97 results for: ivory chine collé

Page
of
1

Please sign in for more results

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10,

LZT20A04_062

Then There Appears a Singular Being, Having the He...

Tree, 1892, Odilon Redon, French, 1840-1916, France, Lithograph on cream China paper, laid down

LZT20A04_119

Tree, 1892, Odilon Redon, French, 1840-1916, Franc...

Exotic Flower (Woman in a Mantilla), 1868, Édouard Manet (French, 1832-1883), published by Philippe

LZT20A17_315

Exotic Flower (Woman in a Mantilla), 1868, Édouard...

Woman Shearing Sheep, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French,

LZT20A26_422

Woman Shearing Sheep, 1853, after drawing made in ...

The Lost Angel Then Opened Black Wings, from Night, 1886, Odilon Redon, French, 1840-1916, France,

LZT20A04_029

The Lost Angel Then Opened Black Wings, from Night...

Portrait of Franz Liszt, published August 1832, Achille Devéria (French, 1800-1857), published and

LZT20A36_389

Portrait of Franz Liszt, published August 1832, Ac...

Nocturne, 1878, published 1887, James McNeill Whistler, American, 1834-1903, United States,

LZT20A40_304

Nocturne, 1878, published 1887, James McNeill Whis...

Brünnhilde (Twilight of the Gods), 1894, Odilon Redon, French, 1840-1916, France, Lithograph in

LZT20A04_129

Brünnhilde (Twilight of the Gods), 1894, Odilon Re...

Reine, l’excés des maux où la France est livrée…, 1825, Horace Vernet (French, 1789-1863), poem by

LZT20A18_318

Reine, l’excés des maux où la France est livrée…, ...

Through the Crack in the Wall, a Death’s Head Was Projected, from The Juror, 1887, Odilon Redon,

LZT20A04_050

Through the Crack in the Wall, a Death’s Head Was ...

Berthe Morisot in Silhouette, 1872–74, Édouard Manet, French, 1832-1883, France, Lithograph in

LZT20A17_316

Berthe Morisot in Silhouette, 1872–74, Édouard Man...

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean

LZT20A26_421

Mower, 1853, after drawing made in 1852, Jacques A...

The Man was Alone in a Night Landscape, from Night, 1886, Odilon Redon, French, 1840-1916, France,

LZT20A04_028

The Man was Alone in a Night Landscape, from Night...

The Cavalry Charge, 1889, Giovanni Fattori, Italian, 1825-1908, Italy, Etching, with drypoint and

LZT20A41_301

The Cavalry Charge, 1889, Giovanni Fattori, Italia...

The Kitchen, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul

LZT20A41_199

The Kitchen, 1858, James McNeill Whistler, America...

The Dream has Ended in Death, from The Juror, 1887, Odilon Redon, French, 1840-1916, France,

LZT20A04_053

The Dream has Ended in Death, from The Juror, 1887...

The Isle of the Dead, 1890, Max Klinger (German, 1857-1920), after Arnold Böcklin (Swiss,

LZT20A39_239

The Isle of the Dead, 1890, Max Klinger (German, 1...

The Alps, from Various Landscape Sites, c. 1851, Alexandre Calame, Swiss, 1810-1864, Switzerland,

LZT20A40_116

The Alps, from Various Landscape Sites, c. 1851, A...

Mr. Wray’s Cash Box, or, The Mask and the Mystery, 1852, Sir John Everett Millais, English,

LZT20A43_498

Mr. Wray’s Cash Box, or, The Mask and the Mystery,...

The Riva, Looking Towards the Caserna, 1880, Frank Duveneck, American, 1848-1919, United States,

LZT20A16_371

The Riva, Looking Towards the Caserna, 1880, Frank...

River Wye, plate 48 from Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner

LZT20A02_240

River Wye, plate 48 from Liber Studiorum, publishe...

Portrait of Edward Savage, 1899, Max Rosenthal, American, 1833-1918, United States, Mezzotint on

LZT20A10_229

Portrait of Edward Savage, 1899, Max Rosenthal, Am...

Reaper, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean

LZT20A26_419

Reaper, 1853, after drawing made in 1852, Jacques ...

Marie Anne Charlotte Corday d’Armans, from Tableaux historiques de la Révolution francaise, volume

LZT20A38_122

Marie Anne Charlotte Corday d’Armans, from Tableau...

Sheaf-Binder, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after

LZT20A26_408

Sheaf-Binder, 1853, after drawing made in 1852, Ja...

By the Stream, c. 1765, Attributed to Suzuki Harunobu ?? ??, Japanese, 1725 (?)–1770, Japan, Color

LZT20A11_348

By the Stream, c. 1765, Attributed to Suzuki Harun...

Ash and Oak, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_092

Ash and Oak, from The Park and the Forest, 1841, J...

ce panache éclatant qui flotte sur ma tête…, 1825, Horace Vernet (French, 1789-1863), poem by

LZT20A18_315

ce panache éclatant qui flotte sur ma tête…, 1825,...

View of the Village of Limay, 1845, Eugène Blery, French, 1805-1887, France, Etching on ivory China

LZT20A29_317

View of the Village of Limay, 1845, Eugène Blery, ...

The Bouquet of Trees, or The Lindens (Souvenir of the Sarthe), 1861, Eugène Blery, French,

LZT20A37_464

The Bouquet of Trees, or The Lindens (Souvenir of ...

A Bell was Sounding in the Tower, from The Juror, 1887, Odilon Redon, French, 1840-1916, France,

LZT20A04_047

A Bell was Sounding in the Tower, from The Juror, ...

Bengal Tiger, 1829, Eugène Delacroix (French, 1798-1863), printed by E. Ardit (French, act.

LZT20A15_397

Bengal Tiger, 1829, Eugène Delacroix (French, 1798...

Beech Trees in Arundale Park, from The Park and the Forest, 1841, James Duffield Harding (English,

LZT20A17_083

Beech Trees in Arundale Park, from The Park and th...

Cows at the Watering Place, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching,

LZT20A17_154

Cows at the Watering Place, 1850, Charles Émile Ja...

Suffer!, plate fourteen from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing

LZT20A39_277

Suffer!, plate fourteen from A Life, 1884, Max Kli...

Going to the Park, 1872, Sir John Everett Millais, English, 1829-1896, England, Etching on cream

LZT20A43_500

Going to the Park, 1872, Sir John Everett Millais,...

Woman Pulling Flax, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_407

Woman Pulling Flax, 1853, after drawing made in 18...

Beech and Ash on the Greta, from The Park and the Forest, 1841, James Duffield Harding (English,

LZT20A17_093

Beech and Ash on the Greta, from The Park and the ...

Place, plate one from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Ivory chine collé on

LZT20A37_090

Place, plate one from A Glove, 1881, Max Klinger, ...

Abduction, plate nine from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and

LZT20A37_099

Abduction, plate nine from A Glove, 1881, Max Klin...

The Two Oaks, Fontainebleau, 1842, Eugène Blery, French, 1805-1887, France, Etching, roulette, and

LZT20A37_463

The Two Oaks, Fontainebleau, 1842, Eugène Blery, F...

La Rétameuse, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul

LZT20A41_198

La Rétameuse, 1858, James McNeill Whistler, Americ...

Plane Trees, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_082

Plane Trees, from The Park and the Forest, 1841, J...

The Infinite Search, from Night, 1886, Odilon Redon, French, 1840-1916, France, Lithograph in black

LZT20A04_032

The Infinite Search, from Night, 1886, Odilon Redo...

The Landscape Painters, 1833, Pierre François Eugène Giraud, French, 1806-1891, France, Lithograph

LZT20A36_433

The Landscape Painters, 1833, Pierre François Eugè...

Masks and faces: I have been slandered, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_055

Masks and faces: I have been slandered, 1857–58, P...

Quel est de ces mourants l’étonnement extrême…, 1825, Horace Vernet (French, 1789-1863), poem by

LZT20A18_317

Quel est de ces mourants l’étonnement extrême…, 18...

Bramble and Ivy, 1845, Eugène Blery, French, 1805-1887, France, Etching and drypoint on ivory wove

LZT20A37_462

Bramble and Ivy, 1845, Eugène Blery, French, 1805-...

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of

LZT20A04_067

And in the Very Disk of the Sun Lights the Face of...

The Urchin, 1868–74, Édouard Manet (French, 1832-1883), printed by Lemercier et Compagnie (French,

LZT20A06_215

The Urchin, 1868–74, Édouard Manet (French, 1832-1...

Landscape Painters at Work, plate 309 from Souvenirs d’artistes, 1862, Honoré Victorin Daumier,

LZT20A41_423

Landscape Painters at Work, plate 309 from Souveni...

The Priestesses Were Waiting, from Night, 1886, Odilon Redon, French, 1840-1916, France, Lithograph

LZT20A04_031

The Priestesses Were Waiting, from Night, 1886, Od...

The Large German Landscape, 1841, Johann Wilhelm Schirmer, German, 1807-1863, Germany, Etching on

LZT20A38_241

The Large German Landscape, 1841, Johann Wilhelm S...

Enfin, d’un coup mortel, il lui perce le flanc…, 1825, Horace Vernet (French, 1789-1863), poem by

LZT20A18_316

Enfin, d’un coup mortel, il lui perce le flanc…, 1...

Bramble and Ivy, 1845, Eugène Blery, French, 1805-1887, France, Etching, with additions in dark

LZT20A37_461

Bramble and Ivy, 1845, Eugène Blery, French, 1805-...

Fumette, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting

LZT20A41_196

Fumette, 1858, James McNeill Whistler, American, 1...

Lion of the Atlas Mountains, 1829, Eugène Delacroix (French, 1798-1863), printed by E. Ardit

LZT20A15_398

Lion of the Atlas Mountains, 1829, Eugène Delacroi...

The Port of Monaco, 1873, Adolphe Appian, French, 1818-1898, France, Etching on ivory chine applied

LZT20A30_022

The Port of Monaco, 1873, Adolphe Appian, French, ...

Child with Dog, 1822, Pierre-Paul Prud’hon, French, 1758-1823, France, Lithograph in black, with

LZT20A43_466

Child with Dog, 1822, Pierre-Paul Prud’hon, French...

The Chimera Gazed at all Things with Fear, from Night, 1886, Odilon Redon, French, 1840-1916,

LZT20A04_030

The Chimera Gazed at all Things with Fear, from Ni...

Woman Spinning, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_404

Woman Spinning, 1853, after drawing made in 1852, ...

Stéphane Mallarmé, 1892, published 1893, James McNeill Whistler, American, 1834-1903, United

LZT20A02_406

Stéphane Mallarmé, 1892, published 1893, James McN...

Berthe Morisot in Silhouette, 1872–74, printed 1884, Édouard Manet, French, 1832-1883, France,

LZT20A10_083

Berthe Morisot in Silhouette, 1872–74, printed 188...

Stone Pines, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_088

Stone Pines, from The Park and the Forest, 1841, J...

Homage, plate six from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory

LZT20A37_096

Homage, plate six from A Glove, 1881, Max Klinger,...

Love Me (Valentine), 1860/70, Unknown Artist, American or English, 19th century, United States,

LZT20A35_314

Love Me (Valentine), 1860/70, Unknown Artist, Amer...

The Drinker, 1867, Félicien Rops, Belgian, 1833-1898, Belgium, Etching on gray chine, laid down on

LZT20A18_144

The Drinker, 1867, Félicien Rops, Belgian, 1833-18...

Basket of Cupids, n.d., Attributed to Jan Boeckhorst, Flemish, born Germany, about 1604–1668,

LZT20A07_031

Basket of Cupids, n.d., Attributed to Jan Boeckhor...

Ash, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863), printed by

LZT20A17_089

Ash, from The Park and the Forest, 1841, James Duf...

Rescue, plate four from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory

LZT20A37_095

Rescue, plate four from A Glove, 1881, Max Klinger...

The Races, 1865/72, Édouard Manet, French, 1832-1883, France, Lithograph in black on gray ivory

LZT20A37_117

The Races, 1865/72, Édouard Manet, French, 1832-18...

Woman Raking Hay, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_406

Woman Raking Hay, 1853, after drawing made in 1852...

Pollard Willow, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_090

Pollard Willow, from The Park and the Forest, 1841...

Quiet, plate eight from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory

LZT20A37_098

Quiet, plate eight from A Glove, 1881, Max Klinger...

View of the Palm House on the Peacock-Island, c. 1844, Friedrich Julius Tempeltei (German,

LZT20A42_111

View of the Palm House on the Peacock-Island, c. 1...

Cedars of Lebanon, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_081

Cedars of Lebanon, from The Park and the Forest, 1...

Whistler Sketching at Moulsey Lock, 1861, Edwin Edwards, English, 1823-1879, England, Etching with

LZT20A22_071

Whistler Sketching at Moulsey Lock, 1861, Edwin Ed...

LZT20A37_029

Profile Portrait, Blake, 1796–97, Charles Balthaza...

Ash and Alder on the Greta, from The Park and the Forest, 1841, James Duffield Harding (English,

LZT20A17_091

Ash and Alder on the Greta, from The Park and the ...

Fears, plate seven from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory

LZT20A37_097

Fears, plate seven from A Glove, 1881, Max Klinger...

The Old Oak by the Pools at Bellecroix, 1843, Eugène Blery, French, 1805-1887, France, Etching on

LZT20A37_465

The Old Oak by the Pools at Bellecroix, 1843, Eugè...

The Actor Onoe Matsusuke I as Nakaomi Katsumi Disguised as the Farmer Datta no Nizo, in the Play

LZT20A12_136

The Actor Onoe Matsusuke I as Nakaomi Katsumi Disg...

Beech and Oak (Frontispiece), from The Park and the Forest, 1841, James Duffield Harding (English,

LZT20A17_080

Beech and Oak (Frontispiece), from The Park and th...

The Holy Family with Saint Elisabeth and the Infant John the Baptist, 1620, Lucas Emil Vorsterman

LZT20A31_075

The Holy Family with Saint Elisabeth and the Infan...

Abele and Oak, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_084

Abele and Oak, from The Park and the Forest, 1841,...

Phillip IV King of Spain, 1862, Édouard Manet (French, 1832-1883), after Diego Velázquez (Spanish,

LZT20A34_328

Phillip IV King of Spain, 1862, Édouard Manet (Fre...

The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, 1862,

LZT20A23_139

The New Paris. How fortunate for those in a hurry ...

Sur ce fier ennemi BOURBON se précipite…, 1825, Horace Vernet (French, 1789-1863), poem by Voltaire

LZT20A18_322

Sur ce fier ennemi BOURBON se précipite…, 1825, Ho...

Cupid, plate ten from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and aquatint

LZT20A37_091

Cupid, plate ten from A Glove, 1881, Max Klinger, ...

Birch and Oak, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_085

Birch and Oak, from The Park and the Forest, 1841,...

In the Dunes: Souvenir of the Woods of the Hague, 1869, Jean-Baptiste-Camille Corot, French,

LZT20A16_208

In the Dunes: Souvenir of the Woods of the Hague, ...

Wishes, plate three from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and

LZT20A37_094

Wishes, plate three from A Glove, 1881, Max Klinge...

Death: My Irony Surpasses All Others, 1888, Odilon Redon, French, 1840-1916, France, Transfer

LZT20A04_075

Death: My Irony Surpasses All Others, 1888, Odilon...

Larch, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863), printed by

LZT20A17_086

Larch, from The Park and the Forest, 1841, James D...

A Glove: Action, 1881, Max Klinger, German, 1857-1920, Germany, Etching and aquatint on ivory chine

LZT20A37_093

A Glove: Action, 1881, Max Klinger, German, 1857-1...

Scotch Fir, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863),

LZT20A17_087

Scotch Fir, from The Park and the Forest, 1841, Ja...

Fishing Boat in a Gale, n.d., Eugène Isabey, French, 1803-1886, France, Lithograph in black on

LZT20A44_437

Fishing Boat in a Gale, n.d., Eugène Isabey, Frenc...