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Tiger = Zohrn = Giant = Glacier, = Hochalp = Stok, in Northwest = India, 1917, pencil and colored

LZT20A51_218

Tiger = Zohrn = Giant = Glacier, = Hochalp = Stok,...

A four-in-hand, 1894, oil on canvas, 151 x 245 cm, signed and dated lower right: Hans Sandreuter

LZT20A50_425

A four-in-hand, 1894, oil on canvas, 151 x 245 cm,...

Arch of Septimius Severus. 1. Temple of Concord. 2. Ascent to the Capitoline Hill, plate 13 from

LZT20A32_464

Arch of Septimius Severus. 1. Temple of Concord. 2...

Mercury, n.d., Attributed to Jan Harmensz Muller (Dutch, 1571-1628), or Peeter de the younger Jode

LZT20A07_384

Mercury, n.d., Attributed to Jan Harmensz Muller (...

The Claws of a Cat and the Dress of a Devotee, similar to Vice is often clothed in Virtue’s habit,

LZT20A17_008

The Claws of a Cat and the Dress of a Devotee, sim...

Poor Folly, plate eleven from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish,

LZT20A17_021

Poor Folly, plate eleven from Los Proverbios, 1815...

A Horse and Birds, headpiece for Le sourire, 1899, Paul Gauguin, French, 1848-1903, France,

LZT20A40_079

A Horse and Birds, headpiece for Le sourire, 1899,...

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24

LZT20A17_044

The Same Ceballos, Mounted on Another Bull, Breaks...

Project for a Tomb, Three Figures and an Angel (recto), Project for a Tomb: Three Figures and an

LZT20A07_294

Project for a Tomb, Three Figures and an Angel (re...

Jan Snellinx, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching in black on ivory

LZT20A14_483

Jan Snellinx, 1630/33, Anthony van Dyck, Flemish, ...

Courtyard of a Peasant Dwelling, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on

LZT20A17_224

Courtyard of a Peasant Dwelling, 1846, Charles Émi...

The Worn-out Patriot, published October 13, 1800, James Gillray (English, 1756-1815), published by

LZT20A19_232

The Worn-out Patriot, published October 13, 1800, ...

A Welch Tandem, published June 21, 1801, James Gillray (English, 1756-1815), published by Hannah

LZT20A19_285

A Welch Tandem, published June 21, 1801, James Gil...

Traveling in France, published October 19, 1818, George Cruikshank (English, 1792-1878), published

LZT20A19_351

Traveling in France, published October 19, 1818, G...

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios, 1815/24,

LZT20A17_009

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes...

Oh! that this too too solid flesh would melt., published March 20, 1791, James Gillray (English,

LZT20A19_297

Oh! that this too too solid flesh would melt., pub...

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting, 1814/16, published 1816,

LZT20A17_045

They Loose Dogs on the Bull, plate 25 from The Art...

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published

LZT20A17_056

Origin of the harpoons or banderillas, plate seven...

A Tub for the Whale!, published March 14, 1806, James Gillray (English, 1756-1815), published by

LZT20A20_048

A Tub for the Whale!, published March 14, 1806, Ja...

Young Seigneur Seated, 1745, Hubert François Gravelot, French, 1699-1773, France, Etching on paper,

LZT20A07_004

Young Seigneur Seated, 1745, Hubert François Grave...

Mrs. Cleveland II, 1899, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 245

LZT20A16_043

Mrs. Cleveland II, 1899, Anders Zorn, Swedish, 186...

Herd of Pigs, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching on China paper, 145 ×

LZT20A17_150

Herd of Pigs, 1850, Charles Émile Jacque, French, ...

I Smell a Rat or a Rogue in Grain, published May 16, 1807, Thomas Rowlandson (English, 1756-1827),

LZT20A19_240

I Smell a Rat or a Rogue in Grain, published May 1...

Vis a Vis, Accidents in Quadrille Dancing, published April 15, 1817, George Cruikshank (English,

LZT20A19_341

Vis a Vis, Accidents in Quadrille Dancing, publish...

The Open Book, 1861, James McNeill Whistler, American, 1834-1903, United States, Etching and

LZT20A22_194

The Open Book, 1861, James McNeill Whistler, Ameri...

Shipping on the Giudeca (The Docks), 1883, Frank Duveneck, American, 1848-1919, United States,

LZT20A02_480

Shipping on the Giudeca (The Docks), 1883, Frank D...

Adverse Glory, 1886, Odilon Redon, French, 1840-1916, France, Etching and drypoint on ivory laid

LZT20A03_467

Adverse Glory, 1886, Odilon Redon, French, 1840-19...

My Poll and my Partner Joe, published April 18, 1796, James Gillray (English, 1756-1815), published

LZT20A19_363

My Poll and my Partner Joe, published April 18, 17...

The Medici Collar, 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A22_080

The Medici Collar, 1897, James McNeill Whistler, A...

There is Something Beneath the Sackcloth, i.e. you can’t judge a man by his clothes, plate eight

LZT20A17_019

There is Something Beneath the Sackcloth, i.e. you...

Singer Waiting, 1889–90, Georges-William Thornley (French, 1857-1935), after Edgar Degas (French,

LZT20A18_227

Singer Waiting, 1889–90, Georges-William Thornley ...

The Hombourg Waltz, with Characteristic Sketches of Family Dancing!, published May 4, 1818, George

LZT20A19_331

The Hombourg Waltz, with Characteristic Sketches o...

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from

LZT20A17_046

The Celebrated Picador, Fernando del Toro, Draws t...

The Moors make a different play in the ring calling the bull with their burnous, plate six from The

LZT20A17_055

The Moors make a different play in the ring callin...

Faust in His Study, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory

LZT20A20_429

Faust in His Study, 1828, Eugène Delacroix, French...

The Knife-Grinder, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray

LZT20A17_226

The Knife-Grinder, 1850, Charles Émile Jacque, Fre...

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by

LZT20A21_282

Plate from Illustrations to Popular Songs, 1822, H...

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich

LZT20A26_204

Designs for Jewelry, before 1697, Joannes Andreas ...

Title Page from the Iconography, 1645, Jacob Neeffs (Flemish, 1610-c. 1660), after Anthony van Dyck

LZT20A28_445

Title Page from the Iconography, 1645, Jacob Neeff...

Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros (French, 1842-1888),

LZT20A35_088

Le Fleuve, 1874, Édouard Manet (French, 1832-1883)...

Secretary Cabinet, c. 1735, Attributed to Giles Grendey, English, 1693–1780, Clerkenwell, London,

LZT20A42_239

Secretary Cabinet, c. 1735, Attributed to Giles Gr...

Mary Magdalene washing Jesus’ Feet, 1787, Pierre Hubert Subleyras, French, 1699-1749, France,

LZT20A43_451

Mary Magdalene washing Jesus’ Feet, 1787, Pierre H...

Adverse Glory, 1886, Odilon Redon, French, 1840-1916, France, Etching and drypoint on ivory laid

LZT20A03_468

Adverse Glory, 1886, Odilon Redon, French, 1840-19...

The Painter, 1616, Jan Saenredam (Netherlandish, 1565-1607), after Hendrick Goltzius (Dutch,

LZT20A04_466

The Painter, 1616, Jan Saenredam (Netherlandish, 1...

Sketchbook, c. 1793–94, George Romney, English, 1734-1802, England, Book with eleven graphite

LZT20A28_181

Sketchbook, c. 1793–94, George Romney, English, 17...

It is Amazing, and We were Made by God, plate six from Los Proverbios, 1815/24, Francisco José de

LZT20A17_018

It is Amazing, and We were Made by God, plate six ...

Potpourri Vase, c. 1765, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea,

LZT20A27_285

Potpourri Vase, c. 1765, Chelsea Porcelain Manufac...

Spring, 1896, Heinrich Johann Vogeler, German, 1872-1942, Germany, Etching on tan wove paper, 347 x

LZT20A39_429

Spring, 1896, Heinrich Johann Vogeler, German, 187...

Nude Model, Reclining, 1893, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_344

Nude Model, Reclining, 1893, James McNeill Whistle...

Hudibras and the Lawyer, plate twelve from Hudibras, February 1725/26, William Hogarth, English,

LZT20A40_466

Hudibras and the Lawyer, plate twelve from Hudibra...

La Walse, from Le Bon Genre, n.d., Unkown French Artist, published by Hannah Humphrey (English,

LZT20A19_339

La Walse, from Le Bon Genre, n.d., Unkown French A...

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by

LZT20A21_283

Plate from Illustrations to Popular Songs, 1822, H...

Portrait of Eugène Lacheurié, 1852, Gustave Moreau, French, 1826-1898, France, Graphite on ivory

LZT20A32_416

Portrait of Eugène Lacheurié, 1852, Gustave Moreau...

Head of a Bearded Man, 1700/1799, After Raffaello Sanzio, called Raphael, Italian, 1483-1520,

LZT20A07_208

Head of a Bearded Man, 1700/1799, After Raffaello ...

Bridge of Sighs, 1858, Sir John Everett Millais, English, 1829-1896, England, Etching on ivory

LZT20A43_497

Bridge of Sighs, 1858, Sir John Everett Millais, E...

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6, 1896, Odilon Redon,

LZT20A04_202

It Was a Hand, Seemingly as Much of Flesh and Bloo...

A Musician with a Hermit, n.d., Moritz von Schwind, Austrian, 1804-1871, Austria, Etching on paper,

LZT20A43_291

A Musician with a Hermit, n.d., Moritz von Schwind...

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los

LZT20A17_017

Renounce the Friend Who Covers You with His Wings ...

The Grotto of Pan and Fame, 1653/55, Stefano della Bella, Italian, 1610-1664, Italy, Etching on

LZT20A36_234

The Grotto of Pan and Fame, 1653/55, Stefano della...

Happy Springtime, 1860, Sir John Everett Millais, English, 1829-1896, England, Etching on ivory

LZT20A37_016

Happy Springtime, 1860, Sir John Everett Millais, ...

Burning the Rumps at Temple Bar, plate eleven from Hudibras, February 1725/26, William Hogarth,

LZT20A40_465

Burning the Rumps at Temple Bar, plate eleven from...

Another madness of his in the same ring, plate 19 from The Art of Bullfighting, 1815, published

LZT20A17_039

Another madness of his in the same ring, plate 19 ...

The Medici Collar, 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A02_454

The Medici Collar, 1897, James McNeill Whistler, A...

Dutch Merchants Sketched at Amsterdam, published April 4, 1796, Thomas Rowlandson (English,

LZT20A19_210

Dutch Merchants Sketched at Amsterdam, published A...

Lullaby, from Mélodies de Désiré Dihau, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France,

LZT20A21_151

Lullaby, from Mélodies de Désiré Dihau, 1895, Henr...

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by

LZT20A21_292

Plate from Illustrations to Popular Songs, 1822, H...

Reclining Draped Figure, 1893, James McNeill Whistler, American, 1834-1903, United States,

LZT20A22_063

Reclining Draped Figure, 1893, James McNeill Whist...

Standing Male Nude (recto), Two Half Length Male Figures, One with Raised Arm, the Other Praying

LZT20A07_135

Standing Male Nude (recto), Two Half Length Male F...

Social Success, plate seven from Woman, c. 1886, Albert Besnard, French, 1849-1934, France,

LZT20A14_243

Social Success, plate seven from Woman, c. 1886, A...

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting, 1814/16,

LZT20A19_001

The Same Man Throws a Bull in the Ring at Madrid, ...

Saint-Etienne-du-Mont, n.d., Charles Meryon, French, 1821-1868, France, Etching on paper, 245 × 129

LZT20A27_341

Saint-Etienne-du-Mont, n.d., Charles Meryon, Frenc...

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios, 1815/24,

LZT20A17_027

He who does not like thee will defame thee in jest...

The Engagement of an Artist., So you want an engagement in my theatre….. very well Mademoiselle……

LZT20A10_091

The Engagement of an Artist., So you want an engag...

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of

LZT20A17_049

The Moors had settled in Spain, giving up the supe...

L’Hommage de l’Amérique á la France (America’s Tribute to France) (Furnishing Fabric), c. 1780,

LZT20A19_191

L’Hommage de l’Amérique á la France (America’s Tri...

Knight, Death, and Devil, 1564, Jan Wierix (Flemish, 1549-c. 1620), after Albrecht Dürer (German,

LZT20A00_031

Knight, Death, and Devil, 1564, Jan Wierix (Flemis...

Saint John the Baptist in the Wilderness, n.d., Possibly circle of or after Donato Creti (Italian,

LZT20A09_144

Saint John the Baptist in the Wilderness, n.d., Po...

Spring, 1857, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on light

LZT20A16_247

Spring, 1857, Charles François Daubigny, French, 1...

The Mocking of Ceres, 1610, Hendrik Goudt (Dutch, 1583-1648), after Adam Elsheimer (German,

LZT20A18_393

The Mocking of Ceres, 1610, Hendrik Goudt (Dutch, ...

Death of the Property Tax!!, published March 1816, George Cruikshank (English, 1792-1878),

LZT20A19_245

Death of the Property Tax!!, published March 1816,...

The Honors of the Sitting, published January 30, 1805, Charles WIlliams (English, active

LZT20A19_315

The Honors of the Sitting, published January 30, 1...

Moulinet-Elegances of Quadrille Dancing, published April 11, 1817, George Cruikshank (English,

LZT20A19_337

Moulinet-Elegances of Quadrille Dancing, published...

New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of

LZT20A20_357

New Entertainment at the Parisian Evening Parties....

J. Becquet, Sculptor, 1859, James McNeill Whistler, American, 1834-1903, United States, Drypoint

LZT20A22_422

J. Becquet, Sculptor, 1859, James McNeill Whistler...

Designs for Jewelry, before 1697, Joannes Andreas Pfeffel I (German, 1674-1748), after Friedrich

LZT20A26_205

Designs for Jewelry, before 1697, Joannes Andreas ...

Quai de l’Hotel de Ville, Paris, 1900, Donald Shaw MacLaughlan, American, born Canada, 1876-1938,

LZT20A21_386

Quai de l’Hotel de Ville, Paris, 1900, Donald Shaw...

Ecce Homo, from The Passion, 1509, Lucas Cranach the Elder, German, 1472-1553, Germany, Woodcut in

LZT20A03_296

Ecce Homo, from The Passion, 1509, Lucas Cranach t...

Two Horses Fighting Dog, n.d., Johann Georg Pforr, German, 1745-1798, Germany, Pen and gray ink,

LZT20A07_413

Two Horses Fighting Dog, n.d., Johann Georg Pforr,...

The Graces in a High Wind, published May 26, 1810, James Gillray (English, 1756-1815), published by

LZT20A20_059

The Graces in a High Wind, published May 26, 1810,...

The Restaurant at the Exhibition., No clients at all… aren’t these people hungry?, I guess that the

LZT20A23_059

The Restaurant at the Exhibition., No clients at a...

Hungry Rats in an Empty Barn, published March 1806, Charles WIlliams (English, active 1797-1830),

LZT20A19_248

Hungry Rats in an Empty Barn, published March 1806...

La Poule, published June 4, 1817, George Cruikshank (English, 1792-1878), published by Hannah

LZT20A19_336

La Poule, published June 4, 1817, George Cruikshan...

Bridge of Salaro, 1793, Jacob Wilhelm Mechau, German, 1745-1808, Germany, Etching on paper, 245 x

LZT20A43_243

Bridge of Salaro, 1793, Jacob Wilhelm Mechau, Germ...

Military Fork, 1550/1600, Northern Italian, Northern Italy, Steel and wood (ash), L. 245.1 cm (96

LZT20A33_168

Military Fork, 1550/1600, Northern Italian, Northe...

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6, 1896, Odilon Redon,

LZT20A04_201

It Was a Hand, Seemingly as Much of Flesh and Bloo...

Fool’s Folly, from Disparates, 1816–19, published 1877, Francisco José de Goya y Lucientes

LZT20A24_169

Fool’s Folly, from Disparates, 1816–19, published ...

Madame Besnard, 1884, Albert Besnard, French, 1849-1934, France, Etching on ivory laid paper, 269 ×

LZT20A10_468

Madame Besnard, 1884, Albert Besnard, French, 1849...

Portrait of Charles Meryon Sitting Up in Bed, 1858, Léopold Flameng, French, born Belgium,

LZT20A16_450

Portrait of Charles Meryon Sitting Up in Bed, 1858...

Heavier than a Dead Donkey, plate 1 from Los Proverbios, 1815–17, published 1864, Francisco José de

LZT20A17_007

Heavier than a Dead Donkey, plate 1 from Los Prove...

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios, 1816–19,

LZT20A17_014

Soldiers Frightened by a Phantom, from Disparates,...

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