991 results for: lithograph in black on wove paper

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In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6

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In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,

LZT20A04_163

Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André

LZT20A04_194

Frontispiece for Le mouvement idéaliste en peintur...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Mounted Mameluke Chieftain Calling for Aid, 1817, Baron Antoine Jean Gros, French, 1771-1835,

LZT20A09_217

Mounted Mameluke Chieftain Calling for Aid, 1817, ...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China

LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852, Paul Gavarni, French, 1804-1866,

LZT20A10_039

Les Propos de Thomas Vireloque: The old story, my ...

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French,

LZT20A10_050

Les Propos de Thomas Vireloque: Misere et corde, q...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,

LZT20A10_061

Masks and faces: Women afraid of a glass of wine…,...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,

LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

Les maris me font toujours rire: Je suis le mari de M’ame Jolibiais, 1853, Paul Gavarni, French,

LZT20A24_276

Les maris me font toujours rire: Je suis le mari d...

Hamlet and Ophelia, 1835–43, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on

LZT20A27_135

Hamlet and Ophelia, 1835–43, Eugène Delacroix, Fre...

The Garden, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph

LZT20A40_323

The Garden, 1891, James McNeill Whistler, American...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China

LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,

LZT20A04_216

Arï, 1898, Odilon Redon, French, 1840-1916, France...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon

LZT20A04_227

And There Fell a Great Star From Heaven, Burning a...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on

LZT20A10_075

My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Andromeda, 1899, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory wove

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Andromeda, 1899, Henri Fantin-Latour, French, 1836...

Sight, plate 39 from Types Parisiens, August 4, 1839, Honoré Victorin Daumier, French, 1808-1879,

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Sight, plate 39 from Types Parisiens, August 4, 18...

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future,

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A Suggestion by the Charivari to Mr. Léon Faucher ...

The source of the Seine is the Cote d’Or, and it empties into the Channel. On its way it traverses

LZT20A34_125

The source of the Seine is the Cote d’Or, and it e...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,

LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

The thermometer of the engineer Chevalier was right… at 10 degrees the large rivers as well as the

LZT20A10_185

The thermometer of the engineer Chevalier was righ...

Military Prison, 1827, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le

LZT20A17_469

Military Prison, 1827, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut

LZT20A17_482

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut

LZT20A17_490

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

Defendant! Do you have any means of living?, Thank you Mr President…. I have quite a good stomach,

LZT20A18_335

Defendant! Do you have any means of living?, Thank...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,

LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

The Aztecs before the scientists, plate 211 from Actualités, 1855, Honoré Victorin Daumier, French,

LZT20A23_065

The Aztecs before the scientists, plate 211 from A...

Les anglais chez eux: Bouquets de violettes., 1852, Paul Gavarni, French, 1804-1866, France,

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Les anglais chez eux: Bouquets de violettes., 1852...

Sunday, Lyme Regis, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer

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Sunday, Lyme Regis, 1895, James McNeill Whistler, ...

Young Boy Seated, from the first issue of Specimens of Polyautography, 1803, Thomas Barker

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Young Boy Seated, from the first issue of Specimen...

Reading, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,

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Reading, 1879, published 1887, James McNeill Whist...

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10,

LZT20A04_062

Then There Appears a Singular Being, Having the He...

A Long Chrysalis, the Color of Blood, plate 2 of 6, 1889, Odilon Redon, French, 1840-1916, France,

LZT20A04_073

A Long Chrysalis, the Color of Blood, plate 2 of 6...

Captive Pegasus, 1889, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China

LZT20A04_084

Captive Pegasus, 1889, Odilon Redon, French, 1840-...

Female Saint and Thistle, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on

LZT20A04_097

Female Saint and Thistle, 1891, Odilon Redon, Fren...

Beneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6, 1891, Odilon

LZT20A04_106

Beneath the Wing of Shadow the Black Creature was ...

Trustworthy Man, n.d., Edmé Jean Pigal (French, 1798-1872), published by chez Aubert (French, 19th

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Trustworthy Man, n.d., Edmé Jean Pigal (French, 17...

Dresden, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel

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Dresden, 1833, Samuel Prout (English, 1783-1852), ...

Sachsenhausen Francfort, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles

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Sachsenhausen Francfort, 1833, Samuel Prout (Engli...

Witches, 1900, Jean Veber, French, 1864-1928, France, Lithograph from three stones in black (lavis

LZT20A15_393

Witches, 1900, Jean Veber, French, 1864-1928, Fran...

Harold in Italy: In the Mountains, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

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Harold in Italy: In the Mountains, 1888, Henri Fan...

Bathing Women, fourth large plate, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

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Bathing Women, fourth large plate, 1898, Henri Fan...

Twilight of the Gods: Siegfried and the Rhine Maidens, 1898, Henri Fantin-Latour, French,

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Twilight of the Gods: Siegfried and the Rhine Maid...

He Behaves for a Savage, 1830, Denis Auguste Marie Raffet (French, 1804-1860), printed by V. Ratier

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He Behaves for a Savage, 1830, Denis Auguste Marie...

School for Young Tartar Girls, 1841, Denis Auguste Marie Raffet (French, 1804-1860), printed by

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School for Young Tartar Girls, 1841, Denis Auguste...

Turkish Recruits Near Smyrna, November 10, 1837, 1847, Denis Auguste Marie Raffet (French,

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Turkish Recruits Near Smyrna, November 10, 1837, 1...

On the Subject of Boots, December 1897, Théophile-Alexandre Steinlen, French, born Switzerland,

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On the Subject of Boots, December 1897, Théophile-...

Les Pauv’ P’tits Fieux, 1892, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,

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Les Pauv’ P’tits Fieux, 1892, Théophile-Alexandre ...

The Last Ambush, March 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,

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The Last Ambush, March 1894, Théophile-Alexandre S...

Alone at last!, July 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,

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Alone at last!, July 1894, Théophile-Alexandre Ste...

Adelaide, Adelaide.. I think I can see the comet coming!!…, Oh my God… this is the end of the

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Adelaide, Adelaide.. I think I can see the comet c...

Faust in His Study, from Faust, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in

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Faust in His Study, from Faust, 1828, Eugène Delac...

Portrait: Lucien Pissarro, 1874, Camille Pissarro, French, 1830-1903, France, Lithograph in black

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Portrait: Lucien Pissarro, 1874, Camille Pissarro,...

Portrait of Madame Perregaux, 1816, Horace Vernet (French, 1789-1863), printed by Comte Charles

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Portrait of Madame Perregaux, 1816, Horace Vernet ...

Madame Lavallée and Madame de Valory, 1817, Dominique-Vivant Denon, French, 1747-1825, France,

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Madame Lavallée and Madame de Valory, 1817, Domini...

Baths of Diocletian, Rome, 1817, Claude Thiénon (French, 1772-1846), probably printed by Comte de

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Baths of Diocletian, Rome, 1817, Claude Thiénon (F...

Cuirassier on Foot Holding back his Rearing Horse, February 20, 1817, Carle Vernet (French,

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Cuirassier on Foot Holding back his Rearing Horse,...

Royal Guard, Norman Mounted Dragoon and Horse, No. 5, First Limoges Horse, c. 1818, Carle Vernet

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Royal Guard, Norman Mounted Dragoon and Horse, No....

I am sorry that I did not recognize you right away. I could not distinguish you from all the other

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I am sorry that I did not recognize you right away...

A Boat Maneuver, plate nine from Les Canotiers Parisiens, 1843, Honoré-Victorin Daumier, French,

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A Boat Maneuver, plate nine from Les Canotiers Par...

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines, 1883,

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There Was Perhaps a First Vision Attempted in the ...

There Were Also Embryonic Beings, plate 4 of 6, 1885, Odilon Redon, French, 1840-1916, France,

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There Were Also Embryonic Beings, plate 4 of 6, 18...

The Lost Angel Then Opened Black Wings, from Night, 1886, Odilon Redon, French, 1840-1916, France,

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The Lost Angel Then Opened Black Wings, from Night...

The French Soldier, 1818/19, Nicolas Toussaint Charlet, French, 1792-1845, France, Lithograph in

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The French Soldier, 1818/19, Nicolas Toussaint Cha...

The Wounded Standard-Bearer, 1823–35, Joseph Louis Hippolyte Bellangé, French, 1800-1866, France,

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The Wounded Standard-Bearer, 1823–35, Joseph Louis...

Les-Parents-Terribles series: But, grandfather, if Seraphim’s Puncinello don’t exist, 1853, Paul

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Les-Parents-Terribles series: But, grandfather, if...

The Coal Wagon, plate 7 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André

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The Coal Wagon, plate 7 from Various Subjects Draw...

From the Ballast Pond, 1822, Unknown Artist, English, 19th century, England, Lithograph in black on

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From the Ballast Pond, 1822, Unknown Artist, Engli...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_151

And He Discerns an Arid, Knoll-Covered Plain, plat...

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_162

Intelligence was Mine! I Became the Buddha, plate ...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_184

The Beasts of the Sea, Round Like Leather Bottles,...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

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He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Portrait of Carle Vernet, Standing and Drawing, 1818, Horace Vernet, French, 1789-1863, France,

LZT20A09_218

Portrait of Carle Vernet, Standing and Drawing, 18...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,

LZT20A09_231

Physionomies Parisiennes: Petit Commerce. La Monna...

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852, Paul Gavarni, French,

LZT20A10_038

Les Propos de Thomas Vireloque: Man the Masterpiec...

Les Propos de Thomas Vireloque: Misere et corde, first speech, then…, 1852–53, Paul Gavarni,

LZT20A10_051

Les Propos de Thomas Vireloque: Misere et corde, f...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in

LZT20A10_060

Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Husbands Always Make Me Laugh: Really my son-in-law, 1853, Paul Gavarni, French, 1804-1866, France,

LZT20A10_065

Husbands Always Make Me Laugh: Really my son-in-la...

March 18, 1894, Théophile-Alexandre Steinlen (French, born Switzerland, 1859-1923), published by

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March 18, 1894, Théophile-Alexandre Steinlen (Fren...

Is this your dog here?, plate 20 from Tout Ce Qu’on Voudra, November 4, 1847, Honoré Victorin

LZT20A23_330

Is this your dog here?, plate 20 from Tout Ce Qu’o...

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet, 1843, Eugène Delacroix, French,

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Hamlet and Horatio with the Gravediggers, plate 14...

Portrait of Pierre Guérin, 1830, Horace Vernet, French, 1789-1863, France, Lithograph in black on

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Portrait of Pierre Guérin, 1830, Horace Vernet, Fr...

Brünnhilde (Twilight of the Gods), 1894, Odilon Redon, French, 1840-1916, France, Lithograph in

LZT20A04_129

Brünnhilde (Twilight of the Gods), 1894, Odilon Re...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_140

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,

LZT20A04_217

Arï, 1898, Odilon Redon, French, 1840-1916, France...

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_074

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–...

Leaving the Theater, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in

LZT20A19_088

Leaving the Theater, 1896, Henri de Toulouse-Lautr...

The Taste. Wow! I am not surprised any more why this fellow is so spirited… and he calls me an old

LZT20A23_038

The Taste. Wow! I am not surprised any more why th...

A literary argument on the second tier, plate 3 from Croquis Pris Au Théatre par Daumier, published

LZT20A39_427

A literary argument on the second tier, plate 3 fr...

- How are you feeling today, Mr. Chapolard?, Madame Pochet, a concierge who knows how to behave,

LZT20A10_175

- How are you feeling today, Mr. Chapolard?, Madam...

Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise,

LZT20A10_186

Rifolard opens the ball and executes a bold dancin...

Revolt of Pavia, 1826, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le

LZT20A17_470

Revolt of Pavia, 1826, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut

LZT20A17_481

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut

LZT20A17_491

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

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