1783 results for: light

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Pluto, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_474

Pluto, 1588/90 (probably print 1617/20), chiaroscu...

Rock cliff at the seashore, around 1597/1600 (probably print 1617/20), chiaroscuro woodcut of three

LZT20A52_483

Rock cliff at the seashore, around 1597/1600 (prob...

Marino, watercolor over pencil, heightened in white, on light brown paper, sheet: 28.3 x 18.1 cm, U

LZT20A53_379

Marino, watercolor over pencil, heightened in whit...

Abstract Head: Pink-Light Blue, 1929, oil on cardboard, 37 x 27 cm, signed and dated, l .: A. J .,

LZT20A51_173

Abstract Head: Pink-Light Blue, 1929, oil on cardb...

Broken glass with coat of arms Christoph Stauffer, in the background the stachelschützenhaus on

LZT20A52_168

Broken glass with coat of arms Christoph Stauffer,...

The torture of St., Sebastian, c. 1500, quill in brown, over a light carbon copy, laminated, page:

LZT20A52_014

The torture of St., Sebastian, c. 1500, quill in b...

The Evangelist Johannes, beginning of the 16th century, feather in brown, light gray-brown washed,

LZT20A53_194

The Evangelist Johannes, beginning of the 16th cen...

David playing the harp in front of Saul, 1555, Clair-obscur woodcut of four plates (light beige,

LZT20A52_103

David playing the harp in front of Saul, 1555, Cla...

Landscape with peasant homestead, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of

LZT20A52_482

Landscape with peasant homestead, c. 1597/1600 (pr...

River landscape in the evening light, oil on canvas, 21.5 x 32 cm, not specified, Jakob Christoph

LZT20A48_074

River landscape in the evening light, oil on canva...

Eight warriors and a rider in landscape, around 1507/08, feather in dark brown, some brush in light

LZT20A51_298

Eight warriors and a rider in landscape, around 15...

The hl., Antonius as a church father, beginning of the 16th century, feather in brown, light

LZT20A53_195

The hl., Antonius as a church father, beginning of...

The hl., Ambrose as a church father, early 16th century, quill in brown, light gray washed, page:

LZT20A53_198

The hl., Ambrose as a church father, early 16th ce...

Oceanus, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_472

Oceanus, 1588/90 (probably print 1617/20), chiaros...

The Evangelist Mark, early 16th century, feather in brown, light gray-brown washed, page: 20 x 18.7

LZT20A53_192

The Evangelist Mark, early 16th century, feather i...

Horse and horse studies, pencil on light brown paper, verso: pencil, leaf: 31.1 x 24.5 cm (largest

LZT20A51_390

Horse and horse studies, pencil on light brown pap...

The Evangelist Luke, early 16th century, feather in brown, light gray-brown washed, sheet: 19.1 x

LZT20A53_193

The Evangelist Luke, early 16th century, feather i...

Nox, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown and

LZT20A52_479

Nox, 1588/90 (probably print 1617/20), chiaroscuro...

Dursli with two bundles of wood in front of his house., Illustrated illustration for Jeremias

LZT20A52_062

Dursli with two bundles of wood in front of his ho...

In the corner picture David beheaded Goliath, around 1545, feather in black, partly gray washed,

LZT20A52_185

In the corner picture David beheaded Goliath, arou...

View from Monte Gentile, July 1816, pencil, quill, watercolor, sheet: 38.3 x 49.4 cm, inscribed

LZT20A51_356

View from Monte Gentile, July 1816, pencil, quill,...

Excitement in the poultry farm, oil on canvas, 95 x 129 cm, signed in light brown lower right: M.

LZT20A47_447

Excitement in the poultry farm, oil on canvas, 95 ...

Oceanus, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three panels (ocher, light olive

LZT20A52_471

Oceanus, 1588/90 (probably print 1617/20), chiaros...

Helios, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_478

Helios, 1588/90 (probably print 1617/20), chiarosc...

Mountain landscape with Zäsenberg and Schreckhorn, 1829, pencil, quill, watercolor and cover color

LZT20A51_225

Mountain landscape with Zäsenberg and Schreckhorn,...

circle of Peter Paul Rubens, Flemish, 1577-1640, River God, between 1577 and 1640, black chalk,

LZT20A56_276

circle of Peter Paul Rubens, Flemish, 1577-1640, R...

The Evangelist Matthew, early 16th century, feather in brown, light gray-brown washed, page: 19.7 x

LZT20A53_191

The Evangelist Matthew, early 16th century, feathe...

Disc ripped with armed giants, surrounded by 18 guild arms, in the upper guild guild, 1606, pen in

LZT20A53_246

Disc ripped with armed giants, surrounded by 18 gu...

Jeremiah Wildt-Socin in the house skirt (Beatus ille qui procul negotiis), 1788, charcoal or black

LZT20A52_082

Jeremiah Wildt-Socin in the house skirt (Beatus il...

Landscape with a shepherd couple, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of

LZT20A52_481

Landscape with a shepherd couple, c. 1597/1600 (pr...

Barks with sails and nets on the beach at Porto d'Anzio, pencil and watercolor on light green

LZT20A53_146

Barks with sails and nets on the beach at Porto d'...

Marten de Vos, Netherlandish, 1532-1603, Christ Healing the Palsied Man, 1586, pen and brown ink

LZT20A56_297

Marten de Vos, Netherlandish, 1532-1603, Christ He...

Blossom of a horse-chestnut and moth, watercolor and opaque colors, glued to light brown tinted

LZT20A51_463

Blossom of a horse-chestnut and moth, watercolor a...

Elbow of a standing girl, pencil on light gray paper, sheet: 29.4 x 17.7 cm, U. r., monogrammed in

LZT20A51_494

Elbow of a standing girl, pencil on light gray pap...

Confederate Warriors in boat, 1st half of the 16th century, metal pencil, on paper primed in light

LZT20A53_271

Confederate Warriors in boat, 1st half of the 16th...

Slice tear with the buses of the hl., Hieronymus, in the upper picture scenes from the life of the

LZT20A53_278

Slice tear with the buses of the hl., Hieronymus, ...

Lighthouse and lion painting on high stone base in the port of Lindau, 1885, pencil on light,

LZT20A53_315

Lighthouse and lion painting on high stone base in...

Coiling and Musician Confederate Warriors, 1st half of the 16th century, metal pencil, on light

LZT20A53_270

Coiling and Musician Confederate Warriors, 1st hal...

Einsiedler leads Rosse to the Potions, c. 1837, pen and ink in brown on light gray paper, sheet: 32

LZT20A51_440

Einsiedler leads Rosse to the Potions, c. 1837, pe...

Farmer and three peasant women at the hay harvest, ink pen on light gray paper, verso: ink stick,

LZT20A51_451

Farmer and three peasant women at the hay harvest,...

Study sheet with two half-figures and four heads, c. 1470/80, silver pencil and some red chalk on

LZT20A51_342

Study sheet with two half-figures and four heads, ...

Reading in the Garden, c. 1868, pencil on light gray drawing paper, sheet: 12.6 x 22.6 cm,

LZT20A52_429

Reading in the Garden, c. 1868, pencil on light gr...

The beheading of the hl., Katharina, feather in light brown, gray washed, sheet: 21.6 x 16 cm |,

LZT20A52_177

The beheading of the hl., Katharina, feather in li...

Singing Guitar Player, 1860, chalk, heightened with white, on light gray paper, sheet: 43.8 x 22.5

LZT20A53_355

Singing Guitar Player, 1860, chalk, heightened wit...

Mrs. Fuseli, at a table in front of a niche with a drapery, 1799, pencil and brush in gray, washed

LZT20A51_438

Mrs. Fuseli, at a table in front of a niche with a...

Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in

LZT20A51_337

Portrait of a young man, 1517, silver pen, on ligh...

Slice tear to comfort the sick, around 1545, feather in black and brown, brown and light brown

LZT20A52_186

Slice tear to comfort the sick, around 1545, feath...

View of the moated castle Öttlingen, also called Friedlingen, 1649, feather in brown, light blue

LZT20A53_042

View of the moated castle Öttlingen, also called F...

Young sleeping couple on a four-poster bed, pencil, light brown brush, Sheet: 21.4 x 35.1 cm,

LZT20A51_439

Young sleeping couple on a four-poster bed, pencil...

Landscape with waterfall, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of three

LZT20A52_432

Landscape with waterfall, c. 1597/1600 (print prob...

Red carnation, yellow moss-rose, red rose-rose, white-red speckled tulips, yellow daffodils and

LZT20A53_140

Red carnation, yellow moss-rose, red rose-rose, wh...

View of the Öttlingen moated castle, also called Friedlingen, 1649, feather in brown, in places in

LZT20A53_041

View of the Öttlingen moated castle, also called F...

The upper part of the Cascata del Toce, August 1824, pencil and quill with ink, sepia washed,

LZT20A51_444

The upper part of the Cascata del Toce, August 182...

St. Christopher with the Christ Child coming ashore, 1513, feather in brown, light gray washed,

LZT20A52_379

St. Christopher with the Christ Child coming ashor...

Christ the Sorcerer of pain, appearing to a nun (?), Feather in light brown, Leaf: 30.7 x 21.3 cm,

LZT20A52_388

Christ the Sorcerer of pain, appearing to a nun (?...

Two studies on an Anna Selbdritt group, around 1470/80, feather in dark and light brown, verso:

LZT20A53_176

Two studies on an Anna Selbdritt group, around 147...

Christ washes Peter's feet, last quarter of the 15th century, feather in brown, green, blue and

LZT20A53_177

Christ washes Peter's feet, last quarter of the 15...

Proserpina, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (light olive,

LZT20A52_476

Proserpina, 1588/90 (probably print 1617/20), chia...

Alexandre Calame, Swiss, 1810-1864, Landscape by Evening Light, 19th Century, Etching printed in

LZT20A54_312

Alexandre Calame, Swiss, 1810-1864, Landscape by E...

Michel Corneille the Younger, French, 1642-1708, Landscape with Cupids, 17th century, pen and black

LZT20A56_315

Michel Corneille the Younger, French, 1642-1708, L...

Seascape with billowing waves, pencil, white scraped, on light gray paper, sheet: 9.5 x 13.2 cm, U.

LZT20A53_351

Seascape with billowing waves, pencil, white scrap...

The hl., Hieronymus as church father, beginning of the 16th century, feather in brown, light gray

LZT20A53_196

The hl., Hieronymus as church father, beginning of...

Proserpina, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light

LZT20A52_477

Proserpina, 1588/90 (probably print 1617/20), chia...

Synagogue, c. 1572, chiaroscuro woodcut of three plates (black, brown and light brown), leaf: 37.8

LZT20A51_443

Synagogue, c. 1572, chiaroscuro woodcut of three p...

Priapus and Lotis, after 1540, feather in black, light green, blue and red watercolored, round cut

LZT20A52_347

Priapus and Lotis, after 1540, feather in black, l...

The hl., Pope Gregory as church father, early 16th century, feather in brown, light gray-brown

LZT20A53_197

The hl., Pope Gregory as church father, early 16th...

Unknown (French), Nude Savages Dancing, between 1790 and 1814, pen and brown ink over graphite

LZT20A56_332

Unknown (French), Nude Savages Dancing, between 17...

Folio Nineteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography,

LZT20A02_176

Folio Nineteen from Burchard of Sion’s De locis ac...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Beatrice, 1897, Odilon Redon, French, 1840-1916, France, Lithograph in yellow, blue, and green on

LZT20A04_209

Beatrice, 1897, Odilon Redon, French, 1840-1916, F...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,

LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Cushion Cover, Qing dynasty (1644–1911), 1775/1800, Manchu, China, Silk, warp-float faced 7:1 satin

LZT20A02_259

Cushion Cover, Qing dynasty (1644–1911), 1775/1800...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian,

LZT20A14_500

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

The Pig-Butcher, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China

LZT20A17_125

The Pig-Butcher, 1844, Charles Émile Jacque, Frenc...

Bullet Mold for a Light Artillery Piece, 18th century, Austrian, Tyrol, Tyrol, Brass, iron, L. 36

LZT20A33_446

Bullet Mold for a Light Artillery Piece, 18th cent...

Study for The Speculators at the Palais Royal, 1797, Louis Léopold Boilly, French, 1761-1845,

LZT20A40_421

Study for The Speculators at the Palais Royal, 179...

Cover/Frontispiece: verso of the second page, from To Edgar Poe, 1882, Odilon Redon, French,

LZT20A03_496

Cover/Frontispiece: verso of the second page, from...

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines, 1883,

LZT20A04_007

There Was Perhaps a First Vision Attempted in the ...

Harold in Italy: In the Mountains, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

LZT20A16_401

Harold in Italy: In the Mountains, 1888, Henri Fan...

To Victor Hugo, 1889, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light

LZT20A16_411

To Victor Hugo, 1889, Henri Fantin-Latour, French,...

Robert Schumann’s Last Composition, 1895, Henri Fantin-Latour, French, 1836-1904, France,

LZT20A16_422

Robert Schumann’s Last Composition, 1895, Henri Fa...

Courtyard of a Peasant Dwelling, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on

LZT20A17_224

Courtyard of a Peasant Dwelling, 1846, Charles Émi...

The Morning of the First Day of the Year, c. 1864, Charles Émile Jacque (French, 1813-1894),

LZT20A19_016

The Morning of the First Day of the Year, c. 1864,...

The Light, from the third album of L’Estampe originale, 1893, Alexandre Lunois (French, 1863-1916),

LZT20A21_024

The Light, from the third album of L’Estampe origi...

Music, plate 26 from Arts and Sciences, c. 1465, Master of the E-Series Tarocchi, Italian, active c

LZT20A29_038

Music, plate 26 from Arts and Sciences, c. 1465, M...

Light-Infantry Soldiers, Camp de Châlons, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen

LZT20A38_135

Light-Infantry Soldiers, Camp de Châlons, 1857, Gu...

Phineas Borret’s Farm near Saffron Walden, 1802, Thomas Girtin, English, 1775-1802, England,

LZT20A38_203

Phineas Borret’s Farm near Saffron Walden, 1802, T...

The Assault of the Shoe, 1888, Henri Charles Guérard, French, 1846-1897, France, Etching, with open

LZT20A41_474

The Assault of the Shoe, 1888, Henri Charles Guéra...

Folio Eighteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography,

LZT20A02_175

Folio Eighteen from Burchard of Sion’s De locis ac...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_151

And He Discerns an Arid, Knoll-Covered Plain, plat...

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_173

He Falls Head Foremost Into the Abyss, plate 17 of...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

LZT20A04_199

He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

The Shulamite, 1897, Odilon Redon, French, 1840-1916, France, Lithograph printed in blue and

LZT20A04_208

The Shulamite, 1897, Odilon Redon, French, 1840-19...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,

LZT20A09_231

Physionomies Parisiennes: Petit Commerce. La Monna...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in

LZT20A10_060

Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Banks of the Marne, c. 1883, Alphonse Legros, French, 1837-1911, France, Etching, drypoint and

LZT20A18_408

Banks of the Marne, c. 1883, Alphonse Legros, Fren...

The Mill by the Stream, n.d., Franz Edmund Weirotter, Austrian, 1730-1771, Austria, Etching on

LZT20A43_297

The Mill by the Stream, n.d., Franz Edmund Weirott...

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