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The encounter of David and Abigail, 1557, oil on canvas, 104 x 202 cm, monogrammed and dated on the

LZT20A49_091

The encounter of David and Abigail, 1557, oil on c...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,

LZT20A10_061

Masks and faces: Women afraid of a glass of wine…,...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on

LZT20A10_075

My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove

LZT20A19_087

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1...

The Market at Gisors, Rue Cappeville, c. 1894, Camille Pissarro, French, 1830-1903, France, Color

LZT20A35_425

The Market at Gisors, Rue Cappeville, c. 1894, Cam...

Landscape with Horses, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching

LZT20A02_318

Landscape with Horses, 1859, James McNeill Whistle...

Old Westminster Bridge, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching

LZT20A02_361

Old Westminster Bridge, 1859, James McNeill Whistl...

Coin Depicting the Goddess Artemis, 258/202 BC, Greek, minted in Ephesos, Ancient Greece, Bronze,

LZT20A05_225

Coin Depicting the Goddess Artemis, 258/202 BC, Gr...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut

LZT20A17_482

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Demolition of Old Houses to the North of Westminster Abbey, 1800, Thomas Rowlandson, English,

LZT20A23_083

Demolition of Old Houses to the North of Westminst...

Fear, 1866, Odilon Redon, French, 1840-1916, France, Etching on tan China paper laid down on white

LZT20A03_457

Fear, 1866, Odilon Redon, French, 1840-1916, Franc...

The Riva, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint

LZT20A22_415

The Riva, 1879/80, James McNeill Whistler, America...

Ecce Homo, plate eight from The Passion of Christ, 1597, Hendrick Goltzius, Dutch, 1558-1617,

LZT20A30_303

Ecce Homo, plate eight from The Passion of Christ,...

Portrait of the Artist’s Mother, 1775, Jean-Baptiste Greuze, French, 1725-1805, France, Black, red,

LZT20A41_400

Portrait of the Artist’s Mother, 1775, Jean-Baptis...

Lindsey Row, Chelsea, 1888, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_313

Lindsey Row, Chelsea, 1888, James McNeill Whistler...

Judith Slaying Holofernes, plate six from The Story of Judith and Holofernes, 1564, Philip Galle

LZT20A42_056

Judith Slaying Holofernes, plate six from The Stor...

Ruins in a Mountainous Country, n.d., Attributed to Richard Wilson, English, 1714-1782, England,

LZT20A06_459

Ruins in a Mountainous Country, n.d., Attributed t...

Study for a Scene with Brigands, c. 1633, Claude Lorrain, French, 1600-1682, France, Etching on

LZT20A27_177

Study for a Scene with Brigands, c. 1633, Claude L...

La Vieille aux Loques (The Old Woman with Rags), 1858, James McNeill Whistler, American, 1834-1903,

LZT20A00_279

La Vieille aux Loques (The Old Woman with Rags), 1...

View of Mecca, 1665, Jan Peeters, I, Flemish, 1624-c. 1677, Flanders, Pen and brown ink with brush

LZT20A06_495

View of Mecca, 1665, Jan Peeters, I, Flemish, 1624...

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13

LZT20A17_034

A Spanish mounted knight in the ring breaking shor...

Chancel to the Temple Church, c. 1809, Augustus Charles Pugin, English, born France, 1762-1832,

LZT20A25_494

Chancel to the Temple Church, c. 1809, Augustus Ch...

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from Les Origines, 1883,

LZT20A04_006

When Life Was Awakening in the Depths of Obscure M...

Scenes from the Miracles of St. Peter, from a Bible Historiale or Pictorial New Testament, c. 1350,

LZT20A06_273

Scenes from the Miracles of St. Peter, from a Bibl...

Fishing Scene, c. 1884, Charles Keene, English, 1823-1891, England, Pen and brown ink, with brush

LZT20A17_240

Fishing Scene, c. 1884, Charles Keene, English, 18...

Lagoon, Noon, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and

LZT20A22_212

Lagoon, Noon, 1879/80, James McNeill Whistler, Ame...

Lagoon—Noon, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and

LZT20A44_407

Lagoon—Noon, 1879/80, James McNeill Whistler, Amer...

A Portrait: Mildred Howells, 1894/96, James McNeill Whistler, American, 1834-1903, United States,

LZT20A02_412

A Portrait: Mildred Howells, 1894/96, James McNeil...

Les Propos de Thomas Vireloque: Ego! ego…ego, all equal (egaux-ego, buth pronounced alike), 1853,

LZT20A10_041

Les Propos de Thomas Vireloque: Ego! ego…ego, all ...

Les Propos de Thomas Vireloque: Figaro grown old-becomes Bazile, 1853, Paul Gavarni, French,

LZT20A10_048

Les Propos de Thomas Vireloque: Figaro grown old-b...

Achilles and Agamemnon. Achilles:, And what do I care about your Troy!, plate one from Physionomies

LZT20A23_316

Achilles and Agamemnon. Achilles:, And what do I c...

The Forest of Fontainebleau, 1880, Rodolphe Bresdin, French, 1825-1885, France, Etching and

LZT20A10_077

The Forest of Fontainebleau, 1880, Rodolphe Bresdi...

Thomas Earl of Surrey, April 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein

LZT20A16_127

Thomas Earl of Surrey, April 1, 1795, Francesco Ba...

Entrance Gate, 1887, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A02_381

Entrance Gate, 1887, James McNeill Whistler, Ameri...

The Moors make a different play in the ring calling the bull with their burnous, plate six from The

LZT20A17_055

The Moors make a different play in the ring callin...

L’après-midi d’un faune, 1876, Édouard Manet (French, 1832-1883), poetry by Stéphane Mallarmé

LZT20A35_042

L’après-midi d’un faune, 1876, Édouard Manet (Fren...

A Children’s Garden Party, 1880, James Tissot, French, 1836-1902, France, Drypoint on cream laid

LZT20A01_072

A Children’s Garden Party, 1880, James Tissot, Fre...

The Marsh Flower, a Sad Human Head, plate 2 of 6, 1885, Odilon Redon, French, 1840-1916, France,

LZT20A04_016

The Marsh Flower, a Sad Human Head, plate 2 of 6, ...

Transfiguration, c. 1530, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Pen

LZT20A07_292

Transfiguration, c. 1530, After Raffaello Sanzio, ...

Praying Magdalene, 1670s, Carlo Cignani, Italian, 1628-1719, Italy, Red chalk, with stumping,

LZT20A09_035

Praying Magdalene, 1670s, Carlo Cignani, Italian, ...

Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from

LZT20A20_360

Having finally found the solution to spend the sum...

The Shulamite, 1897, Odilon Redon, French, 1840-1916, France, Lithograph printed in black and

LZT20A04_206

The Shulamite, 1897, Odilon Redon, French, 1840-19...

Figures in Oriental Costume in a Landscape, n.d., Tiberius Dominikus Wocher, Swiss, 1728-1799,

LZT20A07_074

Figures in Oriental Costume in a Landscape, n.d., ...

Les Propos de Thomas Vireloque: Bretheren may be, but not cousins, 1853, Paul Gavarni, French,

LZT20A10_040

Les Propos de Thomas Vireloque: Bretheren may be, ...

Les Propos de Thomas Vireloque: Michael paying wages to his servant (beating him), 1853, Paul

LZT20A10_049

Les Propos de Thomas Vireloque: Michael paying wag...

The Dancing Girl, 1889, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_315

The Dancing Girl, 1889, James McNeill Whistler, Am...

Husbands Always Make Me Laugh: Some say marriage settles a man, 1853, Paul Gavarni, French,

LZT20A10_067

Husbands Always Make Me Laugh: Some say marriage s...

Coin Depicting a Wreath, about 202/133 BC, Greek, Ancient Greece, Bronze, Diam. 1.7 cm, 3.50 g

LZT20A05_224

Coin Depicting a Wreath, about 202/133 BC, Greek, ...

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate

LZT20A17_036

The Famous Martincho Places the Banderillas, Playi...

The Abandoned Village, c. 1885, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on

LZT20A17_282

The Abandoned Village, c. 1885, Alphonse Legros, F...

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903,

LZT20A27_053

Te faruru (Here We Make Love), from the Noa Noa Su...

Danck-Predikatien, Gedaen over de laste slach by Worcheseter, op den 18 September 1651, 1651,

LZT20A44_310

Danck-Predikatien, Gedaen over de laste slach by W...

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852, Paul Gavarni, French,

LZT20A10_035

Les Propos de Thomas Vireloque: His Majesty the Ki...

Les Propos de Thomas Vireloque: Young Europe (60 years old!, and worn out), 1853, Paul Gavarni,

LZT20A10_046

Les Propos de Thomas Vireloque: Young Europe (60 y...

Ideal Bust of a Woman, n.d., Attributed to Bartolomeo Passarotti, Italian, 1529-1592, Italy, Pen

LZT20A08_312

Ideal Bust of a Woman, n.d., Attributed to Bartolo...

The Tuileries Gardens., No smoking here, Sir!, You mean in the garden?, plate 10 from Le Chapitre

LZT20A23_043

The Tuileries Gardens., No smoking here, Sir!, You...

Nursemaids: Les Bonnes du Luxembourg, 1894, James McNeill Whistler, American, 1834-1903, United

LZT20A40_349

Nursemaids: Les Bonnes du Luxembourg, 1894, James ...

Landscape with Tree in Center, n.d., After Cornelius Massys, Flemish, c. 1511-after 1560,

LZT20A07_045

Landscape with Tree in Center, n.d., After Corneli...

Oak from Rocks, 1861, Théodore Rousseau (French, 1812-1867), printed by Auguste Delâtre (French,

LZT20A30_134

Oak from Rocks, 1861, Théodore Rousseau (French, 1...

Portrait of Dr. Whistler, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States,

LZT20A40_360

Portrait of Dr. Whistler, No. 2, 1894, James McNei...

The Letter at Camp, c. 1893, Giovanni Fattori, Italian, 1825-1908, Italy, Etching on cream wove

LZT20A41_270

The Letter at Camp, c. 1893, Giovanni Fattori, Ita...

Aeneas at the Tomb of Anchises (recto), Aeneas at the Tome of Anchises (verso), n.d., Attributed to

LZT20A07_298

Aeneas at the Tomb of Anchises (recto), Aeneas at ...

I Will Save Him or Perish, 1825, Denis Auguste Marie Raffet, French, 1804-1860, France, Lithograph

LZT20A17_456

I Will Save Him or Perish, 1825, Denis Auguste Mar...

Les-Parents-Terribles series: A fine creature—and no corsets, 1852–53, Paul Gavarni, French,

LZT20A10_034

Les-Parents-Terribles series: A fine creature—and ...

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum, published January 1, 1811, Joseph

LZT20A18_260

Lauffenbourgh on the Rhine, plate 31 from Liber St...

Venus and Cupid Pleading Their Cause in the Presence of Jupiter and Other Gods, 1530/40, Master of

LZT20A39_421

Venus and Cupid Pleading Their Cause in the Presen...

Truth, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory China

LZT20A16_398

Truth, 1888, Henri Fantin-Latour, French, 1836-190...

Te atua (The God), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France,

LZT20A25_497

Te atua (The God), from the Noa Noa Suite, 1893/94...

Chef des Spahis, plate two from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French,

LZT20A42_132

Chef des Spahis, plate two from Caravanne du Sulta...

LZT20A01_110

Profile Portrait of Charles Meryon, 1854, Felix Br...

Grazing Horse, plate three from Series of Horses, 1651, Dirck Stoop, Dutch, 1610-1686, Netherlands,

LZT20A04_470

Grazing Horse, plate three from Series of Horses, ...

New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of

LZT20A20_357

New Entertainment at the Parisian Evening Parties....

Design: Sketch, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published

LZT20A26_145

Design: Sketch, from Encyclopédie, 1762/77, Benoît...

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94, Paul Gauguin, French,

LZT20A27_059

Mahna no varua ino (The Devil Speaks), from the No...

Seated Woman, Head in Right Hand, 1897, Jean Louis Forain, French, 1852-1931, France, Lithograph in

LZT20A27_068

Seated Woman, Head in Right Hand, 1897, Jean Louis...

Les Propos de Thomas Vireloque: Not taught anything?-yet stupid already, 1853, Paul Gavarni,

LZT20A10_044

Les Propos de Thomas Vireloque: Not taught anythin...

Kesa, late Edo period (1789–1868), mid–19th century, Japan, Silk and gold-leaf-over-lacquered-paper

LZT20A37_052

Kesa, late Edo period (1789–1868), mid–19th centur...

LZT20A16_440

Crying Woman: Study of a Seated Woman in Right Pro...

The Laundress: La Blanchisseuse de la place Dauphine, 1894, James McNeill Whistler, American,

LZT20A02_355

The Laundress: La Blanchisseuse de la place Dauphi...

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of

LZT20A17_041

The Agility and Audacity of Juanito Apinani in the...

The Painter, c. 1647, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching in black on buff

LZT20A35_059

The Painter, c. 1647, Adriaen van Ostade, Dutch, 1...

Rue Furstenburg, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_358

Rue Furstenburg, 1894, James McNeill Whistler, Ame...

Destruction of a Convent, plate six from The Large Miseries of War, n.d., Gerrit Lucasz van Schagen

LZT20A03_126

Destruction of a Convent, plate six from The Large...

He defends himself well, plate 78 from The Disasters of War, 1815/20, published 1863, Francisco

LZT20A03_428

He defends himself well, plate 78 from The Disaste...

LZT20A07_205

Three Bearded Male Heads, Two in Profile to the Ri...

Old Battersea Bridge, 1879, James McNeill Whistler, American, 1834-1903, United States, Etching and

LZT20A22_430

Old Battersea Bridge, 1879, James McNeill Whistler...

House of the Swan, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States,

LZT20A22_457

House of the Swan, Brussels, 1887, James McNeill W...

Sofa, 1814/17, Workshop of Michael Allison, American, 1773–1855, New York, New York, Mahogany with

LZT20A36_359

Sofa, 1814/17, Workshop of Michael Allison, Americ...

Salute Dawn, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and

LZT20A44_406

Salute Dawn, 1879/80, James McNeill Whistler, Amer...

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863, Francisco

LZT20A03_394

Everything is topsy-turvy, plate 42 from The Disas...

Standing Sheep and Two Lambs, 1685, Jan van der Meer de Jonghe II, Dutch, 1656-1705, Netherlands,

LZT20A14_353

Standing Sheep and Two Lambs, 1685, Jan van der Me...

10 O’clock in the Morning. Monsieur Coquelet having accidentally met Miss Palissandre in the

LZT20A23_049

10 O’clock in the Morning. Monsieur Coquelet havin...

Gerard van Schoonhoven, 1628, William Jacobszoon Delff, Dutch, 1580-1638, Netherlands, Engraving in

LZT20A04_331

Gerard van Schoonhoven, 1628, William Jacobszoon D...

Draped Model, 1873/74, James McNeill Whistler, American, 1834-1903, United States, Drypoint in

LZT20A41_205

Draped Model, 1873/74, James McNeill Whistler, Ame...

Mademoiselle Isabelle Lemonnier, n.d., Édouard Manet, French, 1832-1883, France, Black crayon on

LZT20A08_080

Mademoiselle Isabelle Lemonnier, n.d., Édouard Man...

Nursemaids: Les Bonnes du Luxembourg, 1894, James McNeill Whistler, American, 1834-1903, United

LZT20A22_387

Nursemaids: Les Bonnes du Luxembourg, 1894, James ...

View of Albano, 1817, Claude Thiénon (French, 1772-1846), printed by Comte de Charles Philibert

LZT20A29_418

View of Albano, 1817, Claude Thiénon (French, 1772...

The Boston Massacre, 1770, Paul Revere, II, American, 1735-1818, United States, Wood engraving,

LZT20A34_306

The Boston Massacre, 1770, Paul Revere, II, Americ...

Mussooree and the Dhoon from Landour, c. 1835, Joseph Mallord William Turner, English, 1775–1851,

LZT20A43_061

Mussooree and the Dhoon from Landour, c. 1835, Jos...

Portrait Study: Miss Charlotte R. Williams, 1892, James McNeill Whistler, American, 1834-1903,

LZT20A02_451

Portrait Study: Miss Charlotte R. Williams, 1892, ...

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