247 résultats pour : white wove plate paper

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We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Sight, plate 39 from Types Parisiens, August 4, 1839, Honoré Victorin Daumier, French, 1808-1879,

LZT20A23_039

Sight, plate 39 from Types Parisiens, August 4, 18...

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future,

LZT20A24_286

A Suggestion by the Charivari to Mr. Léon Faucher ...

City with Stone Bridge, 1865, Rodolphe Bresdin, French, 1825-1885, France, Etching on white wove

LZT20A10_086

City with Stone Bridge, 1865, Rodolphe Bresdin, Fr...

Farmyard, from Revue Fantaisiste, 1861, Rodolphe Bresdin, French, 1825-1885, France, Etching on

LZT20A10_097

Farmyard, from Revue Fantaisiste, 1861, Rodolphe B...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,

LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

The Aztecs before the scientists, plate 211 from Actualités, 1855, Honoré Victorin Daumier, French,

LZT20A23_065

The Aztecs before the scientists, plate 211 from A...

Lioness Tearing at the Chest of an Arab, 1849, Eugène Delacroix, French, 1798-1863, France, Soft

LZT20A35_050

Lioness Tearing at the Chest of an Arab, 1849, Eug...

Carl Snoilsky, 1888, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on white wove paper, 76 x 49

LZT20A02_110

Carl Snoilsky, 1888, Anders Zorn, Swedish, 1860-19...

The thermometer of the engineer Chevalier was right… at 10 degrees the large rivers as well as the

LZT20A10_185

The thermometer of the engineer Chevalier was righ...

Grover Cleveland II, 1899, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on white wove paper,

LZT20A16_042

Grover Cleveland II, 1899, Anders Zorn, Swedish, 1...

Bathing Women, fourth large plate, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

LZT20A16_431

Bathing Women, fourth large plate, 1898, Henri Fan...

Liverdun, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul

LZT20A22_437

Liverdun, 1858, James McNeill Whistler, American, ...

Chapel and Pilgrim’s Hospice at Harambeltz (Basses-Pyrenees), 1866, Odilon Redon, French,

LZT20A03_448

Chapel and Pilgrim’s Hospice at Harambeltz (Basses...

Fear, 1866, Odilon Redon, French, 1840-1916, France, Etching on tan China paper laid down on white

LZT20A03_457

Fear, 1866, Odilon Redon, French, 1840-1916, Franc...

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines, 1883,

LZT20A04_007

There Was Perhaps a First Vision Attempted in the ...

The Upper Part of a Door, 1852, Felix Bracquemond, French, 1833–1914, France, Etching and drypoint

LZT20A15_420

The Upper Part of a Door, 1852, Felix Bracquemond,...

Reading (Mr. and Mrs. Ch. Deering), 1893, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on

LZT20A15_490

Reading (Mr. and Mrs. Ch. Deering), 1893, Anders Z...

The Young Mother, 1857, Sir John Everett Millais, English, 1829-1896, England, Etching on ivory

LZT20A43_496

The Young Mother, 1857, Sir John Everett Millais, ...

Is this your dog here?, plate 20 from Tout Ce Qu’on Voudra, November 4, 1847, Honoré Victorin

LZT20A23_330

Is this your dog here?, plate 20 from Tout Ce Qu’o...

Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet, 1843, Eugène Delacroix, French,

LZT20A27_134

Hamlet and Horatio with the Gravediggers, plate 14...

The Taste. Wow! I am not surprised any more why this fellow is so spirited… and he calls me an old

LZT20A23_038

The Taste. Wow! I am not surprised any more why th...

Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes, 1839,

LZT20A23_055

Early morning visit of a creditor concerning the b...

Lake in the Tyrol, 1863, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by François

LZT20A42_468

Lake in the Tyrol, 1863, Jean-Baptiste-Camille Cor...

- How are you feeling today, Mr. Chapolard?, Madame Pochet, a concierge who knows how to behave,

LZT20A10_175

- How are you feeling today, Mr. Chapolard?, Madam...

Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise,

LZT20A10_186

Rifolard opens the ball and executes a bold dancin...

Meadow with sheep, 1860, Charles François Daubigny, French, 1817-1878, France, Etching on light

LZT20A16_252

Meadow with sheep, 1860, Charles François Daubigny...

The Vintage (Souvenir of the Morvan), 1865, Charles François Daubigny, French, 1817-1878, France,

LZT20A16_270

The Vintage (Souvenir of the Morvan), 1865, Charle...

The Unsafe Tenement, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with

LZT20A22_418

The Unsafe Tenement, 1858, James McNeill Whistler,...

Head of a Young Girl (Compiler’s Title), c. 1886, Odilon Redon, French, 1840-1916, France, Etching

LZT20A35_289

Head of a Young Girl (Compiler’s Title), c. 1886, ...

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from Les Origines, 1883,

LZT20A04_006

When Life Was Awakening in the Depths of Obscure M...

Joseph Telling His Dreams, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on white

LZT20A18_079

Joseph Telling His Dreams, 1638, Rembrandt van Rij...

St. Andrew, plate 2 from The Twelve Apostles, 1545, Sebald Beham, German, 1500-1550, Germany,

LZT20A26_046

St. Andrew, plate 2 from The Twelve Apostles, 1545...

Achilles and Agamemnon. Achilles:, And what do I care about your Troy!, plate one from Physionomies

LZT20A23_316

Achilles and Agamemnon. Achilles:, And what do I c...

Tell me, my friend, all the people who walk in this area turn around… could it be that this is the

LZT20A23_329

Tell me, my friend, all the people who walk in thi...

Hamlet and the Body of Polonius, plate 11 from Hamlet, 1835, Eugène Delacroix, French, 1798-1863,

LZT20A27_133

Hamlet and the Body of Polonius, plate 11 from Ham...

Sketch of a Café-Concert on the Rue Madame, 1857, Antoine-Gustave Droz, French, 1832-1895, French,

LZT20A41_132

Sketch of a Café-Concert on the Rue Madame, 1857, ...

Smell, plate 38 from Types Parisiens, 1839, Honoré Victorin Daumier, French, 1808-1879, France,

LZT20A23_041

Smell, plate 38 from Types Parisiens, 1839, Honoré...

Kneeling Pilgrim with Cross and Book, 1826, Johann Friedrich Overbeck, German, 1789–1869, Germany,

LZT20A43_249

Kneeling Pilgrim with Cross and Book, 1826, Johann...

The Kitchen, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul

LZT20A41_199

The Kitchen, 1858, James McNeill Whistler, America...

The Music Room, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching, with

LZT20A02_316

The Music Room, 1859, James McNeill Whistler, Amer...

Pilgrim of the Sublunary World, plate 5 of 6, 1891, Odilon Redon, French, 1840-1916, France,

LZT20A04_108

Pilgrim of the Sublunary World, plate 5 of 6, 1891...

The Neighborhood, from Revue Fantaisiste, 1861, Rodolphe Bresdin, French, 1825-1885, France,

LZT20A10_178

The Neighborhood, from Revue Fantaisiste, 1861, Ro...

The Mill, 1848, Charles François Daubigny (French, 1817-1878), after Jan Symonsz Pynas (Dutch,

LZT20A16_226

The Mill, 1848, Charles François Daubigny (French,...

The Reaping Machine, 1860, Charles François Daubigny, French, 1817-1878, France, Etching on white

LZT20A16_251

The Reaping Machine, 1860, Charles François Daubig...

En Plein Soleil, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with

LZT20A22_448

En Plein Soleil, 1858, James McNeill Whistler, Ame...

Val of Shanganagh, Killiney, August 1843, Elizabeth Murray, English, c. 1815-1882, England,

LZT20A37_323

Val of Shanganagh, Killiney, August 1843, Elizabet...

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882, Odilon

LZT20A03_498

The Eye, Like a Strange Balloon Moves Towards Infi...

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from Les Origines, 1883, Odilon

LZT20A04_009

Siren Coming out of the Waves, Dressed in Flames, ...

Plates four, five, and six from A Harlot’s Progress, 1732/61, William Hogarth, English, 1697-1764,

LZT20A26_500

Plates four, five, and six from A Harlot’s Progres...

Mr. Wray’s Cash Box, or, The Mask and the Mystery, 1852, Sir John Everett Millais, English,

LZT20A43_498

Mr. Wray’s Cash Box, or, The Mask and the Mystery,...

Jules de L (also known as Lasteyrie the Argand lamp). Former member of the opposition, now ennemy

LZT20A23_317

Jules de L (also known as Lasteyrie the Argand lam...

Too Many Cooks Spoil the Broth, plate 129 from Actualités, 1850, Honoré Victorin Daumier, French,

LZT20A24_277

Too Many Cooks Spoil the Broth, plate 129 from Act...

Hamlet and the Queen, plate 1 from Hamlet, 1834, Eugène Delacroix, French, 1798-1863, France,

LZT20A27_132

Hamlet and the Queen, plate 1 from Hamlet, 1834, E...

Sense of Hearing., Wake up Nini!…. I have been calling her for more than an hour, and she always

LZT20A23_040

Sense of Hearing., Wake up Nini!…. I have been cal...

View of the Seine near Asnières during the dog days, plate 2 from Croquis D’été, 1854, Honoré

LZT20A23_053

View of the Seine near Asnières during the dog day...

Outskirts of Rome, 1866, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by Auguste

LZT20A16_205

Outskirts of Rome, 1866, Jean-Baptiste-Camille Cor...

Venus and Cupid, large plate, 1896, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in

LZT20A16_428

Venus and Cupid, large plate, 1896, Henri Fantin-L...

Oh, here you are….. what do you have there?….., Let’s not talk about it…. we are having guests, and

LZT20A23_095

Oh, here you are….. what do you have there?….., Le...

Before the Black Sun of Melancholy, Lenore Appears, plate two from To Edgar Poe, 1882, Odilon

LZT20A03_499

Before the Black Sun of Melancholy, Lenore Appears...

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from

LZT20A04_008

The Misshapen Polyp Floated on the Shores, a Sort ...

- I wonder why this beast is following me all the time… I’ll happily be paying 6 sous to jump on a

LZT20A18_332

- I wonder why this beast is following me all the ...

Crouching Woman, 1827, Eugène Delacroix, French, 1798-1863, France, Black and red chalk, with

LZT20A36_211

Crouching Woman, 1827, Eugène Delacroix, French, 1...

This is Not Less so, plate 67 from The Disasters of War, 1815/20, published 1863, Francisco José de

LZT20A03_417

This is Not Less so, plate 67 from The Disasters o...

Ingres at Age Twenty-four, 1869, Léopold Flameng (French, born Belgium, 1831-1911), after

LZT20A16_449

Ingres at Age Twenty-four, 1869, Léopold Flameng (...

Woman Tending Two Pigs, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream

LZT20A17_165

Woman Tending Two Pigs, 1849, Charles Émile Jacque...

The Cliff, Bay of St. Malmo, 1889–90, Félix Hilaire Buhot, French, 1847-1898, France, Etching,

LZT20A22_477

The Cliff, Bay of St. Malmo, 1889–90, Félix Hilair...

Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De

LZT20A23_050

Followers of Mr. Cobden, exercising their peaceful...

Mr. Joliv…., plate 346 from Célébrités de la Caricature, 1833, Honoré Victorin Daumier, French,

LZT20A10_090

Mr. Joliv…., plate 346 from Célébrités de la Caric...

Sheepfold at Sunset, 1881, Félix Hilaire Buhot, French, 1847-1898, France, Etching, drypoint and

LZT20A16_174

Sheepfold at Sunset, 1881, Félix Hilaire Buhot, Fr...

Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless

LZT20A23_068

Inspite of all their assertions that their guns ar...

The Dam Wood, 1874/75, James McNeill Whistler, American, 1834-1903, United States, Drypoint in

LZT20A02_322

The Dam Wood, 1874/75, James McNeill Whistler, Ame...

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6, 1891, Odilon Redon, French, 1840-1916,

LZT20A04_101

And Beyond, the Astral Idol, the Apotheosis, plate...

Mr. Jean-Joseph-Chaboulard… first prize for good health!, plate 28 from Professeurs et Moutards,

LZT20A10_171

Mr. Jean-Joseph-Chaboulard… first prize for good h...

The Banks of the Cousin, 1850, Charles François Daubigny, French, 1817-1878, France, Etching on

LZT20A16_231

The Banks of the Cousin, 1850, Charles François Da...

Le Jardin d’Hiver, 1843, Charles François Daubigny, French, 1817-1878, France, Etching on cream

LZT20A16_246

Le Jardin d’Hiver, 1843, Charles François Daubigny...

Autumn, 1848, Charles François Daubigny, French, 1817-1878, France, Etching on white wove paper,

LZT20A28_424

Autumn, 1848, Charles François Daubigny, French, 1...

Horseman Under a Stormy Sky, 1866, Odilon Redon, French, 1840-1916, France, Etching on white wove

LZT20A03_461

Horseman Under a Stormy Sky, 1866, Odilon Redon, F...

A Mask Sounds the Funeral Knell, plate three from To Edgar Poe, 1882, Odilon Redon, French,

LZT20A03_500

A Mask Sounds the Funeral Knell, plate three from ...

There Were Struggles and Vain Victories, plate 6 of 8 from Les Origines, 1883, Odilon Redon,

LZT20A04_011

There Were Struggles and Vain Victories, plate 6 o...

Tree Branches, n.d., Rodolphe Bresdin, French, 1825-1885, France, Etching on cream China paper,

LZT20A24_048

Tree Branches, n.d., Rodolphe Bresdin, French, 182...

View of Corinth, 1845, Théodore Caruelle d’Aligny, French, 1798-1871, France, Etching on ivory

LZT20A38_459

View of Corinth, 1845, Théodore Caruelle d’Aligny,...

Larvae So Bloodless and So Hideous, plate 5 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_203

Larvae So Bloodless and So Hideous, plate 5 of 6, ...

La Mère Gérard, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching in black

LZT20A22_088

La Mère Gérard, 1858, James McNeill Whistler, Amer...

I don’t give a damn about your Miss Sand who prevents women from mending pants and darning socks! …

LZT20A23_042

I don’t give a damn about your Miss Sand who preve...

Beware my friend of the little baron… the more you dress him the less secured you will be, plate 49

LZT20A23_051

Beware my friend of the little baron… the more you...

The Engagement of an Artist., So you want an engagement in my theatre….. very well Mademoiselle……

LZT20A10_091

The Engagement of an Artist., So you want an engag...

The Cliff, Bay of St. Malo, 1889–90, Félix Hilaire Buhot, French, 1847-1898, France, Etching,

LZT20A16_175

The Cliff, Bay of St. Malo, 1889–90, Félix Hilaire...

Landscape Panorama, 1879, Camille Pissarro, French, 1830-1903, France, Etching and aquatint in

LZT20A28_041

Landscape Panorama, 1879, Camille Pissarro, French...

Place, plate one from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Ivory chine collé on

LZT20A37_090

Place, plate one from A Glove, 1881, Max Klinger, ...

Abduction, plate nine from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and

LZT20A37_099

Abduction, plate nine from A Glove, 1881, Max Klin...

The Roman Army, from Revue Fantaisiste, 1856, Rodolphe Bresdin, French, 1825-1885, France, Etching

LZT20A10_179

The Roman Army, from Revue Fantaisiste, 1856, Rodo...

Interior of the Large Greenhouse, 1842, Charles François Daubigny, French, 1817-1878, France,

LZT20A16_221

Interior of the Large Greenhouse, 1842, Charles Fr...

Spring, 1857, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on light

LZT20A16_247

Spring, 1857, Charles François Daubigny, French, 1...

La Marchande de Moutarde (The Mustard Seller), 1858, James McNeill Whistler, American, 1834-1903,

LZT20A22_451

La Marchande de Moutarde (The Mustard Seller), 185...

The Shower, c. 1851, Charles François Daubigny, French, 1817-1878, France, Etching on light gray

LZT20A28_425

The Shower, c. 1851, Charles François Daubigny, Fr...

Abandoned, plate five from A Life, 1884, Max Klinger, German, 1857-1920, Germany, Etching and

LZT20A37_186

Abandoned, plate five from A Life, 1884, Max Kling...

On the Horizon the Angel of Certitude, and in the Somber Heaven a Questioning Eye, plate four from

LZT20A04_001

On the Horizon the Angel of Certitude, and in the ...

The Satyr with the Cynical Smile, plate 5 of 8 from Les Origines, 1883, Odilon Redon, French,

LZT20A04_010

The Satyr with the Cynical Smile, plate 5 of 8 fro...

The day of the great parade, plate 6 from Les Papas, 1847, Honoré Victorin Daumier, French,

LZT20A24_049

The day of the great parade, plate 6 from Les Papa...

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