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182 résultats pour : expression faciale

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The Champion
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The Champion

The Laughing Audience
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The Laughing Audience

Ichikawa Sadanji as Dozaemon Denkichi in a Kabuki Play, September, 1882.
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Ichikawa Sadanji as Dozaemon Denkichi in a Kabuki ...

Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku (Center), Onoe Kikugoro V as Isogai Mibunosuke (Left) in the Kabuki play Tokai Kidan Nekomata Yashiki, 1870.
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Onoe Kikugoro V as Otowake Neko no ke (Right), Ban...

Imaginary portrait, Shuihuzhuan of Stage: Toryudai (Mitate Suikoden Torodai) - Actor Nakamura Shikan plays Suekichi, 1875.
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Imaginary portrait, Shuihuzhuan of Stage: Toryudai...

Nakajima Wadaemon and Nakamura Konozo as Bodara no Chozaemon and Kanagawaya no Gon in the Play "Katakiuchi noriyaibanashi", 1794.
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Nakajima Wadaemon and Nakamura Konozo as Bodara no...

Kabuki Actor Morita Kan?ya VIII as the Palanquin-Bearer in the Play A Medley of Tales of Revenge (Katakiuchi noriaibanashi) , 5th month, 1794.
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Kabuki Actor Morita Kan?ya VIII as the Palanquin-B...

Kabuki Actor Ichikawa Ebizo V as Kumagai Jiro Naozane, ca. 1849.
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Kabuki Actor Ichikawa Ebizo V as Kumagai Jiro Naoz...

Nakamura Nakazo II as Matsuo-maru, 1796.
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Nakamura Nakazo II as Matsuo-maru, 1796.

Sakata Hangoro III as Fujikawa Mizuemon in the Play "Hana Ayame Bunroku Soga", 1794.
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Sakata Hangoro III as Fujikawa Mizuemon in the Pla...

Le Colère (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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Le Colère (from Caractères des passions, gravés su...

l'Amour simple, Abattement, Le Desir (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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l'Amour simple, Abattement, Le Desir (from Caractè...

Kabuki Actor Otani Oniji III as Yakko Edobei in the Play The Colored Reins of a Loving Wife (Koi nyobo somewake tazuna), 6th month, 1794.
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Kabuki Actor Otani Oniji III as Yakko Edobei in th...

La Veneration, Le Ravissement, Extrême Douleur corporelle (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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La Veneration, Le Ravissement, Extrême Douleur cor...

Bando Hikosaburo III as Sagisaka Sanai in the Play "Koinyobo Somewake Tazuna", 1794.
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Bando Hikosaburo III as Sagisaka Sanai in the Play...

Le Pleurer and mouvement composé (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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Le Pleurer and mouvement composé (from Caractères ...

Nakamura Nakazo II as Prince Koretaka Disguised in the Play Oshukubai Koi no Hatsune, 1794.
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Nakamura Nakazo II as Prince Koretaka Disguised in...

Nakamura Utaemon IV as Danshichi Kurobei, 1850.
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Nakamura Utaemon IV as Danshichi Kurobei, 1850.

Ichikawa Ebizo IV as Takemura Sadanojo in the Play Koinyobo Somewake Tazuna, 1794.
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Ichikawa Ebizo IV as Takemura Sadanojo in the Play...

Onoe Matsusuke I as Matsushita Mikinojo in the Play "Katakiuchi noriyaibanashi", 1794.
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Onoe Matsusuke I as Matsushita Mikinojo in the Pla...

Mouvement Violent, Mouvement violent ou le coeur seroidit, La Jalousie (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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Mouvement Violent, Mouvement violent ou le coeur s...

Mouvement de douleur, Douleur aigue de corps et d'Esprit, Mouvement composé (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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Mouvement de douleur, Douleur aigue de corps et d'...

Ichikawa Omezo I in the Role of Yakko Ippei from the Play "Koinyobo somewake tazuna", 1794.
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Ichikawa Omezo I in the Role of Yakko Ippei from t...

The Actor Onoye Matsusuke as a Ronin.
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The Actor Onoye Matsusuke as a Ronin.

Arashi Ryuzo I as Ishibe Kinkichi in the Play "Hana Ayame Bunroku Soga", 1794.
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Arashi Ryuzo I as Ishibe Kinkichi in the Play "Han...

Fifty-Three Stations of the Tokaido: Inspired by Famous Pictures, 1864., 1864. Creator: Utagawa Kunisada.
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Fifty-Three Stations of the Tokaido: Inspired by F...

Three Heroes of the Water Margin Capture the Bandit Queen Ichijosei, 1835., 1835. Creator: Shunbaisai Hokuei.
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Three Heroes of the Water Margin Capture the Bandi...

Asahina Fuji Hyoe, 1854 (year of the Horse, 7th month)., 1854 (year of the Horse, 7th month). Creator: Utagawa Kunisada.
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Asahina Fuji Hyoe, 1854 (year of the Horse, 7th mo...

Portrait of Arashi Kichizaburo III (1810-1864) in the Role of Baiomaru, ca. 1840., ca. 1840. Creator: Utagawa Kunisada.
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Portrait of Arashi Kichizaburo III (1810-1864) in ...

Kabuki actors play the role of 47 Ronin (Seichu gishi den). Creators: Utagawa Kunisada, Toyohara Kunichika.
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Kabuki actors play the role of 47 Ronin (Seichu gi...

Kabuki Actor Ichikawa Ebijuro I as Token (China Dog) Jubei, in the play Benimurasaki ai de..., 1822. Creator: Shunkosai Hokushu.
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Kabuki Actor Ichikawa Ebijuro I as Token (China Do...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa, o..., 1832. Creator: Shunbaisai Hokuei.
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Kabuki Actor Arashi Rikan II as Iemon Confronted b...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan,..., 1863 (5th month). Creator: Utagawa Kunisada.
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Utagawa's Lifetime Masterpiece, from the Japanese ...

Print, 19th century., 19th century. Creator: Utagawa Kunisada.
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Print, 19th century., 19th century. Creator: Utaga...

Kabuki Actor Arashi Rikan II as Akogi Heiji, from the print series Tosei keshokagami (Make..., 1835. Creator: Shunbaisai Hokuei.
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Kabuki Actor Arashi Rikan II as Akogi Heiji, from ...

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. , 1854-56, printed 1862.
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Figure 55: Astonishment badly rendered by the subj...

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862.
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Figure 9: A study of m. frontalis in maximum contr...

Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862.
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Figure 82: Lady Macbeth, strong expression of crue...

Figure 18: Aggression, wickedness, 1854-56, printed 1862.
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Figure 18: Aggression, wickedness, 1854-56, printe...

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l?expression des passions applicable à la pratique des arts plastiques, 1854-56, printed 1862.
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Mécanisme de la physionomie humaine ou Analyse éle...

Figure 56: Surprise, 1854-56, printed 1862.
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Figure 56: Surprise, 1854-56, printed 1862.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. , 1854-56, printed 1862.
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Figure 42: Gaiety expressed by the ideas of lustfu...

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862.
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Figure 36: Scornful laughter and scornful disgust,...

Figure 60: Fright, 1854-56, printed 1862.
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Figure 60: Fright, 1854-56, printed 1862.

Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862.
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Figure 48: Mild weeping, pity and feeble false lau...

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862.
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Figure 47: A suggestion of this same weeping, 1854...

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. , 1854-56, printed 1862.
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Figure 39: The attention attracted by an object th...

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862.
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Figure 50: Affected weeping and face in repose, 18...

Figure 49: Painful weeping and forward looking., 1854-56, printed 1862.
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Figure 49: Painful weeping and forward looking., 1...

Figure 19: Suffering , 1854-56, printed 1862.
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Figure 19: Suffering , 1854-56, printed 1862.

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862.
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Icono-photographique. Mécanisme de la Physionomie ...

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862.
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Figure 12: A study of the contraction of and the e...

Figure 15: Meditation, mental concentration, 1854-56, printed 1862.
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Figure 15: Meditation, mental concentration, 1854-...

Figure 78: Scene of coquetry, 1854-56, printed 1862.
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Figure 78: Scene of coquetry, 1854-56, printed 186...

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. , 1854-56, printed 1862.
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Figure 17: On the right, electrization of m. proce...

Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862.
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Figure 3: The face of an old man... photographed i...

Faradisation du muscle frontal, 1854-56, printed 1862.
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Faradisation du muscle frontal, 1854-56, printed 1...

Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56, printed 1862.
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Figure 10: Showing the expressive lines of m. fron...

Figure 53: Whimpering and false laughter, 1854-56, printed 1862.
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Figure 53: Whimpering and false laughter, 1854-56,...

Figure 45: Pain and despair. , 1854-56, printed 1862.
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Figure 45: Pain and despair. , 1854-56, printed 18...

Figure 25: Not an expression of pain, 1854-56, printed 1862.
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Figure 25: Not an expression of pain, 1854-56, pri...

Figure 34: Grimace, 1854-56, printed 1862.
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Figure 34: Grimace, 1854-56, printed 1862.

Figure 21: Painful recollection and recollection or calling something to mind , 1854-56, printed 1862.
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Figure 21: Painful recollection and recollection o...

Figure 73: Head of Niobe, 1854-56, printed 1862.
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Figure 73: Head of Niobe, 1854-56, printed 1862.

Figure 75: Nun saying her prayers, 1854-56, printed 1862.
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Figure 75: Nun saying her prayers, 1854-56, printe...

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. , 1854-56, printed 1862.
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Figure 24: Extreme pain to the point of exhaustion...

Figure 4: The face in repose of a young man , 1854-56, printed 1862.
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Figure 4: The face in repose of a young man , 1854...

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862.
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Figure 81: Lady Macbeth, moderate expression of cr...

Figure 26: Expression of painful attention and attention, attentive gaze. , 1854-56, printed 1862.
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Figure 26: Expression of painful attention and att...

Figure 70: Head of the Laocoön of Rome, 1854-56, printed 1862.
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Figure 70: Head of the Laocoön of Rome, 1854-56, p...

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862.
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Figure 52: Voluntary retraction of the lower lip, ...

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862.
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Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...

Figure 63: Expression of terror, 1854-56, printed 1862.
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Figure 63: Expression of terror, 1854-56, printed ...

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862.
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Figure 20: Profound suffering, with resignation, 1...

Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862.
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Figure 6: The grimace produced is similar to a tic...

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862.
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Figure 54: Voluntary lowering of the lower jaw, 18...

Pierrot Running, 1854-55.
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Pierrot Running, 1854-55.

Pierrot in pain, ca. 1854-55.
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Pierrot in pain, ca. 1854-55.

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862.
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Figure 57: Astonishment, stupefaction, amazement, ...

Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862.
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Figure 8: Contraction of the right m. frontalis. ,...

Figure 16: Expression of severity , 1854-56, printed 1862.
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Figure 16: Expression of severity , 1854-56, print...

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862.
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Figure 66: Head of Arrotino (the spy, the knife gr...

Figure 71: Same head as in Plate 70, 1854-56, printed 1862.
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Figure 71: Same head as in Plate 70, 1854-56, prin...

Figure 27: Expression proportionally more pained, 1854-56, printed 1862.
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Figure 27: Expression proportionally more pained, ...

Figure 62: Terror, semiprofile, 1854-56, printed 1862.
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Figure 62: Terror, semiprofile, 1854-56, printed 1...

Figure 22: No painful expression , 1854-56, printed 1862.
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Figure 22: No painful expression , 1854-56, printe...

Electro-Physiologie, Figure 64, 1854-56, printed 1862.
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Electro-Physiologie, Figure 64, 1854-56, printed 1...

Copy of a Lithographic Print, before May 1844.
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Copy of a Lithographic Print, before May 1844.

The Laughing Audience
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The Laughing Audience

A Grinning Match
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A Grinning Match

Characters and Caricaturas
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Characters and Caricaturas

A Grinning Match
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A Grinning Match

Characters and Caricaturas', 1807, (1827).
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Characters and Caricaturas', 1807, (1827).

The Lecture', 1808, (1827).
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The Lecture', 1808, (1827).

Dizzy Gillespie meeting baby Gary Colfer at Knebworth, Hertfordshire, July 1982. Artist: Denis Williams
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Dizzy Gillespie meeting baby Gary Colfer at Knebwo...

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