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The Aztecs before the scientists, plate 211 from Actualités, 1855, Honoré Victorin Daumier, French,
LZT20A23_065

The Aztecs before the scientists, plate 211 from A...

The Stag Hunt, 1630–35, Jacques Callot, French, 1592-1635, France, Etching on paper, 197 × 469 mm
LZT20A03_081

The Stag Hunt, 1630–35, Jacques Callot, French, 15...

Antoon Cornelissen, 1630/45, Lucas Emil Vorsterman (Flemish, 1595-1675), after Anthony van Dyck
LZT20A19_386

Antoon Cornelissen, 1630/45, Lucas Emil Vorsterman...

The Bridge and Goats, plate 43 from Liber Studiorum, published April 23, 1812, Joseph Mallord
LZT20A02_236

The Bridge and Goats, plate 43 from Liber Studioru...

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios, 1815/24,
LZT20A17_009

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes...

Faure in the Role of Hamlet, c. 1877, Henri Charles Guérard (French, 1846-1897), after Édouard
LZT20A38_213

Faure in the Role of Hamlet, c. 1877, Henri Charle...

The Double Bass Player, c. 1873, Alphonse Legros, French, 1837-1911, France, Etching on ivory
LZT20A00_042

The Double Bass Player, c. 1873, Alphonse Legros, ...

- Can you see the comet?… just there, at the tip of my finger … don’t lose sight of my finger tip!,
LZT20A20_361

- Can you see the comet?… just there, at the tip o...

Portrait of Manet, 1880/84, Henri Charles Guérard, French, 1846-1897, France, Etching, with plate
LZT20A39_271

Portrait of Manet, 1880/84, Henri Charles Guérard,...

Hedging and Ditching, plate 47 from Liber Studiorum, published May 23, 1812, Joseph Mallord William
LZT20A02_239

Hedging and Ditching, plate 47 from Liber Studioru...

Without commending himself either to God or the devil, plate 15 from Los Proverbios, 1815/24,
LZT20A17_010

Without commending himself either to God or the de...

The Neighborhood, from Revue Fantaisiste, 1861, Rodolphe Bresdin, French, 1825-1885, France,
LZT20A10_178

The Neighborhood, from Revue Fantaisiste, 1861, Ro...

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by
LZT20A21_282

Plate from Illustrations to Popular Songs, 1822, H...

The Terrace, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory
LZT20A06_385

The Terrace, from Vedute, 1735/44, Canaletto, Ital...

House with a Turret, No 22, rue de l’Ecole de Médecine, Paris (called the Turret of Marat), 1861,
LZT20A17_366

House with a Turret, No 22, rue de l’Ecole de Méde...

Rising, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine
LZT20A15_084

Rising, from Monument du Costume Physique et Moral...

Tailpiece, plate 9 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an
LZT20A04_248

Tailpiece, plate 9 of 9, 1890, Odilon Redon, Frenc...

Bouquet with Roses, from Collection of Different Bouquets of Flowers, Invented and Drawn by Jean
LZT20A43_319

Bouquet with Roses, from Collection of Different B...

Illustration to Samuel Richardson’s Clarissa, 1796, Daniel Nikolaus Chodowiecki, German, 1726-1801,
LZT20A04_322

Illustration to Samuel Richardson’s Clarissa, 1796...

Husband: My dear, how about a first kiss on my chin? The wife (aside): To think that I am married
LZT20A20_356

Husband: My dear, how about a first kiss on my chi...

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of
LZT20A04_247

Glory and Praise to You, Satan, in the Heights of ...

Illustration to Samuel Richardson’s Clarissa, 1796, Daniel Nikolaus Chodowiecki, German, 1726-1801,
LZT20A04_321

Illustration to Samuel Richardson’s Clarissa, 1796...

Frontispiece for the Revue Fantaisiste, 1861, Rodolphe Bresdin, French, 1825-1885, France, Etching
LZT20A10_054

Frontispiece for the Revue Fantaisiste, 1861, Rodo...

Illustration to Samuel Richardson’s Clarissa, 1796, Daniel Nikolaus Chodowiecki, German, 1726-1801,
LZT20A04_320

Illustration to Samuel Richardson’s Clarissa, 1796...

Street at Saverne, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with
LZT20A22_126

Street at Saverne, 1858, James McNeill Whistler, A...

Cowherd, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching, drypoint and roulette on
LZT20A17_220

Cowherd, n.d., Charles Émile Jacque, French, 1813-...

The Beggars, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and
LZT20A22_442

The Beggars, 1879/80, James McNeill Whistler, Amer...

View Near Kampen, plate 4 from Views of Dutch Villages, c. 1650, Roelant Roghman (Dutch,
LZT20A43_299

View Near Kampen, plate 4 from Views of Dutch Vill...

House with a Turret, No 22, rue de l’Ecole de Médecine, Paris (called the Turret of Marat), 1861,
LZT20A01_154

House with a Turret, No 22, rue de l’Ecole de Méde...

Thames Police, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and
LZT20A18_368

Thames Police, 1859, James McNeill Whistler, Ameri...

Embers Glow, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color
LZT20A42_179

Embers Glow, 1890–97, Theodore Roussel, French, wo...

Alpine Landscape, n.d., Alexandre Calame, Swiss, 1810-1864, Switzerland, Etching on paper, 193 x
LZT20A16_179

Alpine Landscape, n.d., Alexandre Calame, Swiss, 1...

Embers Glow, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color
LZT20A42_180

Embers Glow, 1890–97, Theodore Roussel, French, wo...

Embers Glow, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color
LZT20A42_177

Embers Glow, 1890–97, Theodore Roussel, French, wo...

Solway Moss, plate 52 from Liber Studiorum, published January 1, 1816, Joseph Mallord William
LZT20A18_280

Solway Moss, plate 52 from Liber Studiorum, publis...

Tour du Gros Horloge, n.d., Richard Parkes Bonington, English, 1802-1828, England, 336 × 211 mm
LZT20A10_093

Tour du Gros Horloge, n.d., Richard Parkes Boningt...

Embers Glow, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color
LZT20A42_178

Embers Glow, 1890–97, Theodore Roussel, French, wo...

Boy Blowing Soap Bubbles, late 1868/early 1869, Édouard Manet (French, 1832-1883), printed by Henri
LZT20A06_254

Boy Blowing Soap Bubbles, late 1868/early 1869, Éd...

The Midmay Sea-Piece, plate 40 from LIber Studiorum, published February 11, 1812, Joseph Mallord
LZT20A18_268

The Midmay Sea-Piece, plate 40 from LIber Studioru...

The Triumph of Eternity, plate six from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c.
LZT20A03_164

The Triumph of Eternity, plate six from The Triump...

The Prison, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory
LZT20A06_382

The Prison, from Vedute, 1735/44, Canaletto, Itali...

Rue des Toiles, Bourges, 1853, Charles Meryon, French, 1821-1868, France, Etching and drypoint on
LZT20A01_167

Rue des Toiles, Bourges, 1853, Charles Meryon, Fre...

Le Procuratie niove e S. Ziminian V, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy,
LZT20A06_383

Le Procuratie niove e S. Ziminian V, from Vedute, ...

Le Grand Seigneur, plate seventeen from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien,
LZT20A42_119

Le Grand Seigneur, plate seventeen from Caravanne ...

Bickers Island, c. 1655, Reinier Zeeman (Reinier Nooms), Dutch, c. 1623-c. 1664, Holland, Etching
LZT20A05_012

Bickers Island, c. 1655, Reinier Zeeman (Reinier N...

Cottage Beside a Canal with a View of Ouderkerk, c. 1641, Rembrandt van Rijn, Dutch, 1606-1669,
LZT20A10_442

Cottage Beside a Canal with a View of Ouderkerk, c...

The Large Tree, from Upright Italian Landscapes, 1638/52, Jan Both, Dutch, c. 1618-1652, Holland,
LZT20A14_357

The Large Tree, from Upright Italian Landscapes, 1...

Hedging and Ditching, plate 47 from Liber Studiorum, published May 23, 1812, Joseph Mallord William
LZT20A18_275

Hedging and Ditching, plate 47 from Liber Studioru...

The Letter, 1890/91, Mary Cassatt (American, 1844-1926), printed with Leroy (French, active
LZT20A21_297

The Letter, 1890/91, Mary Cassatt (American, 1844-...

Embers Glow, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color
LZT20A42_181

Embers Glow, 1890–97, Theodore Roussel, French, wo...

Mountain Landscape wih Five Bridges, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy,
LZT20A06_392

Mountain Landscape wih Five Bridges, from Vedute, ...

Water Mill, plate 37 from Liber Studiorum, published February 1, 1812, Joseph Mallord William
LZT20A18_265

Water Mill, plate 37 from Liber Studiorum, publish...

Leaf from Pontificale Romanum, plate 91 from Woodcuts from Books of the XVI Century, 1572,
LZT20A25_064

Leaf from Pontificale Romanum, plate 91 from Woodc...

Charles Francois Mallet, c. 1809, Angelo Boucheron (French, 1779/80-after 1830), after
LZT20A24_063

Charles Francois Mallet, c. 1809, Angelo Boucheron...

The Round, 1883–84, Auguste Rodin, French, 1840-1917, France, Drypoint in dark brown ink on cream
LZT20A18_136

The Round, 1883–84, Auguste Rodin, French, 1840-19...