81 résultats pour : light ivory wove paper

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I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

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We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

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Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,

LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

The Pig-Butcher, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China

LZT20A17_125

The Pig-Butcher, 1844, Charles Émile Jacque, Frenc...

Courtyard of a Peasant Dwelling, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on

LZT20A17_224

Courtyard of a Peasant Dwelling, 1846, Charles Émi...

The Morning of the First Day of the Year, c. 1864, Charles Émile Jacque (French, 1813-1894),

LZT20A19_016

The Morning of the First Day of the Year, c. 1864,...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_151

And He Discerns an Arid, Knoll-Covered Plain, plat...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

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He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,

LZT20A09_231

Physionomies Parisiennes: Petit Commerce. La Monna...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in

LZT20A10_060

Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_140

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_074

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–...

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_161

Intelligence was Mine! I Became the Buddha, plate ...

Masks and faces: We have never permitted…, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_059

Masks and faces: We have never permitted…, 1857–58...

And On Every Side Are Columns of Basalt,…the Light Falls From the Vaulted Roof, plate 3 of 24,

LZT20A04_143

And On Every Side Are Columns of Basalt,…the Light...

Scullery Maid, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China

LZT20A17_127

Scullery Maid, 1844, Charles Émile Jacque, French,...

The Knife-Grinder, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray

LZT20A17_226

The Knife-Grinder, 1850, Charles Émile Jacque, Fre...

Horseman Waiting, 1866, Odilon Redon, French, 1840-1916, France, Etching on light gray China paper

LZT20A03_459

Horseman Waiting, 1866, Odilon Redon, French, 1840...

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24, 1896,

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She Draws From Her Bosom a Sponge, Perfectly Black...

St. Anthony: Help me, O my God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_142

St. Anthony: Help me, O my God!, plate 2 of 24, 18...

Sleep, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper

LZT20A04_219

Sleep, 1898, Odilon Redon, French, 1840-1916, Fran...

Portrait of Professor Huxley, 1891, Alphonse Legros, French, 1837-1911, France, Lithograph in black

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Portrait of Professor Huxley, 1891, Alphonse Legro...

Mystical Conversation, 1892, Odilon Redon, French, 1840-1916, France, Lithograph in black on light

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Mystical Conversation, 1892, Odilon Redon, French,...

Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China

LZT20A04_127

Obsession, 1894, Odilon Redon, French, 1840-1916, ...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite,

LZT20A27_409

Manao tupapau (She Thinks of the Ghost or The Ghos...

Near Dieppe, plate one from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed by

LZT20A13_385

Near Dieppe, plate one from Six Marines, 1833, Eug...

The Days of Noah, 1860, James Smetham, English, 1821-1889, England, Etching on ivory wove paper,

LZT20A44_006

The Days of Noah, 1860, James Smetham, English, 18...

Masks and faces, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light

LZT20A10_057

Masks and faces, 1857–58, Paul Gavarni, French, 18...

Reapers at Rest, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China

LZT20A17_147

Reapers at Rest, 1849, Charles Émile Jacque, Frenc...

Bengal Tiger, 1829, Eugène Delacroix (French, 1798-1863), printed by E. Ardit (French, act.

LZT20A15_397

Bengal Tiger, 1829, Eugène Delacroix (French, 1798...

Landscape Near Asnières, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching and

LZT20A17_129

Landscape Near Asnières, 1844, Charles Émile Jacqu...

Landscape, Willow Trees, c. 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on light

LZT20A17_136

Landscape, Willow Trees, c. 1845, Charles Émile Ja...

Untitled (Father and Daughter), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black

LZT20A10_078

Untitled (Father and Daughter), n.d., Paul Gavarni...

The Orchard, 1868, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on

LZT20A16_274

The Orchard, 1868, Charles François Daubigny, Fren...

Willows in a Landscape, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light

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Willows in a Landscape, 1844, Charles Émile Jacque...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

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He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Masks and faces: I have been slandered, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_055

Masks and faces: I have been slandered, 1857–58, P...

Entrance to an Inn, with Stable Boy, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching

LZT20A17_167

Entrance to an Inn, with Stable Boy, 1850, Charles...

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of

LZT20A04_067

And in the Very Disk of the Sun Lights the Face of...

Poetic Twilight, c. 1853, Charles Émile Jacque (French, 1813-1894), printed by Bertauts (French,

LZT20A17_221

Poetic Twilight, c. 1853, Charles Émile Jacque (Fr...

Untitled (Two Basque Girls), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black on

LZT20A10_080

Untitled (Two Basque Girls), n.d., Paul Gavarni, F...

Lion of the Atlas Mountains, 1829, Eugène Delacroix (French, 1798-1863), printed by E. Ardit

LZT20A15_398

Lion of the Atlas Mountains, 1829, Eugène Delacroi...

Faust and Mephistopheles in the Harz Mountains, 1828, Eugène Delacroix, French, 1798-1863, France,

LZT20A20_423

Faust and Mephistopheles in the Harz Mountains, 18...

Faust and Wagner, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on light

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Faust and Wagner, 1828, Eugène Delacroix, French, ...

Galloping Horseman, 1866, Odilon Redon, French, 1840-1916, France, Etching on light gray China

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Galloping Horseman, 1866, Odilon Redon, French, 18...

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Upon Awakening I Saw the Goddess of the Intelligib...

And I Saw in the Right Hand of Him that Sat on the Throne a Book Written Within and On the

LZT20A04_224

And I Saw in the Right Hand of Him that Sat on the...

Winter, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China paper

LZT20A17_176

Winter, 1846, Charles Émile Jacque, French, 1813-1...

Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya,

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Face of Mystery (In my dream I saw in the Sky a FA...

A Rustic Dwelling, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray

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A Rustic Dwelling, c. 1865, Charles Émile Jacque, ...

Anthony: What is the object of all this? The Devil: There is no object!, plate 18 of 24, 1896,

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Anthony: What is the object of all this? The Devil...

And I John Saw the Holy City, New Jerusalem, Coming Down from God Out of Heaven, plate 11 of 12,

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And I John Saw the Holy City, New Jerusalem, Comin...

Young Cowherds, c. 1864, Charles Émile Jacque, French, 1813-1894, France, Etching, drypoint and

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Young Cowherds, c. 1864, Charles Émile Jacque, Fre...

The Broken Crock, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light grey

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The Broken Crock, 1844, Charles Émile Jacque, Fren...

Third Future, plate six from Eve and the Future, 1880, Max Klinger, German, 1857-1920, Germany,

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Third Future, plate six from Eve and the Future, 1...

Centaur Aiming at the Clouds, 1883, Odilon Redon, French, 1840-1916, France, Lithograph in black on

LZT20A04_014

Centaur Aiming at the Clouds, 1883, Odilon Redon, ...

Duet of the Trojans, first plate, 1876, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

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Duet of the Trojans, first plate, 1876, Henri Fant...

The Duchess d’Angoulème, Madame la Dauphine, 1824, Jean-Baptiste Isabey (French, 1767-1855),

LZT20A09_222

The Duchess d’Angoulème, Madame la Dauphine, 1824,...

The Sphinx: …my gaze that nothing can deflect, passing through objects, remains fixed on an

LZT20A04_078

The Sphinx: …my gaze that nothing can deflect, pas...

A Royalist Encampment, n.d., Charles Émile Jacque (French, 1813-1894), after Adolphe Pierre Leleux

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A Royalist Encampment, n.d., Charles Émile Jacque ...

The Old Woman: What are you afraid of? A wide black hole! It is empty, perhaps?, plate 19 of 24,

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The Old Woman: What are you afraid of? A wide blac...

Day Appears at Last,…and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of

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Day Appears at Last,…and in the Very Disk of the S...

The Sphinx: …my gaze that nothing can deflect, passing through objects, remains fixed on an

LZT20A04_079

The Sphinx: …my gaze that nothing can deflect, pas...

Grave! Grave! Très-Grave!, 1862, Charles Émile Jacque (French, 1813-1894), after Gustave Doré

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Grave! Grave! Très-Grave!, 1862, Charles Émile Jac...

I Don’t Dare Take Them Down…It Would Hurt Him Too Much, c. 1892, Jean Louis Forain, French,

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I Don’t Dare Take Them Down…It Would Hurt Him Too ...

The Sheep Coming Home, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on light

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The Sheep Coming Home, c. 1865, Charles Émile Jacq...

Low Tide, plate six from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed by Charles

LZT20A13_384

Low Tide, plate six from Six Marines, 1833, Eugène...

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24, 1896, Odilon Redon, French,

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I Plunged into Solitude. I Dwelt in the Tree behin...

And On Every Side Are Columns of Basalt,…the Light Falls From the Vaulted Roof, plate 3 of 24,

LZT20A04_144

And On Every Side Are Columns of Basalt,…the Light...

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24, 1896, Odilon Redon,

LZT20A04_165

And that Eyes without Heads Were Floating Like Mol...

Landscape with Peasant Home, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching and

LZT20A17_142

Landscape with Peasant Home, 1845, Charles Émile J...

This is What Nowadays is Called a Light Work., My God, what’s this!…. an encyclopaedia?, No sir….

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This is What Nowadays is Called a Light Work., My ...

Royal Guard, Norman Mounted Light Infantryman and Horse, No. 4, c. 1818, Carle Vernet (French,

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Royal Guard, Norman Mounted Light Infantryman and ...

Portrait of Emile Zola, 1875, Marcellin Gilbert Desboutin, French, 1823-1902, France, Drypoint,

LZT20A37_489

Portrait of Emile Zola, 1875, Marcellin Gilbert De...

Interior of a Port, plate five from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed

LZT20A13_382

Interior of a Port, plate five from Six Marines, 1...

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896, Odilon Redon, French, 1840-1916,

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He Falls Head Foremost Into the Abyss, plate 17 of...

Peasant House with Pond, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving

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Peasant House with Pond, 1845, Charles Émile Jacqu...

The Towpath, c. 1864, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China

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The Towpath, c. 1864, Charles Émile Jacque, French...

Portrait of J.J. Guiffrey, 1866, Charles Émile Jacque, French, 1813-1894, France, Etching and

LZT20A19_017

Portrait of J.J. Guiffrey, 1866, Charles Émile Jac...