Period

306 results for: ivory wove china paper

  • Page
  • of
  • 4
Please sign in for more results
In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6
LZT20A04_150

In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,
LZT20A04_163

Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,
LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,
LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China
LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Lanscape with Peasant Dwelling, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching,
LZT20A17_140

Lanscape with Peasant Dwelling, 1845, Charles Émil...

The Title Page for ‘Douze Eaux Fortes d’après Nature’, 1858, James McNeill Whistler, American,
LZT20A22_082

The Title Page for ‘Douze Eaux Fortes d’après Natu...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,
LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China
LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon
LZT20A04_227

And There Fell a Great Star From Heaven, Burning a...

The Pig-Butcher, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China
LZT20A17_125

The Pig-Butcher, 1844, Charles Émile Jacque, Frenc...

There Were Also Embryonic Beings, plate 4 of 6, 1885, Odilon Redon, French, 1840-1916, France,
LZT20A04_018

There Were Also Embryonic Beings, plate 4 of 6, 18...

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10,
LZT20A04_062

Then There Appears a Singular Being, Having the He...

A Long Chrysalis, the Color of Blood, plate 2 of 6, 1889, Odilon Redon, French, 1840-1916, France,
LZT20A04_073

A Long Chrysalis, the Color of Blood, plate 2 of 6...

Female Saint and Thistle, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on
LZT20A04_097

Female Saint and Thistle, 1891, Odilon Redon, Fren...

Beneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6, 1891, Odilon
LZT20A04_106

Beneath the Wing of Shadow the Black Creature was ...

Tree, 1892, Odilon Redon, French, 1840-1916, France, Lithograph on cream China paper, laid down
LZT20A04_119

Tree, 1892, Odilon Redon, French, 1840-1916, Franc...

Bathing Women, fourth large plate, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph
LZT20A16_431

Bathing Women, fourth large plate, 1898, Henri Fan...

Twilight of the Gods: Siegfried and the Rhine Maidens, 1898, Henri Fantin-Latour, French,
LZT20A16_434

Twilight of the Gods: Siegfried and the Rhine Maid...

Courtyard of a Peasant Dwelling, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on
LZT20A17_224

Courtyard of a Peasant Dwelling, 1846, Charles Émi...

Woman Shearing Sheep, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French,
LZT20A26_422

Woman Shearing Sheep, 1853, after drawing made in ...

The Little Ford, 1803, Jean Jacques de Boissieu, French, 1736-1810, France, Etching on pale pink
LZT20A36_134

The Little Ford, 1803, Jean Jacques de Boissieu, F...

The Lost Angel Then Opened Black Wings, from Night, 1886, Odilon Redon, French, 1840-1916, France,
LZT20A04_029

The Lost Angel Then Opened Black Wings, from Night...

Spider, 1887, Odilon Redon, French, 1840-1916, France, Lithograph on ivory China paper laid down on
LZT20A04_040

Spider, 1887, Odilon Redon, French, 1840-1916, Fra...

The Morning of the First Day of the Year, c. 1864, Charles Émile Jacque (French, 1813-1894),
LZT20A19_016

The Morning of the First Day of the Year, c. 1864,...

Portrait of Franz Liszt, published August 1832, Achille Devéria (French, 1800-1857), published and
LZT20A36_389

Portrait of Franz Liszt, published August 1832, Ac...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,
LZT20A04_151

And He Discerns an Arid, Knoll-Covered Plain, plat...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,
LZT20A04_184

The Beasts of the Sea, Round Like Leather Bottles,...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,
LZT20A04_199

He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,
LZT20A09_231

Physionomies Parisiennes: Petit Commerce. La Monna...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in
LZT20A10_060

Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Landscape with Farm Laborers, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on
LZT20A17_141

Landscape with Farm Laborers, 1845, Charles Émile ...

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet, 1843, Eugène Delacroix, French,
LZT20A27_134

Hamlet and Horatio with the Gravediggers, plate 14...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_140

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France,
LZT20A10_074

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–...

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from Les Origines, 1883,
LZT20A04_006

When Life Was Awakening in the Depths of Obscure M...

A Strange Juggler, plate 5, 1885, Odilon Redon, French, 1840-1916, France, Lithograph in black on
LZT20A04_019

A Strange Juggler, plate 5, 1885, Odilon Redon, Fr...

Through the Crack in the Wall, a Death’s Head Was Projected, from The Juror, 1887, Odilon Redon,
LZT20A04_050

Through the Crack in the Wall, a Death’s Head Was ...

Saint Anthony: Beneath her long hair, which covered her face, I thought I recognized Ammonaria,
LZT20A04_072

Saint Anthony: Beneath her long hair, which covere...

Serpent-Halo, 1890, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China
LZT20A04_096

Serpent-Halo, 1890, Odilon Redon, French, 1840-191...

The Reader, 1892, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China
LZT20A04_118

The Reader, 1892, Odilon Redon, French, 1840-1916,...

Benvenuto Cellini, Act III: The Casting of Perseus, 1888, Henri Fantin-Latour, French, 1836-1904,
LZT20A16_402

Benvenuto Cellini, Act III: The Casting of Perseus...

Evocation of Kundry, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on
LZT20A16_435

Evocation of Kundry, 1898, Henri Fantin-Latour, Fr...

Landscape with Man on Horseback, Pigs and Cow, n.d., Charles Émile Jacque, French, 1813-1894,
LZT20A17_225

Landscape with Man on Horseback, Pigs and Cow, n.d...

A Long Chrysalis, the Color of Blood, plate 2 of 6, 1889, Odilon Redon, French, 1840-1916, France,
LZT20A21_101

A Long Chrysalis, the Color of Blood, plate 2 of 6...

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean
LZT20A26_421

Mower, 1853, after drawing made in 1852, Jacques A...

The Man was Alone in a Night Landscape, from Night, 1886, Odilon Redon, French, 1840-1916, France,
LZT20A04_028

The Man was Alone in a Night Landscape, from Night...

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916,
LZT20A04_161

Intelligence was Mine! I Became the Buddha, plate ...

Here is the Good Goddess, the Idaean Mother of the Mountains, plate 15 of 24, 1896, Odilon Redon,
LZT20A04_170

Here is the Good Goddess, the Idaean Mother of the...

I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human
LZT20A04_196

I Continued to Gaze on the Chair, and Fancied I Sa...

Masks and faces: We have never permitted…, 1857–58, Paul Gavarni, French, 1804-1866, France,
LZT20A10_059

Masks and faces: We have never permitted…, 1857–58...

And On Every Side Are Columns of Basalt,…the Light Falls From the Vaulted Roof, plate 3 of 24,
LZT20A04_143

And On Every Side Are Columns of Basalt,…the Light...

A Woman Clothed With the Sun, plate 6 of 12, 1899, Odilon Redon, French, 1840-1916, France,
LZT20A04_229

A Woman Clothed With the Sun, plate 6 of 12, 1899,...

Normandy, 1831, Eugène Isabey (French, 1803-1886), printed by Francois Seraphin Delpech (French,
LZT20A10_084

Normandy, 1831, Eugène Isabey (French, 1803-1886),...

Scullery Maid, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China
LZT20A17_127

Scullery Maid, 1844, Charles Émile Jacque, French,...

Rosa Corder, March 15, 1880 (published), Richard Josey (English, 1840-1906), after James McNeill
LZT20A22_134

Rosa Corder, March 15, 1880 (published), Richard J...

The Kitchen, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul
LZT20A41_199

The Kitchen, 1858, James McNeill Whistler, America...

At Zaandam, 1877, Maxime Lalanne, French, 1827-1886, France, Etching and drypoint on ivory China
LZT20A00_034

At Zaandam, 1877, Maxime Lalanne, French, 1827-188...

Horseman Waiting, 1866, Odilon Redon, French, 1840-1916, France, Etching on light gray China paper
LZT20A03_459

Horseman Waiting, 1866, Odilon Redon, French, 1840...

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882, Odilon
LZT20A03_498

The Eye, Like a Strange Balloon Moves Towards Infi...

The Marsh Flower, a Sad Human Head, plate 2 of 6, 1885, Odilon Redon, French, 1840-1916, France,
LZT20A04_016

The Marsh Flower, a Sad Human Head, plate 2 of 6, ...

The Dream has Ended in Death, from The Juror, 1887, Odilon Redon, French, 1840-1916, France,
LZT20A04_053

The Dream has Ended in Death, from The Juror, 1887...

Frontispiece to A Gustave Flaubert (To Gustave Flaubert), 1889, Odilon Redon, French, 1840-1916,
LZT20A04_071

Frontispiece to A Gustave Flaubert (To Gustave Fla...

Pilgrim of the Sublunary World, plate 5 of 6, 1891, Odilon Redon, French, 1840-1916, France,
LZT20A04_108

Pilgrim of the Sublunary World, plate 5 of 6, 1891...

Mystical Conversation, 1892, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory
LZT20A04_117

Mystical Conversation, 1892, Odilon Redon, French,...

Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper
LZT20A04_126

Obsession, 1894, Odilon Redon, French, 1840-1916, ...

Romeo and Juliet: Confiding in the Night, 1888, Henri Fantin-Latour, French, 1836-1904, France,
LZT20A16_403

Romeo and Juliet: Confiding in the Night, 1888, He...

The Knife-Grinder, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray
LZT20A17_226

The Knife-Grinder, 1850, Charles Émile Jacque, Fre...

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24, 1896,
LZT20A04_153

She Draws From Her Bosom a Sponge, Perfectly Black...

Immediately Three Goddesses Arise, plate 11 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_160

Immediately Three Goddesses Arise, plate 11 of 24,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Offspring is the Sun!, plate 16
LZT20A04_171

I am Still the Great Isis! Nobody Has Ever Yet Lif...

I Continued to Gaze on the Chair, and Fancied I saw on It a Pale Blue Misty Outline of a Human
LZT20A04_197

I Continued to Gaze on the Chair, and Fancied I sa...

St. Anthony: Help me, O my God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_142

St. Anthony: Help me, O my God!, plate 2 of 24, 18...

Sleep, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper
LZT20A04_219

Sleep, 1898, Odilon Redon, French, 1840-1916, Fran...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon
LZT20A04_228

And There Fell a Great Star From Heaven, Burning a...

Portrait of Professor Huxley, 1891, Alphonse Legros, French, 1837-1911, France, Lithograph in black
LZT20A18_406

Portrait of Professor Huxley, 1891, Alphonse Legro...

Outskirts of Rome, 1866, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by Auguste
LZT20A16_205

Outskirts of Rome, 1866, Jean-Baptiste-Camille Cor...

The Sheep and the Flies, 1849, Charles Meryon (French, 1821-1868), after Karel Dujardin (Dutch, c
LZT20A01_112

The Sheep and the Flies, 1849, Charles Meryon (Fre...

Before the Black Sun of Melancholy, Lenore Appears, plate two from To Edgar Poe, 1882, Odilon
LZT20A03_499

Before the Black Sun of Melancholy, Lenore Appears...

A Madman in a Dismal Landscape, plate 3 of 6, 1885, Odilon Redon, French, 1840-1916, France,
LZT20A04_017

A Madman in a Dismal Landscape, plate 3 of 6, 1885...

Dramatic and Grandiose with Her Face like that of a Druid Priestess, 1887, Odilon Redon, French,
LZT20A04_052

Dramatic and Grandiose with Her Face like that of ...

He Raises the Bronze Urn, plate 4 of 10, 1888, Odilon Redon, French, 1840-1916, France, Lithograph
LZT20A04_061

He Raises the Bronze Urn, plate 4 of 10, 1888, Odi...

Frontispiece to A Gustave Flaubert (To Gustave Flaubert), 1889, Odilon Redon, French, 1840-1916,
LZT20A04_070

Frontispiece to A Gustave Flaubert (To Gustave Fla...

It Was a Veil, an Imprint, plate 1 of 6, 1891, Odilon Redon, French, 1840-1916, France, Lithograph
LZT20A04_098

It Was a Veil, an Imprint, plate 1 of 6, 1891, Odi...

Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China
LZT20A04_127

Obsession, 1894, Odilon Redon, French, 1840-1916, ...

The Damnation of Faust: The Appearance of Marguerite, 1888, Henri Fantin-Latour, French, 1836-1904,
LZT20A16_404

The Damnation of Faust: The Appearance of Margueri...

Venus and Cupid, large plate, 1896, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in
LZT20A16_428

Venus and Cupid, large plate, 1896, Henri Fantin-L...

Courtyard Interior, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China
LZT20A17_148

Courtyard Interior, 1849, Charles Émile Jacque, Fr...

Summer, c. 1865, Charles Émile Jacque (French, 1813-1894), printed by Sarazin (French, 19th
LZT20A17_170

Summer, c. 1865, Charles Émile Jacque (French, 181...

Two Horses in a Wood, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China
LZT20A17_205

Two Horses in a Wood, 1845, Charles Émile Jacque, ...

Reaper, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean
LZT20A26_419

Reaper, 1853, after drawing made in 1852, Jacques ...

Marie Anne Charlotte Corday d’Armans, from Tableaux historiques de la Révolution francaise, volume
LZT20A38_122

Marie Anne Charlotte Corday d’Armans, from Tableau...

Near Dieppe, plate one from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed by
LZT20A13_385

Near Dieppe, plate one from Six Marines, 1833, Eug...

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!, plate 4 of 24, 1896, Odilon
LZT20A04_146

My Kisses Have the Taste of Fruit Which Would Melt...

Immediately Three Goddesses Arise, plate 11 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_159

Immediately Three Goddesses Arise, plate 11 of 24,...

Oannes: I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine
LZT20A04_168

Oannes: I, the first consciousness in Chaos, rose ...

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6, 1896, Odilon Redon,
LZT20A04_202

It Was a Hand, Seemingly as Much of Flesh and Bloo...

Masks and faces, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light
LZT20A10_057

Masks and faces, 1857–58, Paul Gavarni, French, 18...

  • Page
  • of
  • 4