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In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6
LZT20A04_150

In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,
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Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,
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I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,
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The Beasts of the Sea, Round Like Leather Bottles,...

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André
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Frontispiece for Le mouvement idéaliste en peintur...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,
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We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Mounted Mameluke Chieftain Calling for Aid, 1817, Baron Antoine Jean Gros, French, 1771-1835,
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Mounted Mameluke Chieftain Calling for Aid, 1817, ...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China
LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852, Paul Gavarni, French, 1804-1866,
LZT20A10_039

Les Propos de Thomas Vireloque: The old story, my ...

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French,
LZT20A10_050

Les Propos de Thomas Vireloque: Misere et corde, q...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,
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Masks and faces: Women afraid of a glass of wine…,...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,
LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,
LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

Les maris me font toujours rire: Je suis le mari de M’ame Jolibiais, 1853, Paul Gavarni, French,
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Les maris me font toujours rire: Je suis le mari d...

Hamlet and Ophelia, 1835–43, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on
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Hamlet and Ophelia, 1835–43, Eugène Delacroix, Fre...

The Garden, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph
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The Garden, 1891, James McNeill Whistler, American...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China
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The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
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Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,
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Arï, 1898, Odilon Redon, French, 1840-1916, France...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon
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And There Fell a Great Star From Heaven, Burning a...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on
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My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Andromeda, 1899, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory wove
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Andromeda, 1899, Henri Fantin-Latour, French, 1836...

Sight, plate 39 from Types Parisiens, August 4, 1839, Honoré Victorin Daumier, French, 1808-1879,
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Sight, plate 39 from Types Parisiens, August 4, 18...

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future,
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A Suggestion by the Charivari to Mr. Léon Faucher ...

The source of the Seine is the Cote d’Or, and it empties into the Channel. On its way it traverses
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The source of the Seine is the Cote d’Or, and it e...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,
LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

Military Prison, 1827, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le
LZT20A17_469

Military Prison, 1827, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut
LZT20A17_482

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut
LZT20A17_490

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

Defendant! Do you have any means of living?, Thank you Mr President…. I have quite a good stomach,
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Defendant! Do you have any means of living?, Thank...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,
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Black and white, plate 23 from Émotions Parisienne...

The Aztecs before the scientists, plate 211 from Actualités, 1855, Honoré Victorin Daumier, French,
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The Aztecs before the scientists, plate 211 from A...

Sunday, Lyme Regis, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer
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Sunday, Lyme Regis, 1895, James McNeill Whistler, ...

Reading, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,
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Reading, 1879, published 1887, James McNeill Whist...

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10,
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Then There Appears a Singular Being, Having the He...

A Long Chrysalis, the Color of Blood, plate 2 of 6, 1889, Odilon Redon, French, 1840-1916, France,
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A Long Chrysalis, the Color of Blood, plate 2 of 6...

Captive Pegasus, 1889, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China
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Captive Pegasus, 1889, Odilon Redon, French, 1840-...

Female Saint and Thistle, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on
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Female Saint and Thistle, 1891, Odilon Redon, Fren...

Beneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6, 1891, Odilon
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Beneath the Wing of Shadow the Black Creature was ...

Trustworthy Man, n.d., Edmé Jean Pigal (French, 1798-1872), published by chez Aubert (French, 19th
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Trustworthy Man, n.d., Edmé Jean Pigal (French, 17...

Dresden, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel
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Dresden, 1833, Samuel Prout (English, 1783-1852), ...

Sachsenhausen Francfort, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles
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Sachsenhausen Francfort, 1833, Samuel Prout (Engli...

The thermometer of the engineer Chevalier was right… at 10 degrees the large rivers as well as the
LZT20A10_185

The thermometer of the engineer Chevalier was righ...

Witches, 1900, Jean Veber, French, 1864-1928, France, Lithograph from three stones in black (lavis
LZT20A15_393

Witches, 1900, Jean Veber, French, 1864-1928, Fran...

Harold in Italy: In the Mountains, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph
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Harold in Italy: In the Mountains, 1888, Henri Fan...

Bathing Women, fourth large plate, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph
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Bathing Women, fourth large plate, 1898, Henri Fan...

Twilight of the Gods: Siegfried and the Rhine Maidens, 1898, Henri Fantin-Latour, French,
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Twilight of the Gods: Siegfried and the Rhine Maid...

He Behaves for a Savage, 1830, Denis Auguste Marie Raffet (French, 1804-1860), printed by V. Ratier
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He Behaves for a Savage, 1830, Denis Auguste Marie...

School for Young Tartar Girls, 1841, Denis Auguste Marie Raffet (French, 1804-1860), printed by
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School for Young Tartar Girls, 1841, Denis Auguste...

Turkish Recruits Near Smyrna, November 10, 1837, 1847, Denis Auguste Marie Raffet (French,
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Turkish Recruits Near Smyrna, November 10, 1837, 1...

On the Subject of Boots, December 1897, Théophile-Alexandre Steinlen, French, born Switzerland,
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On the Subject of Boots, December 1897, Théophile-...

Les Pauv’ P’tits Fieux, 1892, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,
LZT20A18_202

Les Pauv’ P’tits Fieux, 1892, Théophile-Alexandre ...

The Last Ambush, March 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,
LZT20A18_445

The Last Ambush, March 1894, Théophile-Alexandre S...

Alone at last!, July 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923,
LZT20A18_454

Alone at last!, July 1894, Théophile-Alexandre Ste...

Adelaide, Adelaide.. I think I can see the comet coming!!…, Oh my God… this is the end of the
LZT20A20_362

Adelaide, Adelaide.. I think I can see the comet c...

Les anglais chez eux: Bouquets de violettes., 1852, Paul Gavarni, French, 1804-1866, France,
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Les anglais chez eux: Bouquets de violettes., 1852...

Faust in His Study, from Faust, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in
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Faust in His Study, from Faust, 1828, Eugène Delac...

Portrait: Lucien Pissarro, 1874, Camille Pissarro, French, 1830-1903, France, Lithograph in black
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Portrait: Lucien Pissarro, 1874, Camille Pissarro,...

Portrait of Madame Perregaux, 1816, Horace Vernet (French, 1789-1863), printed by Comte Charles
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Portrait of Madame Perregaux, 1816, Horace Vernet ...

Madame Lavallée and Madame de Valory, 1817, Dominique-Vivant Denon, French, 1747-1825, France,
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Madame Lavallée and Madame de Valory, 1817, Domini...

Baths of Diocletian, Rome, 1817, Claude Thiénon (French, 1772-1846), probably printed by Comte de
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Baths of Diocletian, Rome, 1817, Claude Thiénon (F...

Cuirassier on Foot Holding back his Rearing Horse, February 20, 1817, Carle Vernet (French,
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Cuirassier on Foot Holding back his Rearing Horse,...

I am sorry that I did not recognize you right away. I could not distinguish you from all the other
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I am sorry that I did not recognize you right away...

A Boat Maneuver, plate nine from Les Canotiers Parisiens, 1843, Honoré-Victorin Daumier, French,
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A Boat Maneuver, plate nine from Les Canotiers Par...

Young Boy Seated, from the first issue of Specimens of Polyautography, 1803, Thomas Barker
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Young Boy Seated, from the first issue of Specimen...

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines, 1883,
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There Was Perhaps a First Vision Attempted in the ...

There Were Also Embryonic Beings, plate 4 of 6, 1885, Odilon Redon, French, 1840-1916, France,
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There Were Also Embryonic Beings, plate 4 of 6, 18...

The Lost Angel Then Opened Black Wings, from Night, 1886, Odilon Redon, French, 1840-1916, France,
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The Lost Angel Then Opened Black Wings, from Night...

The French Soldier, 1818/19, Nicolas Toussaint Charlet, French, 1792-1845, France, Lithograph in
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The French Soldier, 1818/19, Nicolas Toussaint Cha...

The Wounded Standard-Bearer, 1823–35, Joseph Louis Hippolyte Bellangé, French, 1800-1866, France,
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The Wounded Standard-Bearer, 1823–35, Joseph Louis...

Les-Parents-Terribles series: But, grandfather, if Seraphim’s Puncinello don’t exist, 1853, Paul
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Les-Parents-Terribles series: But, grandfather, if...

Royal Guard, Norman Mounted Dragoon and Horse, No. 5, First Limoges Horse, c. 1818, Carle Vernet
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Royal Guard, Norman Mounted Dragoon and Horse, No....

The Coal Wagon, plate 7 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André
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The Coal Wagon, plate 7 from Various Subjects Draw...

From the Ballast Pond, 1822, Unknown Artist, English, 19th century, England, Lithograph in black on
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From the Ballast Pond, 1822, Unknown Artist, Engli...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,
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And He Discerns an Arid, Knoll-Covered Plain, plat...

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916,
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Intelligence was Mine! I Became the Buddha, plate ...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,
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The Beasts of the Sea, Round Like Leather Bottles,...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,
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He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Portrait of Carle Vernet, Standing and Drawing, 1818, Horace Vernet, French, 1789-1863, France,
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Portrait of Carle Vernet, Standing and Drawing, 18...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,
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Physionomies Parisiennes: Petit Commerce. La Monna...

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852, Paul Gavarni, French,
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Les Propos de Thomas Vireloque: Man the Masterpiec...

Les Propos de Thomas Vireloque: Misere et corde, first speech, then…, 1852–53, Paul Gavarni,
LZT20A10_051

Les Propos de Thomas Vireloque: Misere et corde, f...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in
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Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Husbands Always Make Me Laugh: Really my son-in-law, 1853, Paul Gavarni, French, 1804-1866, France,
LZT20A10_065

Husbands Always Make Me Laugh: Really my son-in-la...

March 18, 1894, Théophile-Alexandre Steinlen (French, born Switzerland, 1859-1923), published by
LZT20A17_404

March 18, 1894, Théophile-Alexandre Steinlen (Fren...

Is this your dog here?, plate 20 from Tout Ce Qu’on Voudra, November 4, 1847, Honoré Victorin
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Is this your dog here?, plate 20 from Tout Ce Qu’o...

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet, 1843, Eugène Delacroix, French,
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Hamlet and Horatio with the Gravediggers, plate 14...

Portrait of Pierre Guérin, 1830, Horace Vernet, French, 1789-1863, France, Lithograph in black on
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Portrait of Pierre Guérin, 1830, Horace Vernet, Fr...

Brünnhilde (Twilight of the Gods), 1894, Odilon Redon, French, 1840-1916, France, Lithograph in
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Brünnhilde (Twilight of the Gods), 1894, Odilon Re...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
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Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,
LZT20A04_217

Arï, 1898, Odilon Redon, French, 1840-1916, France...

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France,
LZT20A10_074

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–...

Leaving the Theater, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in
LZT20A19_088

Leaving the Theater, 1896, Henri de Toulouse-Lautr...

The Taste. Wow! I am not surprised any more why this fellow is so spirited… and he calls me an old
LZT20A23_038

The Taste. Wow! I am not surprised any more why th...

A literary argument on the second tier, plate 3 from Croquis Pris Au Théatre par Daumier, published
LZT20A39_427

A literary argument on the second tier, plate 3 fr...

Revolt of Pavia, 1826, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le
LZT20A17_470

Revolt of Pavia, 1826, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut
LZT20A17_481

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut
LZT20A17_491

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

Reine, l’excés des maux où la France est livrée…, 1825, Horace Vernet (French, 1789-1863), poem by
LZT20A18_318

Reine, l’excés des maux où la France est livrée…, ...

Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes, 1839,
LZT20A23_055

Early morning visit of a creditor concerning the b...

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