Confines...

Caernarvon Castle, 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint in sanguine

LZT20A37_458

Caernarvon Castle, 1776, Paul Sandby, English, 173...

The Isle of the Dead, 1890, Max Klinger (German, 1857-1920), after Arnold Böcklin (Swiss,

LZT20A39_239

The Isle of the Dead, 1890, Max Klinger (German, 1...

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