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Four virtues with banners grouped around a mirror (Prudentia, Justitia, Fortitudo, Temperantia), c.
LZT20A52_011

Four virtues with banners grouped around a mirror ...

The Skt. Adolf = Diamantt = Giant = Hohrn, at the Flohzohrn, in India and, the Hahr = comb, 1917,
LZT20A51_216

The Skt. Adolf = Diamantt = Giant = Hohrn, at the ...

Mockery of the Jews, around 1470/80, reprint of the 17th or 18th century, woodcut, page: 27.9 x 43
LZT20A51_387

Mockery of the Jews, around 1470/80, reprint of th...

Signboard of a schoolmaster (children's page), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not
LZT20A48_408

Signboard of a schoolmaster (children's page), 151...

The posture of a rider, how he should sit petite and well on horseback, 1734, etching, sheet: 60 x
LZT20A52_291

The posture of a rider, how he should sit petite a...

Design for a facade painting at the house Zum Greifenstein in Basel, 1st half of the 16th century,
LZT20A52_244

Design for a facade painting at the house Zum Grei...

Synagogue, c. 1572, chiaroscuro woodcut of three plates (black, brown and light brown), leaf: 37.8
LZT20A51_443

Synagogue, c. 1572, chiaroscuro woodcut of three p...

Adelaide, Adelaide.. I think I can see the comet coming!!…, Oh my God… this is the end of the
LZT20A20_362

Adelaide, Adelaide.. I think I can see the comet c...

Robert:, Well, well! My dear director… how’s business? Bertrand:, Good, very good, I am quite
LZT20A40_114

Robert:, Well, well! My dear director… how’s busin...

- How are you feeling today, Mr. Chapolard?, Madame Pochet, a concierge who knows how to behave,
LZT20A10_175

- How are you feeling today, Mr. Chapolard?, Madam...

How the Heart Will Be Perfected by God from Der beschlossen gart des rosenkratz marie, plate twenty
LZT20A24_493

How the Heart Will Be Perfected by God from Der be...

O How Extremely Happy Could Farmers Be, if only they would count their blessings, 1768, Jean
LZT20A43_380

O How Extremely Happy Could Farmers Be, if only th...

How Sweet You Are (Valentine), c. 1840, Unknown Artist, American or English, 19th century, United
LZT20A35_325

How Sweet You Are (Valentine), c. 1840, Unknown Ar...

This is How it Happened, plate 47 from The Disasters of War, 1812/15, published 1863, Francisco
LZT20A03_399

This is How it Happened, plate 47 from The Disaste...

How Cities are Born (Wedding in the Village), 1840, Charles François Daubigny, French, 1817-1878,
LZT20A16_220

How Cities are Born (Wedding in the Village), 1840...

How Wearily, Oh, How Wearily Drags Life (valentine), c. 1830, Unknown Artist, American or English,
LZT20A35_341

How Wearily, Oh, How Wearily Drags Life (valentine...

Husband: My dear, how about a first kiss on my chin? The wife (aside): To think that I am married
LZT20A20_356

Husband: My dear, how about a first kiss on my chi...

Husbands Always Make Me Laugh: How badly you lie, my dear, 1853, Paul Gavarni, French, 1804-1866,
LZT20A10_070

Husbands Always Make Me Laugh: How badly you lie, ...

The Disadvantage of Buying a Newspaper That is Publishing the News Twelve Hours Before the others.,
LZT20A10_192

The Disadvantage of Buying a Newspaper That is Pub...

Study for How a Devil in Woman’s Likeness Would Have Tempted Sir Bors, 1893, Aubrey Vincent
LZT20A15_391

Study for How a Devil in Woman’s Likeness Would Ha...

The Jayotype., Mr. Jay: The gentleman is married?, The gentleman: Certainly, but how the devil did
LZT20A10_174

The Jayotype., Mr. Jay: The gentleman is married?,...

The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as
LZT20A23_092

The Embroiderer. An example of the errors, nature ...

The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, 1862,
LZT20A23_139

The New Paris. How fortunate for those in a hurry ...

Quomodo debeamus uti liberalitate ad captandam multitudinis beniuolentiam (How We Must Use
LZT20A25_054

Quomodo debeamus uti liberalitate ad captandam mul...

Fragments faience vase, two ears with scroll ornaments and lion head, polychrome, vase crockery holder soil find ceramic
LZT19B41_392

Fragments faience vase, two ears with scroll ornam...

design: M. Holtzhey, Medal on the commemoration of the centenary of the Treaty of Munster, penning footage silver, grams
LZT19B46_490

design: M. Holtzhey, Medal on the commemoration of...

Scene tile, double child's play, goat buck buck, how many horns I have on, corner motif meander, wall tile tile sculpture
LZT19B64_017

Scene tile, double child's play, goat buck buck, h...

Cup and saucer, Costerman-uproar, blue Chinese porcelain, cup-saucer drinking utensils tableware holder ceramic porcelain cup
LZT19B49_314

Cup and saucer, Costerman-uproar, blue Chinese por...

Three-piece bronze mold for crane, mold casting tools tool kit base metal bronze, molded turned Three-piece bronze mold
LZT19B46_317

Three-piece bronze mold for crane, mold casting to...

Samuel Ruel (watch), Pocket watch with enamel dial with port quay scene in color and with gold interior and exterior case
LZT19B49_347

Samuel Ruel (watch), Pocket watch with enamel dial...

Cup and saucer, Costerman-uproar, blue Chinese porcelain, cup and saucer drinking utensils tableware holder ceramic porcelain
LZT19B49_316

Cup and saucer, Costerman-uproar, blue Chinese por...

Fireback, angel with kneeling man, Tobias, text Tobie am Vicap, hob plate cast iron, cast Rectangular two notches on each side
LZT19B64_472

Fireback, angel with kneeling man, Tobias, text To...

Facing brick in two parts with How, It, Vaert ... Schandelijck sharpened, facing brick building component sandstone stone, total
LZT19B55_237

Facing brick in two parts with How, It, Vaert ... ...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_334

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_348

Edificij et machine, Martini, Francesco di Giorgio...

View of a tree-lined street with snow, Ashfield, Massachusetts; A.W. & G.E. Howes; 1896; Gelatin silver print
LZT19B09_152

View of a tree-lined street with snow, Ashfield, M...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_335

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_347

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_331

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_346

Edificij et machine, Martini, Francesco di Giorgio...

Gracious. Goodness. Mr. Smith, how dare you think of intruding on a lady in such a situation.; American; about 1870; Albumen
LZT19B04_164

Gracious. Goodness. Mr. Smith, how dare you think ...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_332

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_344

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_325

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_339

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_356

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_370

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_340

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_353

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_372

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_327

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_336

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_352

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_326

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_338

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_351

Edificij et machine, Martini, Francesco di Giorgio...

How like Watteau; about 1858; Albumen silver print
LZT19B06_183

How like Watteau; about 1858; Albumen silver print

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_330

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_365

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_380

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_328

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_366

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_378

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_342

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_358

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_368

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_382

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_343

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_357

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_369

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_381

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_360

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_374

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_361

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_373

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_362

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_377

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_364

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
LZT19B31_376

Edificij et machine, Martini, Francesco di Giorgio...

Examples how to produce the effect of shading, Traicté des manieres de grauer en taille douce sur l'airin, Bosse, Abraham, 1602
LZT19B38_128

Examples how to produce the effect of shading, Tra...

How I Lost My Whiskers, 1866. Charles Samuel Keene (British, 1823-1891). Wood engraving
LZT19A41_464

How I Lost My Whiskers, 1866. Charles Samuel Keene...

Raid on a Sand-Swallow Colony - "How Many Eggs?
LZT19A50_233

Raid on a Sand-Swallow Colony - "How Many Eggs?

Caprices: Look How Solemn They Are!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint
LZT19A40_253

Caprices: Look How Solemn They Are!. Francisco de...

How I Lost My Whiskers, 1866. Charles Samuel Keene (British, 1823-1891). Wood engraving
LZT19A41_465

How I Lost My Whiskers, 1866. Charles Samuel Keene...

Going to Court - How I Went, 1863. England, 19th century. Wood engraving
LZT19A41_460

Going to Court - How I Went, 1863. England, 19th c...

published in le Charivari (no du 6 mars 1841): The Musicians of Paris, plate 6: If you knew how
LZT19A51_276

published in le Charivari (no du 6 mars 1841): The...

The Horrors of War: This is How it Happened. Francisco de Goya (Spanish, 1746-1828). Etching
LZT19A40_164

The Horrors of War: This is How it Happened. Fran...

How Not to Play the Game, 1865. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood
LZT19A41_445

How Not to Play the Game, 1865. George Louis Palme...

The Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier
LZT19A41_454

The Queen of Diamonds - How She Was Won and Lost, ...

The Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier
LZT19A41_453

The Queen of Diamonds - How She Was Won and Lost, ...

Caprichos: How They Pluck Her!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint
LZT19A40_214

Caprichos: How They Pluck Her!. Francisco de Goya...

Tomkin's Degree Supper and How it Ended, 1868. Charles Samuel Keene (British, 1823-1891). Wood
LZT19A41_467

Tomkin's Degree Supper and How it Ended, 1868. Cha...

Francisco de Goya (Spanish, 1746-1828). Miren que grabes! (Look how solemn they are!), 1796-1797.
LZT16A20_166

Francisco de Goya (Spanish, 1746-1828). Miren que ...

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). How poorly you lie,
LZT16A21_088

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chev...

Francisco de Goya (Spanish, 1746-1828). ¡Qual la descañonan! (How they pluck her!), 1796-1797.
LZT16A20_120

Francisco de Goya (Spanish, 1746-1828). ¡Qual la ...

Honoré Daumier (French, 1808 - 1879). An Adulterous Affair. I know about thatâ€î I will plead your
LZT16A23_470

Honoré Daumier (French, 1808 - 1879). An Adulterou...

Edward Lagarde (American, 19th Century) after Winslow Homer, Raid on a Sand-Swallow Colony - "How
LZT16A47_216

Edward Lagarde (American, 19th Century) after Wins...

Francisco de Goya (Spanish, 1746-1828). This Is How It Happened (Así Sucedió), 1810-1815, printed
LZT16A20_347

Francisco de Goya (Spanish, 1746-1828). This Is Ho...

Paterson, New Jersey - Textiles. A view of part of the Barnett Silk Mill, - it has been cut up into
LZT16A06_151

Paterson, New Jersey - Textiles. A view of part of...

"HOW ARE THE MIGHTY FALLEN!": A SCENE ON THE BANKS OF THE LIMPOPO RIVER, SOUTH AFRICA, 1897
LZT16A10_476

"HOW ARE THE MIGHTY FALLEN!": A SCENE ON THE BANKS...

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