7257 results for: lithograph

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Holbein leaves home in Basel, around 1857, pen lithograph, mounted on base paper, mounted in

LZT20A52_234

Holbein leaves home in Basel, around 1857, pen lit...

Girl with cats, lithograph (watermark: lion), leaf: 38 x 51.6 cm (largest mass), R. under the

LZT20A52_113

Girl with cats, lithograph (watermark: lion), leaf...

Prayer II, around 1913, lithograph, watercolored, sheet: 17.5 x 11.7 cm, Im Stein u., l, .,

LZT20A51_330

Prayer II, around 1913, lithograph, watercolored, ...

Maternité devant la mer, ou Maternité au Pouldu, 1900, Chalk and brush lithograph in 3 colors on

LZT20A51_294

Maternité devant la mer, ou Maternité au Pouldu, 1...

Holbein meets a countryman in the tavern, around 1857, pen lithograph, mounted on base paper,

LZT20A52_235

Holbein meets a countryman in the tavern, around 1...

Two girls with cats, lithograph (watermark: BERGISCH, GLADBACH), sheet: 40.5 x 51.5 cm (largest

LZT20A52_112

Two girls with cats, lithograph (watermark: BERGIS...

The death of a human, at the same time in the airplane and the railway, around 1913, lithograph,

LZT20A51_295

The death of a human, at the same time in the airp...

L'Exécution de Maximilien, 1867/68, chalk lithograph, cut out and mounted on carrier sheet, missing

LZT20A51_432

L'Exécution de Maximilien, 1867/68, chalk lithogra...

The beloved Holbein at the window of Maria, c. 1857, pen lithograph, mounted on base paper, mounted

LZT20A52_232

The beloved Holbein at the window of Maria, c. 185...

LZT20A52_122

Female nude in the lost profile to the left, litho...

Enfoncé Lafayette! .... Dummy, mon vieux !, chalk lithograph, first and only condition, folio: 34.2

LZT20A52_170

Enfoncé Lafayette! .... Dummy, mon vieux !, chalk ...

The desperate Holbein in the room of Erasmus, c. 1857, pen lithograph, mounted on base paper,

LZT20A52_233

The desperate Holbein in the room of Erasmus, c. 1...

Selfportrait Hans Holbein d., J. (after the later self-portrait in the Uffizi), around 1857, pen

LZT20A52_230

Selfportrait Hans Holbein d., J. (after the later ...

Cover drawing to Adelbert von Chamisso's story Peter Schlemihl's miraculous story, 1915, black

LZT20A51_268

Cover drawing to Adelbert von Chamisso's story Pet...

Le beau Narcisse, 1842, chalk lithograph, 1st condition (from 4), sheet: 35.7 x 27.3 cm |, Image:

LZT20A52_194

Le beau Narcisse, 1842, chalk lithograph, 1st cond...

Nous sommes tous d'honnêtes gens, embrassons-nous, et que ça finisse, 1834, chalk lithograph,

LZT20A52_199

Nous sommes tous d'honnêtes gens, embrassons-nous,...

Without title, lithograph in blue, 99/100, sheet: 28.3 x 37.4 cm, U. r., signed in red pencil:

LZT20A52_351

Without title, lithograph in blue, 99/100, sheet: ...

Lion Dvorant un cheval, 1844, chalk lithograph, 4th condition (from 5), sheet: 23.5 x 31.6 cm |,

LZT20A51_325

Lion Dvorant un cheval, 1844, chalk lithograph, 4t...

The musing Holbein is surprised by Erasmus, around 1857, pen lithograph, mounted on pad paper,

LZT20A52_231

The musing Holbein is surprised by Erasmus, around...

L'Abandon d'Ariane, 1842, chalk lithograph, 3rd condition (from 4), sheet: 33.5 x 24.7 cm |, Image:

LZT20A52_195

L'Abandon d'Ariane, 1842, chalk lithograph, 3rd co...

Athalie, 1851, chalk lithograph, 2nd condition (from 2), sheet: 26.8 x 35.3 cm |, 21.5 x 28.5 cm,

LZT20A52_198

Athalie, 1851, chalk lithograph, 2nd condition (fr...

Théorie de Baigneuses, (1897), brush lithograph on Chinese paper, mounted on backing paper, first

LZT20A51_428

Théorie de Baigneuses, (1897), brush lithograph on...

Hamlet veut suivre l'ombre de son père (William Shakespeare, Hamlet, Actes I, Scène IV), 1835,

LZT20A52_192

Hamlet veut suivre l'ombre de son père (William Sh...

Ingrate patrie, tu n'auras pas mon oeuvre! ..., 1840, chalk lithograph, 5th condition (from 5),

LZT20A52_201

Ingrate patrie, tu n'auras pas mon oeuvre! ..., 18...

Selfportrait Hans Holbein d., J. (after the early Basler so-called self portrait with the red

LZT20A52_229

Selfportrait Hans Holbein d., J. (after the early ...

Woman of the artist with Thomas and Mine, lithograph, sheet: 31 x 43.3 cm (largest mass), R. signed

LZT20A52_110

Woman of the artist with Thomas and Mine, lithogra...

Monsieur, pardon si je vous gêne un peu [...], 1844, chalk lithograph, 4th condition (from 4),

LZT20A52_193

Monsieur, pardon si je vous gêne un peu [...], 184...

Great cupid, va!, (Lepeintre Jne, rôle de Tragala dans Vingt ans plus tard)., 1834, chalk

LZT20A52_200

Great cupid, va!, (Lepeintre Jne, rôle de Tragala ...

Obsession, 1894, chalk lithograph, edition: 25, page: 46 x 31.7 cm |, Image: 36.2 x 22.8 cm, Signed

LZT20A51_430

Obsession, 1894, chalk lithograph, edition: 25, pa...

Unknown (American), Washington Entering New York, 19th century, color lithograph, Framed: 28 × 42

LZT20A56_446

Unknown (American), Washington Entering New York, ...

The irascible Holbein throws down a member of parliament down the stairs, around 1857, pen

LZT20A52_239

The irascible Holbein throws down a member of parl...

Le Ventre législatif., Aspect of the bancs ministériels de la chambre improstituée de 1834, 1834,

LZT20A51_353

Le Ventre législatif., Aspect of the bancs ministé...

Holbein with Thomas More before King Henry VIII, c. 1857, pen lithograph, mounted on base paper,

LZT20A52_238

Holbein with Thomas More before King Henry VIII, c...

Holbein portrays Catherine Howard, around 1857, pen lithograph, mounted on base paper, mounted in

LZT20A52_241

Holbein portrays Catherine Howard, around 1857, pe...

Frontispiece for Fables et Contes by Hippolyte de Thierry-Faletans, 1868, quill lithograph, sheet:

LZT20A52_430

Frontispiece for Fables et Contes by Hippolyte de ...

Une séance de l'union électorale, 1851, chalk lithograph, 2nd condition (from 3), sheet: 25.6 x 33

LZT20A52_196

Une séance de l'union électorale, 1851, chalk lith...

Holbein portrays Anne Boleyn, around 1857, pen lithograph, mounted on base paper, mounted in

LZT20A52_240

Holbein portrays Anne Boleyn, around 1857, pen lit...

Achille et Agamemnon, 1851, chalk lithograph, 2nd condition (from 2), sheet: 26.9 x 34.6 cm |, 20.5

LZT20A52_197

Achille et Agamemnon, 1851, chalk lithograph, 2nd ...

Holbein on the deathbed of his daughter Maria, c. 1857, pen lithograph, mounted on base paper,

LZT20A52_243

Holbein on the deathbed of his daughter Maria, c. ...

Holbein with Henry VIII in the garden, around 1857, pen lithograph, mounted on base paper, mounted

LZT20A52_242

Holbein with Henry VIII in the garden, around 1857...

Holbein is received by Thomas Morus, around 1857, pen lithograph, mounted on base paper, mounted in

LZT20A52_236

Holbein is received by Thomas Morus, around 1857, ...

Holbein wakes up in the house of Thomas More, around 1857, pen lithograph, mounted on base paper,

LZT20A52_237

Holbein wakes up in the house of Thomas More, arou...

Needlework, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph

LZT20A02_427

Needlework, 1896, James McNeill Whistler, American...

St. Anne’s, Soho, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A02_434

St. Anne’s, Soho, 1896, James McNeill Whistler, Am...

Portrait of Dr. Whistler, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States,

LZT20A02_445

Portrait of Dr. Whistler, No. 2, 1894, James McNei...

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1840/60, George Kershaw, English, 19th century,

LZT20A03_191

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1...

Haste From My Lattice, Letter Fly! (valentine), c. 1850, Unknown Artist, English, 19th century,

LZT20A03_200

Haste From My Lattice, Letter Fly! (valentine), c....

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6

LZT20A04_150

In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,

LZT20A04_163

Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André

LZT20A04_194

Frontispiece for Le mouvement idéaliste en peintur...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Beatrice, 1897, Odilon Redon, French, 1840-1916, France, Lithograph in yellow, blue, and green on

LZT20A04_209

Beatrice, 1897, Odilon Redon, French, 1840-1916, F...

Mounted Mameluke Chieftain Calling for Aid, 1817, Baron Antoine Jean Gros, French, 1771-1835,

LZT20A09_217

Mounted Mameluke Chieftain Calling for Aid, 1817, ...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China

LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852, Paul Gavarni, French, 1804-1866,

LZT20A10_039

Les Propos de Thomas Vireloque: The old story, my ...

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French,

LZT20A10_050

Les Propos de Thomas Vireloque: Misere et corde, q...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,

LZT20A10_061

Masks and faces: Women afraid of a glass of wine…,...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

Egglestone Abbey, from the River, 1899, Joseph Pennell, American, 1857-1926, United States,

LZT20A17_403

Egglestone Abbey, from the River, 1899, Joseph Pen...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,

LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

Les maris me font toujours rire: Je suis le mari de M’ame Jolibiais, 1853, Paul Gavarni, French,

LZT20A24_276

Les maris me font toujours rire: Je suis le mari d...

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future,

LZT20A24_286

A Suggestion by the Charivari to Mr. Léon Faucher ...

Hamlet and Ophelia, 1835–43, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on

LZT20A27_135

Hamlet and Ophelia, 1835–43, Eugène Delacroix, Fre...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,

LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

The Farriers, 1888, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph

LZT20A40_314

The Farriers, 1888, James McNeill Whistler, Americ...

The Garden, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph

LZT20A40_323

The Garden, 1891, James McNeill Whistler, American...

Draped Figure, Reclining, 1892, James McNeill Whistler, Printed by Henry Belfond, American,

LZT20A40_334

Draped Figure, Reclining, 1892, James McNeill Whis...

Study, 1894, James McNeill Whistler, American, 1834-1903, United States, Lithograph on cream laid

LZT20A41_125

Study, 1894, James McNeill Whistler, American, 183...

l’Etendard Francais, 1891, Jules Chéret, (French, 1836-1932), printed by Imprimerie Chaix, France,

LZT20A43_078

l’Etendard Francais, 1891, Jules Chéret, (French, ...

Lippincott’s for January, 1895, published, Will Carqueville (American, 1871-1946), published by J.B

LZT20A02_128

Lippincott’s for January, 1895, published, Will Ca...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China

LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,

LZT20A04_216

Arï, 1898, Odilon Redon, French, 1840-1916, France...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon

LZT20A04_227

And There Fell a Great Star From Heaven, Burning a...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on

LZT20A10_075

My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Andromeda, 1899, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory wove

LZT20A16_445

Andromeda, 1899, Henri Fantin-Latour, French, 1836...

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove

LZT20A19_087

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1...

Frontispiece, from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave

LZT20A19_096

Frontispiece, from Elles, 1896, Henri de Toulouse-...

Sight, plate 39 from Types Parisiens, August 4, 1839, Honoré Victorin Daumier, French, 1808-1879,

LZT20A23_039

Sight, plate 39 from Types Parisiens, August 4, 18...

The source of the Seine is the Cote d’Or, and it empties into the Channel. On its way it traverses

LZT20A34_125

The source of the Seine is the Cote d’Or, and it e...

Wednesday: Footpath on the Mönchsberg Near Salzburg, 1823, Ferdinand Olivier, German, 1785-1841,

LZT20A38_307

Wednesday: Footpath on the Mönchsberg Near Salzbur...

Draped Model, Standing, 1893, printed posthumously, James McNeill Whistler, American, 1834-1903,

LZT20A40_345

Draped Model, Standing, 1893, printed posthumously...

The Whitesmiths, Impasse des Carmélites, 1894, James McNeill Whistler, American, 1834-1903, United

LZT20A40_356

The Whitesmiths, Impasse des Carmélites, 1894, Jam...

Reading, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,

LZT20A02_379

Reading, 1879, published 1887, James McNeill Whist...

The Dancing Girl, 1889, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A02_388

The Dancing Girl, 1889, James McNeill Whistler, Am...

The thermometer of the engineer Chevalier was right… at 10 degrees the large rivers as well as the

LZT20A10_185

The thermometer of the engineer Chevalier was righ...

Brunnen, from Picturesque Selections, 1859, James Duffield Harding, (English, 1798-1863), Published

LZT20A17_096

Brunnen, from Picturesque Selections, 1859, James ...

Pandy Mill, from Picturesque Selections, c. 1859–60, James Duffield Harding, (English, 1798-1863),

LZT20A17_107

Pandy Mill, from Picturesque Selections, c. 1859–6...

Military Prison, 1827, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le

LZT20A17_469

Military Prison, 1827, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut

LZT20A17_482

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut

LZT20A17_490

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

Defendant! Do you have any means of living?, Thank you Mr President…. I have quite a good stomach,

LZT20A18_335

Defendant! Do you have any means of living?, Thank...

The Sisters, 1894/95, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A18_342

The Sisters, 1894/95, James McNeill Whistler, Amer...

The Terror of Grenelle, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color

LZT20A20_413

The Terror of Grenelle, 1894, Henri de Toulouse-La...

Cover for the first album of L’Estampe originale, 1893, Henri de Toulouse-Lautrec (French,

LZT20A21_332

Cover for the first album of L’Estampe originale, ...

Girl with Bowl, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A22_132

Girl with Bowl, 1895, James McNeill Whistler, Amer...

Little Draped Figure, Leaning, 1893, James McNeill Whistler, American, 1834-1903, United States,

LZT20A22_394

Little Draped Figure, Leaning, 1893, James McNeill...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,

LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

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