393 results for: c. 1757

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Studienkopf, 1757, oil on panel, 24.5 x 19 cm, signed and dated lower right corner: E. Handmann,

LZT20A50_101

Studienkopf, 1757, oil on panel, 24.5 x 19 cm, sig...

The Assumption of Mary, c. 1757/58, oil on canvas, 64 x 37 cm, unsigned, Franz Anton Maulbertsch,

LZT20A48_172

The Assumption of Mary, c. 1757/58, oil on canvas,...

Giovanni Battista Piranesi, Italian, 1720-1778, The Theatre of Marcellus, 1757, etching printed in

LZT20A56_102

Giovanni Battista Piranesi, Italian, 1720-1778, Th...

Matthaus Terwesten, Dutch, 1670-1757, Venus and Adonis, c. 1718, oil on canvas, Unframed: 17 5/8 ×

LZT20A57_016

Matthaus Terwesten, Dutch, 1670-1757, Venus and Ad...

Jeanne Antoinette Pompadour, French, 1721-1764, after François Boucher, French, 1703-1770, after

LZT20A56_108

Jeanne Antoinette Pompadour, French, 1721-1764, af...

Pedigree of Adrian Zingg, 1757/90, red whole leather fringe tape stitched on four raised frets,

LZT20A51_355

Pedigree of Adrian Zingg, 1757/90, red whole leath...

William Blake, English, 1757-1827, after Henry Fuseli, Swiss, 1741-1825, Tornado, 1795, Engraving,

LZT20A54_244

William Blake, English, 1757-1827, after Henry Fus...

Menalcas Watching Women Dance, from The Pastorals of Virgil, 1821, William Blake, English,

LZT20A22_481

Menalcas Watching Women Dance, from The Pastorals ...

The Circle of the Corrupt Officials, the Devils Mauling Each Other. Inferno, canto XXII., 1827,

LZT20A20_293

The Circle of the Corrupt Officials, the Devils Ma...

Young Boy Seated, from the first issue of Specimens of Polyautography, 1803, Thomas Barker

LZT20A44_263

Young Boy Seated, from the first issue of Specimen...

Pine Trees, from the series Tosa Diary for the Shofudai, Hisakataya, and Bunbunsha (Shofudai

LZT20A12_468

Pine Trees, from the series Tosa Diary for the Sho...

Carlo the Great, Running Away with the East Indes, published June 1806, Charles Williams (English,

LZT20A19_376

Carlo the Great, Running Away with the East Indes,...

The Circle of the Corrupt Officials, the Devils Tormenting Ciampolo. Inferno, canto XXII, 1827,

LZT20A20_294

The Circle of the Corrupt Officials, the Devils To...

Blasted Tree and Flattened Crops, from The Pastorals of Virgil, 1821, William Blake, English,

LZT20A22_447

Blasted Tree and Flattened Crops, from The Pastora...

Footed Tray, 1757, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste

LZT20A36_355

Footed Tray, 1757, Sèvres Porcelain Manufactory, F...

A Woman Sitting by the Window (Evening Thou Bringest All), from the first issue of Specimens of

LZT20A44_264

A Woman Sitting by the Window (Evening Thou Bringe...

Marigold (Kinsenka) and Rashomon Flowers, from the series Collection of Plants for the Kasumi

LZT20A12_469

Marigold (Kinsenka) and Rashomon Flowers, from the...

The Actors Segawa Kikunojo II, Ichikawa Komazo II, and Arashi Otohachi I in the play Fude Hajime

LZT20A11_244

The Actors Segawa Kikunojo II, Ichikawa Komazo II,...

The Circle of the Thieves, Buoso Donati Attacked by the Serpent. Inferno, canto XXV, 1827, printed

LZT20A20_291

The Circle of the Thieves, Buoso Donati Attacked b...

Landscape with Old Trees by Water, from the first issue of Specimens of Polyautography, 1803, Henry

LZT20A44_265

Landscape with Old Trees by Water, from the first ...

Episode 73 (Nanajusan dan), from the series Tales of Ise for the Asakusa Group (Asakusagawa Ise

LZT20A12_470

Episode 73 (Nanajusan dan), from the series Tales ...

‘The Man Sweeping the Interpreter’s Parlour,’ from Bunyan’s Pilgrim’s progress, 1820–22, William

LZT20A27_484

‘The Man Sweeping the Interpreter’s Parlour,’ from...

The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno,

LZT20A20_292

The Circle of the Falsifiers: Dante and Virgil Cov...

Sir Peter Paul Rubens, 1757, Thomas Worlidge (English, 1700-1766), after Peter Paul Rubens

LZT20A32_423

Sir Peter Paul Rubens, 1757, Thomas Worlidge (Engl...

Takeda Mechanical Device (Takeda karakuri): Haku Rakuten (Chinese: Bai Juyi) and the fisherman, c.

LZT20A12_471

Takeda Mechanical Device (Takeda karakuri): Haku R...

Hercules and Lychas, 1850/1900, French (Paris), After a lost model by Antonio Canova, Italian,

LZT20A31_260

Hercules and Lychas, 1850/1900, French (Paris), Af...

The Ide Jewel River, c. 1781/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print,

LZT20A12_234

The Ide Jewel River, c. 1781/89, Kubo Shunman, Jap...

Teapot, 1761/64, Weesp Porcelain Factory, Dutch 1757-1814, Weesp, Hard-paste porcelain with

LZT20A02_090

Teapot, 1761/64, Weesp Porcelain Factory, Dutch 17...

The Circle of the Thieves, Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto

LZT20A20_289

The Circle of the Thieves, Agnolo Brunelleschi Att...

Colinet Mocked by Two Boys, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827,

LZT20A22_441

Colinet Mocked by Two Boys, from The Pastorals of ...

Sabrina’s Silvery Flood, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827,

LZT20A22_459

Sabrina’s Silvery Flood, from The Pastorals of Vir...

Mustard Pot, 1757, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste

LZT20A38_030

Mustard Pot, 1757, Sèvres Porcelain Manufactory, F...

Thetis and Achilles, 1757, Johann Heinrich Tischbein, I, German, 1722-1789, Germany, Etching on

LZT20A40_118

Thetis and Achilles, 1757, Johann Heinrich Tischbe...

Gallant Conversation, c. 1757, Gabriel-Jacques de Saint-Aubin, French, 1724-1780, France, Etching

LZT20A40_425

Gallant Conversation, c. 1757, Gabriel-Jacques de ...

Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803, James Barry (Irish,

LZT20A44_260

Eastern Patriarch, from the first issue of Specime...

Returning from a Poetry Gathering, c. 1785/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color

LZT20A12_235

Returning from a Poetry Gathering, c. 1785/89, Kub...

The Honeymoon, 1806, Charles Williams, English, active 1797-1830, published by William Holland,

LZT20A19_312

The Honeymoon, 1806, Charles Williams, English, ac...

The Fan Peddler, 1765, Attributed to Suzuki Harunobu ?? ??, Japanese, 1725 (?)–1770, Japan, Color

LZT20A11_349

The Fan Peddler, 1765, Attributed to Suzuki Haruno...

Urizen, 1794, William Blake, English, 1757-1827, England, Monotype, with pen and brown and gray

LZT20A42_485

Urizen, 1794, William Blake, English, 1757-1827, E...

The Circle of the Lustful: Paolo and Francesca. Inferno, canto V, 1827, printed c. 1892, William

LZT20A20_290

The Circle of the Lustful: Paolo and Francesca. In...

Thenot Remonstrates with Colinet, Lightfoot in Background, from The Pastorals of Virgil, 1821,

LZT20A22_433

Thenot Remonstrates with Colinet, Lightfoot in Bac...

Ladle, 1757/67, William Hollingshead, American, active 1754–1785, Philadelphia, Philadelphia,

LZT20A34_438

Ladle, 1757/67, William Hollingshead, American, ac...

Old Trees with Old Man, a Girl, and a Dog, from the first issue of Specimens of Polyautography,

LZT20A44_259

Old Trees with Old Man, a Girl, and a Dog, from th...

The First Work in the New Year (Saiko hajime), c. 1790s, Kubo Shunman, Japanese, 1757–1820, Japan,

LZT20A19_138

The First Work in the New Year (Saiko hajime), c. ...

Colinet’s Journey: Milestone Marked LXII Miles to London, from The Pastorals of Virgil, 1821,

LZT20A22_466

Colinet’s Journey: Milestone Marked LXII Miles to ...

The Actor Ichikawa Benzo I as Shuntokumaru, c. 1767, Torii Kiyotsune, Japanese, active c. 1757-79,

LZT20A20_483

The Actor Ichikawa Benzo I as Shuntokumaru, c. 176...

The Noda Jewel River, from a hexaptych depicting the Six Jewel Rivers, c. 1781/89, Kubo Shunman,

LZT20A22_310

The Noda Jewel River, from a hexaptych depicting t...

Viewing Votive Plaques at Mukojima, c. 1785/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color

LZT20A00_455

Viewing Votive Plaques at Mukojima, c. 1785/89, Ku...

Returning from a Poetry Gathering, c. 1785/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color

LZT20A27_329

Returning from a Poetry Gathering, c. 1785/89, Kub...

Shepherd Chases Away Wolf, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827,

LZT20A26_270

Shepherd Chases Away Wolf, from The Pastorals of V...

Tall Case Clock, 1806, Works by Aaron Willard, American, 1757–1844, Boston, Boston, Mahogany and

LZT20A28_087

Tall Case Clock, 1806, Works by Aaron Willard, Ame...

A Young Lady with a Parrot, c. 1730, Rosalba Carriera, Italian, 1675-1757, Venice, Pastel on blue

LZT20A35_049

A Young Lady with a Parrot, c. 1730, Rosalba Carri...

Mustard Pot, 1757, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste

LZT20A38_031

Mustard Pot, 1757, Sèvres Porcelain Manufactory, F...

The Girl Offers Her Coin in Payment, c. 1757, Sèvres Porcelain Manufactory, French, founded 1740,

LZT20A38_058

The Girl Offers Her Coin in Payment, c. 1757, Sèvr...

Side chair (one of a pair), 1794/99, Carving attributed to Samuel McIntire, American, 1757–1811,

LZT20A24_111

Side chair (one of a pair), 1794/99, Carving attri...

Festival Hall From a Theatrical Scene, c. 1719, Attributed to Giuseppe Galli-Bibiena, Italian,

LZT20A35_393

Festival Hall From a Theatrical Scene, c. 1719, At...

Side Chair (one of a pair), 1794/99, Carving attributed to Samuel McIntire, American, 1757–1811,

LZT20A24_112

Side Chair (one of a pair), 1794/99, Carving attri...

Preparing Seven Herbs on the Seventh Day of the New Year, 1798, Kubo Shunman, Japanese, 1757–1820,

LZT20A19_499

Preparing Seven Herbs on the Seventh Day of the Ne...

View of the Remains of the Forum of Nerva, from Views of Rome, 1757, Giovanni Battista Piranesi,

LZT20A01_274

View of the Remains of the Forum of Nerva, from Vi...

The Lady and the Queen Wasp, 1780/90, Attributed to Francis Wheatley (English, 1747-1801), or

LZT20A10_457

The Lady and the Queen Wasp, 1780/90, Attributed t...

Returning from a Poetry Gathering, c. 1785/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color

LZT20A12_236

Returning from a Poetry Gathering, c. 1785/89, Kub...

Thenot Under Fruit Tree, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827,

LZT20A22_425

Thenot Under Fruit Tree, from The Pastorals of Vir...

Bust of Paris, 1809, Antonio Canova, Italian, 1757-1822, Italy, Marble, H. 66 cm (26 in.)

LZT20A34_439

Bust of Paris, 1809, Antonio Canova, Italian, 1757...

Resting, Men and Dogs Under a Big Tree, from the first issue of Specimens of Polyautography, 1802,

LZT20A44_262

Resting, Men and Dogs Under a Big Tree, from the f...

Young Couple on a Veranda, c. 1765, Torii Kiyotsune, Japanese, active c. 1757-79, Japan, Color

LZT20A20_121

Young Couple on a Veranda, c. 1765, Torii Kiyotsun...

Creusa Pleads with Aeneas as He Leaves for War, 1803, Jean Michel Moreau, French, 1741-1814,

LZT20A40_288

Creusa Pleads with Aeneas as He Leaves for War, 18...

Thenot Remonstrates with Colinet, from The Pastorals of Virgil, 1821, William Blake, English,

LZT20A22_424

Thenot Remonstrates with Colinet, from The Pastora...

Cavalry Charging, from the first issue of Specimens of Polyautography, 1801, published 1803, Conrad

LZT20A44_261

Cavalry Charging, from the first issue of Specimen...

The Heron Maiden, 1770s, Torii Kiyotsune, Japanese, active c. 1757-79, Japan, Color woodblock

LZT20A20_122

The Heron Maiden, 1770s, Torii Kiyotsune, Japanese...

Nakamura Sukegoro I holding a sword, c. 1757, Torii Kiyoshige, Japanese, active c. 1728-63, Japan,

LZT20A28_319

Nakamura Sukegoro I holding a sword, c. 1757, Tori...

Illustrations of the Book of Job, 1823–26, William Blake, English, 1757-1827, England, Book with

LZT20A44_203

Illustrations of the Book of Job, 1823–26, William...

An Election Entertainment, plate one from Four Prints of an Election, 1757/58, William Hogarth,

LZT20A06_249

An Election Entertainment, plate one from Four Pri...

The Proper Way of Drinking New Year’s Sake (Toso no miki namesomuru tei), from the series Teaching

LZT20A20_003

The Proper Way of Drinking New Year’s Sake (Toso n...

The Canterbury Pilgrims, 1810, William Blake, English, 1757-1827, England, Line engraving on cream

LZT20A37_009

The Canterbury Pilgrims, 1810, William Blake, Engl...

A Rolling Stone is Ever Bare of Moss, from The Pastorals of Virgil, 1821, William Blake, English,

LZT20A22_474

A Rolling Stone is Ever Bare of Moss, from The Pas...

The Circle of the Traitors, Dante’s Foot Striking Bocca degli Abbate. Inferno, canto XXXII, 1827,

LZT20A20_295

The Circle of the Traitors, Dante’s Foot Striking ...

Self-Portrait of the Sculptor Antonio Canova, 1812, Antonio Canova (Workshop of), Italian,

LZT20A30_316

Self-Portrait of the Sculptor Antonio Canova, 1812...

Elephant Candelabrum Vase (Vase à Tête d’Eléphant), 1757/58, Sèvres Porcelain Manufactory, French,

LZT20A35_259

Elephant Candelabrum Vase (Vase à Tête d’Eléphant)...

Maker of Sword Fittings at his Workbench, c. 1790s, Kubo Shunman, Japanese, 1757–1820, Japan, Color

LZT20A28_209

Maker of Sword Fittings at his Workbench, c. 1790s...

Feeding Mug, c. 1780, Lowestoft Porcelain Factory, English, 1757-1802, Lowestoft, Soft-paste

LZT20A29_491

Feeding Mug, c. 1780, Lowestoft Porcelain Factory,...

Medal on the 60-year marriage of François van Vollenhoven and Margaretha Cornelia Snellen, wedding medal medal silver plated

LZT19B45_388

Medal on the 60-year marriage of François van Voll...

Pipe box in the shape of Gouda pipe, sheath holder wood copper brass, Sheath to transport pipe. Form of Gouda pipe underside

LZT19B43_184

Pipe box in the shape of Gouda pipe, sheath holder...

Jan de Meyer, Portrait of Catharina Wilhelmina van Hogendorp, portrait painting canvas linen oil painting, Standing rectangular

LZT19B56_360

Jan de Meyer, Portrait of Catharina Wilhelmina van...

Stopper with nine stoppers worked in colored silk and white linen on finely woven linen, marked IV DV SW 1757, stoppage

LZT19B42_410

Stopper with nine stoppers worked in colored silk ...

atelier Van Nijmegen; Gerard Sanders? Dionys van Nijmegen?, Painted ceiling, with oval center section, including Apollo

LZT19B56_495

atelier Van Nijmegen; Gerard Sanders? Dionys van N...

Pair of Candelabra; Robert-Joseph Auguste, French, 1723 - 1805, master by royal order 1757, Paris, France; 1779 - 1782; Silver

LZT19A92_047

Pair of Candelabra; Robert-Joseph Auguste, French,...

Tavola II. 11, Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792, Plate 2, from volume 2

LZT19B32_384

Tavola II. 11, Delle antichità di Ercolano, Baiard...

Mercury, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp

LZT19B32_456

Mercury, Pierres antiques gravées, sur lesquelles ...

Tab. 6, A new elucidation of colours, original, prismatic, and material: showing their concordance in three primitives, yellow

LZT19B36_279

Tab. 6, A new elucidation of colours, original, pr...

Complimento al pubblico, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

LZT19B36_427

Complimento al pubblico, Lettere di givstificazion...

Alexander the Great of Macedonia, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard

LZT19B37_009

Alexander the Great of Macedonia, Pierres antiques...

Delle antichità di Ercolano, Delle antichità di Ercolano, Gaultier, 1757-1792

LZT19B38_019

Delle antichità di Ercolano, Delle antichità di Er...

Sugar Caster, one of a pair, sucrier à poudre, Simon Gallien, French, died 1757, master 1714), Paris, France; 1743; Silver

LZT19A92_057

Sugar Caster, one of a pair, sucrier à poudre, Sim...

Tab. 5, A new elucidation of colours, original, prismatic, and material: showing their concordance in three primitives, yellow

LZT19B31_473

Tab. 5, A new elucidation of colours, original, pr...

Delle antichità di Ercolano, Carcani, Pasquale, 1721-1783, Engraving, 1757-1792

LZT19B32_375

Delle antichità di Ercolano, Carcani, Pasquale, 17...

141, Tavola XXIII, 141, Delle antichità di Ercolano, Aloja, Baiardi, Ottavio Antonio, 1694-1764, Vanni, Engraving, c. 1757-1792

LZT19B32_383

141, Tavola XXIII, 141, Delle antichità di Ercolan...

Minerva, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp

LZT19B32_455

Minerva, Pierres antiques gravées, sur lesquelles ...

Lapide del primo frontespizio, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

LZT19B36_428

Lapide del primo frontespizio, Lettere di givstifi...

Love Subduing Lions, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733

LZT19B37_008

Love Subduing Lions, Pierres antiques gravées, sur...

Box-Lobby Loungers; Thomas Rowlandson, British, 1757 - 1827, 1785; Pencil, pen and black and gray ink, and watercolor

LZT19A85_063

Box-Lobby Loungers; Thomas Rowlandson, British, 17...

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