Sujet

Ibsamboul, Entrée De Spéos D'Hathor; Nubie, 1849/51, printed 1852. Creator: Maxime du Camp.

Légende

Ibsamboul, Entrée De Spéos D'Hathor; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 109 from the album "egypte, nubie, palestine et syrie" (1852).

Crédit

Photo12/Heritage Images/Heritage Art

Notre référence

HRM21A92_318

Model release

NA

Property release

NA

Licence

Droits gérés

Format disponible

53,7Mo (2,7Mo) / 32,0cm x 42,0cm / 3781 x 4960 (300dpi)

Mots clés

building people religious architecture arts rocks rock Middle East country detail Egypt French France religion temple figure writing monarch art king Egyptian royal Middle Eastern photography entrance location century hieroglyphics gallery royalty Abu Simbel concept temple of hathor B&W art gallery pharaoh world heritage site hieroglyphic 19th century black & white black and white B W UNESCO colossi colossus Ancient Egyptian Monument 19th Dynasty nineteenth century Nubian historic ancient site As Sa'id Nubia sovereign TGN photograph Temple of Abu Simbel Maxime du Camp Rameses II II Ramesses II Ramses II Ramses the Great Rameses the Great Ramesses the Great Art Institute of Chicago Du Camp Maxime Camp Maxime Du rock cut art centre Mizraim speos Ozymandias Ramesses Heritage Art salted paper print hemi-speos hemispeos 19th-century Art Institute Chicago Salted paper print plate 109 from the album "Egypte Nubie Palestine et Syrie" (1852)