Sujet

Ibsamboul, Sculptures de l'Entrée du Spéos de Phrè, Nubie, 1849/51, printed 1852. Creator: Maxime du Camp.

Légende

Ibsamboul, Sculptures de l'Entrée du Spéos de Phrè, Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 105 from the album "egypte, nubie, palestine et syrie" (1852).

Crédit

Photo12/Heritage Images/Heritage Art

Notre référence

HRM21A92_322

Model release

NA

Property release

NA

Licence

Droits gérés

Format disponible

53,3Mo (2,9Mo) / 31,8cm x 42,0cm / 3758 x 4960 (300dpi)

Mots clés

building religious architecture arts rocks rock Middle East country detail Egypt French France religion temple sculpture art worship Egyptian Middle Eastern photography deity God location century gallery worshipping Abu Simbel concept B&W goddess art gallery world heritage site 19th century black & white black and white B W UNESCO Ancient Egyptian Monument 19th Dynasty nineteenth century Nubian historic ancient site As Sa'id Nubia TGN building exterior photograph Temple of Abu Simbel Maxime du Camp Rameses II II Ramesses II Ramses II Ramses the Great Rameses the Great Ramesses the Great Art Institute of Chicago Du Camp Maxime Camp Maxime Du rock cut art centre Mizraim speos Ozymandias Ramesses Heritage Art salted paper print hemi-speos hemispeos 19th-century Art Institute Chicago Salted paper print plate 105 from the album "Egypte Nubie Palestine et Syrie" (1852)